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    Home » “Welcome To Aleppo” Underscores VR’s Potential To Reshape Journalism

    “Welcome To Aleppo” Underscores VR’s Potential To Reshape Journalism

    By SHOOTTuesday, August 11, 2015Updated:Tuesday, May 14, 2024No Comments1853 Views
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    This image provided by Ryot shows a scene from a virtual reality short film of Syrians traveling on the street near the Aleppo Bridge for safety from the snipers targeting the condensed area in Syria. (Christian Stephen/Ryot via AP)

    360-degree short film takes viewers inside war-ravaged Syria

    By Derrik J. Lang, Entertainment Writer

    LOS ANGELES (AP) --

    The latest frontier in virtual reality could be closer to reality than fantasy.

    While video game creators and filmmakers have recreated the likes of Middle-earth and Jurassic World in VR, activist news organization Ryot is teleporting viewers to real-life conflict zones and disaster areas like Nepal and Syria. Ryot released an immersive short film Tuesday shot last month on the war-ravaged streets of Aleppo.

    The three-minute film, "Welcome To Aleppo," features 360-degree views of abandoned areas in Syria's former commercial center. In one scene, bullets can be heard whizzing past the device used to film the VR footage, while another catches a glimpse of four Syrians on a motorbike traveling down a ruined street.

    VR headsets such as Oculus Rift or Project Morpheus won't be available to consumers until next year, but as of Tuesday, the film can be watched and controlled on a computer screen, or with a mobile VR headset, such as Google Cardboard.

    For many, VR might not only reshape entertainment but also journalism.

    "VR will definitely be used for entertainment, porn, video games, all of that," said Christian Stephen, Ryot's London-based global editor who filmed the video in Syria. "It can also be used to genuinely communicate stories around the world in desperate need of reaching people. The fatigue that has come with photos and videos of explosions and people crying has numbed people to the reality of the world, especially in Syria."

    Stephen, who has covered conflicts in Iraq and Afghanistan, said capturing the VR footage with a makeshift apparatus – six cameras strapped to a 3D-printed gimbal on top of a tripod – proved much more dangerous than shooting traditional video. The cumbersome contraption had to be left unattended, and it attracted more attention than a typical camera or smartphone.

    "It's an incredibly harsh environment to work in normally, but when they see you running around with a tripod and an alien device on top of it, they are going to try and kill you," said Stephen. "It looks like some sort of an odd IED. We were basically hunted for eight hours by the regime and rebel snipers. They thought I was trying to set up a bomb because I had to leave it for two to three minutes at a time to film what I wanted."

    Syria's civil war, now in its fifth year, has killed more than 220,000 people and wounded at least a million people, according to the United Nations.

    Three months ago, Ryot released its first foray into VR journalism with footage captured in Nepal after an April 25 earthquake devastated the country. Ryot co-founder Bryn Mooser said the organization is currently working on VR projects in five countries, including the Congo, Uganda, Haiti and Iraq.

    "For us, we want to distribute on every single platform," said Mooser. "We just want this story to get out there. It's not about creating a revenue opportunity for people to pay to download this footage. It's about seeing how many people can watch this as soon as possible. As the technology progresses, it'll become easier and easier for people to experience it."

    Mooser noted that "Welcome to Aleppo" marks the first VR video footage to be shot within Syria's war zone. Last year, the Emblematic Group debuted "Project Syria," an animated VR experience that recreated an attack on an Aleppo street and transported viewers to a refugee camp.

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    Category:News
    Tags:Virtual RealityVRWelcome To Aleppo



    Celeste Hughey, Keke Palmer Take Us To “The Burbs” For A Mix of Horror, Comedy and Social Commentary

    Friday, February 6, 2026
    This image released by Peacock shows Jack Whitehall, left, and Keke Palmer in a scene from "The Burbs." (Elizabeth Morris/Peacock via AP)

    The suburbs are anything but bland in the new Peacock series "The 'Burbs," where strange things are going on. Like how jokes mix with the dread. Inspired by the 1989 Tom Hanks-led movie of the same name, "The 'Burbs" follows a new mom as she navigates a foreign world of white picket fences and manicured lawns while also investigating a possible murder. "It's got the comedy, it has the drama, it's got the mystery, it's got the horror, the thrills, the suspense — all of it," says Celeste Hughey, the creator, writer and executive producer. All eight episodes drop Friday. Hanks is replaced by Keke Palmer, who plays a newlywed and new mom who moves into her husband's family home in fictional Hinkley Hills, where everyone is in everybody else's business. "Suburbia is a spectator sport," she is told. Across the street is an abandoned home, where a local teen disappeared decades ago. Palmer's Samira soon joins forces with a band of off-beat suburbanites to help solve the case, even if her own husband had some sort of role. "I really wanted to focus on that fish-out-of-water feeling, centering Samira as a Black woman in a white suburb who is a new mom, a new wife — new everything — and trying to figure out where she belongs in the environment," says Hughey. Jokes and social commentary The cast includes Jack Whitehall as Samira's husband and the trio of Julia Duffy, Mark Proksch and Paula Pell as her wine-swilling, investigating neighbors who form a sort of found family. "The movie came out when I was quite young, but I remember seeing it as a kid and it being like this terrifying movie to me," says Hughey. "But revisiting it as an adult, it's just like the most timely movie." The scripts crackle with witty humor, from references... Read More

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