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    Home » Welcome to the Special Spring 2018 Directors Series SHOOT>e.dition

    Welcome to the Special Spring 2018 Directors Series SHOOT>e.dition

    By SHOOTTuesday, March 20, 2018Updated:Tuesday, May 14, 2024No Comments4379 Views
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    Robert Goldrich
    --

    Welcome to the Special Spring 2018 Edition of SHOOT’s Directors Series. Our mix of profiles includes Luca Guadagnino whose Call Me by Your Name landed four Academy Award nominations, including for Best Picture, and Bryan Fogel who won the Best Documentary Feature Oscar for Icarus. Both filmmakers also have production company affiliations for commercials and branded content—Little Minx for Guadagnino, and Supply&Demand for Fogel.

    On the spotmaking front, we profile Martin de Thurah of Epoch Films who recently won the DGA Award as Best Commercial Director of the Year. And then there’s the prolific spot and music video duo, Dom&Nic, who are handled in the U.S. by Station Film and in the U.K. by Outsider.

    Another ad artisan, director DeMane Davis—who is repped by Sweet Rickey—now finds herself committed to another discipline for the next six months or so as producing director for season three of Queen Sugar, Ava DuVernay’s acclaimed primetime series on Oprah Winfrey’s network OWN. 

    We also connect with accomplished narrative filmmaker Rebecca Miller who’s made her first foray into the documentary discipline with a personal, eye-opening look into the life of her father, the late, legendary playwright Arthur Miller. 

    Rounding out our profiles lineup are two filmmakers who have scored on this year’s festival circuit. Alison Klayman with Take Your Pills, a documentary which premiered at SXSW; and Rudy Valdez whose feature directorial debut The Sentence won the U.S. Documentary Audience Award at the Sundance Film Festival. Klayman’s roost for commercials and branded fare is Washington Square Films while Valdez has come aboard the spotmaking roster of Park Pictures.

    Meanwhile our ensemble of up-and-coming talent consists of a skate video filmmaker who just made a major breakthrough at Sundance; a director who established herself in London, has turned out some initial notable U.S. campaign work and is just taking on her first representation in the American ad market; a prolific music video director who has since diversified into commercials, branded content and shorts; and a helmer whose work in fashion, music and dance has struck a responsive chord with brands and audiences.

    SHOOT also delves into Leading Producers, gleaning insights from Peter Spears, a first-time producer who became a Best Picture Oscar nominee for Call Me by Your Name; Alison Benson, EP of HBO’s Divorce; Ken Biller, EP of Genius, covering season 1 on Albert Einstein and the much anticipated season 2 on Pablo Picasso; Mike Medavoy, EP of the limited series The Long Road Home; and Jane Root, who’s teaming with Darren Aronofsky to produce the docuseries One Strange Rock.

    And then in our Cinematographers & Cameras Series, we meet three DPs—one who recently won his first ASC Award on the strength of The Crown; another who lensed Strong Island, nominated for this year’s Best Documentary Feature Oscar; and a lenser whose career was launched by David Fincher with the Netflix series Mindhunter, which in turn has opened up new spot opportunities.

    Director Profiles:
    DeMane Davis
    Martin de Thurah    
    Dom& Nic    
    Bryan Fogel    
    Luca Guadagnino    
    Alison Klayman    
    Rebecca Miller    
    Rudy Valdez   

    Features:
    Up-and-Coming Directors: Springing Forward With New Talent
    Leading Producers Fresh Produce: Perspectives on Film, TV
    Cinematographers & Cameras: Insights into The Crown, Strong Island, Mindhunter, Spots

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    Tags:Directors Series



    Duane “Keffe D” Davis’ Murder Trial Heads To Closing In Tupac Shakur’s 1996 Killing

    Friday, August 28, 2026

    The murder trial of Duane "Keffe D" Davis in the 1996 killing of Tupac Shakur is headed to closing arguments after the defense rested Thursday following testimony from three former Las Vegas police officers.

    Jurors are scheduled to return Monday for closing arguments before beginning deliberations in the only prosecution brought in the killing of the hip-hop icon. The presentation of evidence ended after nine days of testimony.

    Davis, 63, did not take the stand.

    Shakur was riding in a BMW on Sept. 7, 1996, when a white Cadillac pulled up next to it at a red light near the Las Vegas Strip and gunfire erupted. Shakur was shot multiple times and died six days later. The driver of the BMW, Marion "Suge" Knight, survived.

    Years later, Davis would say he procured the gun and his nephew, who has since died, fired the shots. Prosecutors say Davis orchestrated the killing, and he faces life in prison if convicted of murder with a deadly weapon with the intent to promote, further or assist a criminal gang. He has pleaded not guilty.

    Defense attorney Michael Sanft has argued that Davis fabricated or embellished his accounts of the killing for money and notoriety and that investigators failed to independently corroborate his claims.

    Retired Las Vegas homicide detective Dan Long, the defense's final witness, testified that he tried unsuccessfully to verify several details Davis provided during a 2009 police interview.

    Davis told Long that his nephew, Orlando "Baby Lane" Anderson, had gone to a Las Vegas hospital after being beaten by Shakur and others in a casino brawl hours before the rapper was fatally shot. Long said he was unable to find hospital records confirming Anderson was treated there.

    Long also tried... Read More

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    Farewell Note from the Publisher

    After 66 years of covering Commercial, Film & TV production & post, SHOOTonline ceased publishing as of Friday, August 28th, 2026.

    Although publishing activities concluded, the company will continue to operate through a transition period to ensure a smooth conclusion to all business dealings, including processing refunds for prepaid SPW tokens and collecting outstanding advertising invoices.

    A heartfelt Thank You to our readers, advertisers, sponsors, vendors, and of course the amazing staff throughout the decades who have made this wonderful SHOOT Magazine/SHOOTonline journey possible. And, a huge Thank You to all the executives, artisans, companies, agencies, associations, guilds, studios, networks, streaming services, manufacturers, and so many more who trusted us to share their news, milestones, insights, and points of view with the industry.

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