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    Home » “The Woman King” Tops North American Weekend Box Office

    “The Woman King” Tops North American Weekend Box Office

    By SHOOTSunday, September 18, 2022Updated:Tuesday, May 14, 2024No Comments1375 Views
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    This image released by Sony Pictures shows Viola Davis in "The Woman King." (Sony Pictures via AP)

    By Lindsey Bahr

    --

    The Viola Davis-led action epic " The Woman King " easily conquered the North American box office in its first weekend in theaters, against a crowded market of new releases. The film, directed by Gina Prince-Bythewood, surpassed expectations and earned $19 million in ticket sales, according to estimates from Sony on Sunday.

    "The Woman King" was released by Sony and TriStar in 3,765 locations and carries a reported production budget of $50 million, which was co-financed by eOne. The film, about the Agojie, the all-female army of the Kingdom of Dahomey in West Africa in the 1800s, got glowing reviews after its debut at the Toronto Film Festival. It currently boasts a 94% fresh rating on Rotten Tomatoes. And theatrical audiences seem just as enthusiastic, giving it a rare A+ CinemaScore suggesting that word of mouth will be strong in the coming weeks.

    "This one has great reviews, an epic story and a great star in the lead role," said Paul Dergarabedian, Comscore's senior media analyst. "People want to go to the movie theater and audiences are back in the habit of expecting new movies in theaters."

    The horror movie "Barbarian," a 20th Century Studios release, took second place in its second weekend with $6.3 million.

    It was a jam-packed week for new releases at the domestic box office that included the A24 horror prequel " Pearl," Searchlight's starry mystery pic " See How They Run," NEON's David Bowie documentary " Moonage Daydream," Paramount and Miramax's "Confess, Fletch," with Jon Hamm, and Focus Features' "The Silent Twins." But even though most boasted good reviews, it was still a slower week for the business overall.

    "See How They Run," a 1950s-set murder mystery with Saoirse Ronan and Sam Rockwell, is estimating a $3.1 million domestic debut from 2,404 locations.

    Ti West's "Pearl" also took in estimated $3.1 million. A24 released the film starring Mia Goth as a farmgirl who dreams of movie stardom on 2,935 screens. The first film "X" opened $4.3 million in March and the studio has already greenlit a third film, "MaXXXine."

    Brett Morgen's Bowie documentary "Moonage Daydream," meanwhile, debuted exclusively on IMAX screens this weekend, where it made $1.2 million in North America and landed in 10th place.

    "This may not be a blockbuster-filled corridor, but this is a great weekend," said Dergarabedian. "There's all this talk of the post summer doldrums or slowdown, but there's a lot of new movies out there. You just have to look for the gems."

    Next week will see the release of Olivia Wilde's much-discussed "Don't Worry Darling," which could give a boost to the box office. But blockbuster numbers likely won't return until October and even November when the superhero movies return with "Black Adam" and "Black Panther: Wakanda Forever."

    Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.

    1. "The Woman King," $19 million.
    2. "Barbarian," $6.3 million.
    3. "Pearl," $3.1 million.
    4. "See How They Run," $3.1 million.
    5. "Bullet Train," $2.5 million.
    6. "Top Gun: Maverick,"$2.2 million.
    7. "DC League of Super Pets," $2.2 million.
    8. "The Invitation," $1.7 million.
    9. "Minions: The Rise of Gru," $1.3 million.
    10. "Moonage Daydream," $1.2 million.

    Lindsey Bahr is an AP film writer.

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    Category:News
    Tags:box officeThe Woman King



    World War Seven Adds Comedy Directing Duo Mister To Its Roster

    Monday, January 12, 2026

    World War Seven has added directorial duo Mister (comprised of Miche Sieg and Rose Chirillo) to its roster of talent. If you’re wondering why those look like girls’ names, it’s because they are. And if you’re wondering why two girls go by Mister, it’s because their combined initials are MR, and they thought maybe branding themselves like men would help them get a job. (Surprise! It did.)

    Mister’s journey to becoming sought-after comedy directors arrived after 10 years as advertising creatives, but not before a pit-stop in parody ads for real products (and then a side-quest in deciding they would rather make the products themselves). After spending years developing award-winning work for myriad brands as agency creative directors, Sieg and Chirillo decided that they wanted to make the ads themselves too, so they pivoted to directing.

    So began a journey into helming hilarious and mildly unsettling campaigns for brands like Peelz, Orangetheory, Manscaped, GoDaddy, Hot Pockets, JanSport, and ESPN--shooting stomach puppets, ventriloquist dummies, and talking cows for creative briefs that demand Mister’s offbeat brand of fun. Prior to joining World War Seven, Mister had most recently been repped by Greenpoint Pictures.

    From their earliest days as directors, Mister became known for creating witty and wondrous worlds, beginning with their fever-dreamy anti-vaping campaign for Truth. Building upon the universe they created for Truth’s fake vape brand, Depression Stick, the campaign kick-started Mister’s love affair with surreal, slightly unhinged world-building.

    Always committed to the bit, Mister created parody ads for real, absurd products like Cock Block--a cutting board named after the shape it’s cut in--and A Pair of... Read More

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