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    Home » Women Walk The Cannes Film Fest Red Carpet For Gender Equality

    Women Walk The Cannes Film Fest Red Carpet For Gender Equality

    By SHOOTSaturday, May 12, 2018Updated:Tuesday, May 14, 2024No Comments4992 Views
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    Jury members Kristen Stewart, from left, Lea Seydoux, Khadja Nin, Ava Duvernay, Cate Blanchett and director Agnes Varda walk the red carpet as part of 82 film industry professionals to represent, what they describe as pervasive gender inequality in the film industry, at the 71st international film festival, Cannes, southern France, Saturday, May 12, 2018. (Photo by Joel C Ryan/Invision/AP)

    By Jake Coyle, Film Writer

    CANNES, France (AP) --

    Eighty-two women climbed the steps of the Palais des Festivals at the Cannes Film Festival in an unprecedented red carpet protest to press for improved gender equality in the film industry.

    The number of stars, filmmakers and film industry professionals ascending the steps represented the number of female filmmakers who have been selected to compete at Cannes during the festival's seven-decade history.

    In contrast to their 82, 1,866 films directed by men have been picked for the prestigious festival lineup.

    Organizers said the event was orchestrated by the Time's Up movement and the French movement known as 5020×2020 to show "how hard it is still to climb the social and professional ladder" for women.

    It brought an array of film industry professionals to the Cannes red carpet, including actresses Salma Hayek and Jane Fonda, "Wonder Woman" filmmaker Patty Jenkins and French director Agnes Varda, a recipient of an honorary Palme d'Or at Cannes.

    Also joining were the five female members of this year's Cannes jury: Cate Blanchett, Kristen Stewart, Ava DuVernay, Lea Seydoux and Burundian singer Khadja Nin. Blanchett read a statement atop the Palais steps in English; Varda read it in French.

    "Women are not a minority in the world, yet the current state of the industry says otherwise," Blanchett said. "We stand together on these steps today as a symbol of our determination to change and progress."

    "The stairs of our industry must be accessible to all," she concluded. "Let's climb."

    The protest was held ahead of the premiere of French filmmaker Eva Husson's "Girls of the Sun," which is about a Kurdish battalion of women soldiers. Husson is one of three female filmmakers out of the 21 movies in competition for the Palme d'Or this year.

    The other two — Nadine Labaki's "Capernaum," and Alice Rohrwacher's "Happy as Lazzaro" — are to premiere next week.

    Cannes has come under increasing scrutiny in recent years over the number of female directors selected into its main slate, considered one of the most esteemed achievements in cinema. Jane Campion is the only female filmmaker to ever win the Palme.

    The festival supported Saturday's protest. Festival director Thierry Fremaux earlier this week hailed Saturday's event as a way for women "to affirm their presence."

    Fremaux has repeatedly insisted that the festival chooses its films purely based on quality. But he's also signaled that the festival is reanalyzing its procedures and making its selection committees gender-balanced.

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    Category:News
    Tags:Ava DuVernayCannes Film FestivalCate Blanchettgender equalityPatty Jenkins



    Paul Thomas Anderson Wins Marquee Feature Honor At DGA Awards For “One Battle After Another”

    Sunday, February 8, 2026

    Paul Thomas Anderson won the marquee feature prize at the 78th Directors Guild of America (DGA) Awards on Saturday night (2/7) for One Battle After Another. This makes Anderson the frontrunner to win the Best Director Oscar. Only eight times over the past 77 years has the DGA Award winner not gone on to win the Academy Award. That happened most recently in 2020 when Sam Mendes won the DGA Award for 1917 while Bong Joon-ho scored the Oscar for Parasite. Anderson topped a field of DGA nominees which also included Ryan Coogler for Sinners, Guillermo del Toro for Frankenstein, Josh Safdie for Marty Supreme, and Chloé Zhao for Hamnet. In his acceptance speech, Anderson paid tribute to his first assistant director Adam Somner, who died in 2024. Anderson described Somner as someone who took his work “so seriously” but “did not take himself seriously at all”--that was part of his beauty. Anderson affirmed that Somner was “a great AD” who “made us feel safe,” mitigating the hazards that often accompany ambitious production. Anderson wished other directors in the audience a colleague like Somner. And if they already have one, Anderson advised them to hold that AD close in love and appreciation. The other DGA theatrical motion picture award--named after the late filmmaker Michael Apted in recognition of outstanding achievement by a first-time feature director--went to Charlie Polinger for The Plague. On the TV side, winners included Amanda Marsalis who topped the dramatic series category for the “6:00 P.M.” episode of The Pitt; Seth Rogen and Evan Goldberg who took comedy series honors for “The Oner” episode of The Studio; Shannon Murphy for the... Read More

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