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    Home Β» Women’s Employment Prospects Better In Indie Film Than In Studio Productions

    Women’s Employment Prospects Better In Indie Film Than In Studio Productions

    By SHOOT StaffMonday, January 21, 2013Updated:Tuesday, May 14, 2024No Comments1175 Views
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    Jane Campion (center), co-writer and co-director of the Sundance Channel scripted series "Top of the Lake," addresses the audience alongside co-writer Gerard Lee (l) and co-director Garth Davis at 2013 Sundance Festival. (Photo by Chris Pizzello/Invision/

    But Sundance Institute/Women In Film-commissioned study finds lack of progress overall

    By Sandy Cohen, Entertainment Writer

    PARK CITY, Utah (AP) --

    Despite equal representation of male and female filmmakers at this year’s Sundance Film Festival, a new study shows there has been little change in the number of women working as directors and producers at the independent-film showcase over the past decade.

    But women still fare better behind the camera in independent film than in studio productions.

    The Sundance Institute and Women in Film commissioned the study last year and announced the results Monday in Park City, Utah.

    Researchers at the University of Southern California’s Annenberg School for Communication and Journalism examined gender disparity in American narrative and documentary films shown at Sundance from 2002 to 2012.

    Study director Stacy L. Smith and her team assessed the gender of more than 11,000 directors, writers, producers, cinematographers and editors of the 820 narrative and documentary films shown over this period and found that women represent less than one-third of those filmmakers.

    “There has been no sustained or meaningful change across the last 11 years in the percentage of directors or producers at the Sundance Film Festival,” Smith said.

    There are more women working in documentary films than narrative films, but Smith said the research finds that “as commerce moves in, females move out.”

    The study found that female directors comprise a norm of 22.2 percent of narrative competition films and 14.5 percent of premieres and other non-competition films at Sundance over the past 11 years. During the same period, female directors made up only 4.4 percent of the top-grossing Hollywood films, a ratio of more than 15 male directors for every female. Of those women, though, more than 40 percent had come through the filmmaking programs of the Sundance Institute.

    Women and men participate in the institute’s programs in almost equal number, Smith said.

    Female filmmakers find more equal representation in the documentary sphere, comprising nearly half of those represented at Sundance from 2002 to 2012.

    Finally, the study found that films directed by women employ greater numbers of women behind the camera than those made by men.

    The Sundance Institute and Women in Film aim to use the results of this study to create mentoring and support programs to increase the number of women working behind the camera in American filmmaking.

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    Category:News



    Thanks To Shows Like “Abbott Elementary” and “Hacks,” LGBTQ+ Representation On Primetime TV Grows

    Thursday, November 6, 2025

    TV shows like "Abbott Elementary," "Hacks," "Heartstopper," "The Last of Us" and "Yellowjackets" helped increase the ranks of LGBTQ+ characters on prime time by 4% over the previous season, according to a new study by the advocacy group GLAAD. This year's "Where We Are on TV" study, released Thursday, counted 489 LGBTQ characters across scripted prime-time broadcast, cable and streaming shows β€” up 21 additional characters. It marks a boost after two years of decline, but remains far below the 2021-2022 record high of 637 characters. Sarah Kate Ellis, president and CEO of the group, warned that those numbers could still decrease soon: More than 200 of the LGBTQ+ characters counted this year β€” in shows like "Heartstopper," "Harlem" and "Elite" β€” will not be returning due to a flurry of series cancellations, endings or because they were limited series. "Storytelling brings us together and this current cultural and political climate calls on creatives and executives to double down on fair and accurate stories of LGBTQ people," Ellis writes in the report. GLAAD added that the number of transgender characters on TV has slightly increased from last year to reach 33 β€” 24 trans women, seven trans men, and two nonbinary characters β€” but only four trans characters appear on series that have been officially renewed. The report is the 20th edition of the annual tracking by GLAAD and charts a remarkable leap from just 47 LGBTQ+ characters in the first study. It arrives as President Donald Trump has targeted transgender and nonbinary people with a series of executive orders β€” including one declaring the existence of two unchangeable sexes β€” stripping government websites of "gender ideology" an reinstituting a ban on transgender service members in the... Read More

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