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    Home » Woody Allen Returns To Cannes With “Irrational Man”

    Woody Allen Returns To Cannes With “Irrational Man”

    By SHOOTFriday, May 15, 2015Updated:Tuesday, May 14, 2024No Comments2033 Views
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    Director Woody Allen poses for photographers during a photo call for the film "Irrational Man," at the 68th international film festival, Cannes, southern France, Friday, May 15, 2015. (Photo by Joel Ryan/Invision/AP)

    Filmmaker also says he's struggling with creating a series for Amazon

    By Jake Coyle, Film Writer

    CANNES, France (AP) --

    Woody Allen returned to the Cannes Film Festival on Friday to show his latest film, "Irrational Man," speak about what he called the meaninglessness of life and confess that trying his hand in television was "a catastrophic mistake."

    In "Irrational Man," a Rhode Island drama about a despairing academic, Joaquin Phoenix stars as a flask-swilling philosophy professor who has come to dismiss his subject as "verbal masturbation." As he befriends a young student played by Emma Stone, he contemplates a Dostoyevsky-inspired murder plot.

    It's Allen's 11th film at Cannes but the 79-year-old writer/director's films have always played out of competition, as he has long disdained prizes in art.

    "Irrational Man," due in U.S. theaters July 17, received a mixed reaction Friday from the critics at Cannes. For Allen film fans, however, the movie had many of his traditional hallmarks. Although set in a new locale for the director, "Irrational Man" contains familiar struggles with finding meaning in life, a romance with a younger woman and a general lightness of tone even amid the possibility of murder.

    Allen told reporters that he and his protagonist both have similar feelings about the usefulness of philosophy.

    "There's no positive answer to the grim reality of life, no matter how much the philosophers talk to you or the priests or the psychologists," said Allen. "The bottom line after the all talk is: Life has its own agenda and it runs right over you while you're prattling. We're all going to wind up in the same position sooner or later."

    Some highlights from Allen's comments in Cannes:

    ON HIS SIX-EPISODE AMAZON SERIES
    "It was a catastrophic mistake for me. I'm doing my best with it. I'm struggling with it at home. I never should have gotten into it. It's very hard for me. I thought it was going to be easy. You do a movie, it's a big long thing. To do six half-hours, I thought it was going to be a cinch. … I don't know what I'm doing. I'm floundering. I expect this to be a cosmic embarrassment when it comes out."

    ON REMAKING HIS FILMS
    "I would shoot them all over if I could. … I could very happily take every movie I have and improve it if I could get the cast back, the circumstances back, roll back time, get the money."

    ON MAKING MOVIES
    "The only thing you can think of as an artist is try to come up with something where you explain to people why life is worth living, and is a positive thing, and does have some meaning. Now, you really can't do that without conning them. You can't be honest and do that. Because in the end, it has no meaning. You're living in a random universe. You're living a meaningless life."

    ON LEARNING AS A FILMMAKER
    "After your first two or three movies, you learn all you're really going to learn."

    ON WORKING AGAIN WITH EMMA STONE
    "She's the first thing I thought of. … She acted the role so far beyond what I expect. I knew she'd be good, but I didn't realize how good she was. I didn't realize what a deep, wonderful professional actress she was. I've only had a good time with her."

    ON WORKING WITH PARKER POSEY
    "I've always wanted to work with Parker Posey because I like the name Parker Posey."

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    Category:News
    Tags:Cannes Film FestivalIrrational ManWoody Allen



    Joachim Trier and Eskil Vogt Find A Home In “Sentimental Value”

    Thursday, January 15, 2026

    “Home is where the heart is.” The universality of that time-honored adage is in many respects at the core of Sentimental Value (Neon)--not just as it applies to the story but also as part of the process that went into telling that story. On the former score, director Joachim Trier’s film--which he wrote with long-time friend and colleague Eskil Vogt--is set in an old family home in Oslo that carries memories that help to define two sisters, now adults, and their strained relationship with a father who prioritized his filmmaking career over being a parent. The sisters are Nora (portrayed by Renate Reinsve) and Agnes (Inga Ibsdotter Lilleaas). Nora, the older sister, grew up to be an accomplished actor, following in the cinematic/stage career footsteps of her dad, Gustav (Stellan Skarsgård in a Golden Globe-winning performance). After years of absence from Nora and Agnes’ lives, Gustav unexpectedly appears at the time-worn family residence to attend the funeral wake of the daughters’ mother but his prime motive for turning up is a movie that he wants to make in order to fuel his career comeback. And he has Nora in mind to play the lead in the film. She immediately refuses the role, which ends up going to a movie starlet (Elle Fanning). As shooting begins, psychological scars revert to open wounds and the presence of the American celeb forces Gustav, Nora and Agnes to look at themselves and their family’s fragile emotional underpinnings more closely. The family home is a repository of past lives spanning love, loss, alienation, joy, resentment and estrangement--as such, it’s a centerpiece for the characters in Sentimental Value and lends great insight into them. For example, at one point around the middle of the film, we see... Read More

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