Tuesday, January 23, 2018

4th Quarter 2017 Top Ten Music Tracks Chart

Top Ten Music Chart
  • Friday, Dec. 22, 2017
4th Quarter 2017 Top Ten Music Tracks Chart

From a mom's wish for her newborn daughter to the King of the Beasts sorely in need of relaxation--this is just part of the creative range reflected in our Quarterly Top Ten Tracks Chart which showcases the talents of music and sound artisans throughout the industry.

See and hear the best this past quarter has to offer from the likes of Pivot Audio, Yessian, Beacon Street Studios, JSM, Amber, Shindig, SOUTH, Bang and more.

1

Client: Gatorade
Agency: TBWA, USA
Agency Producer: Ian Mitchell
Creative Directors: Mark Peters, Kirsten Rutherford
Production: Tool of North America
Director: Jaci Judelson
Director of Photography: Danny Hiele
Edit: Matt Lee
Editor: Chris Murphy
Music Production and Sound Design: Pivot Audio
Executive Producers: Neil Devlin, Jonas Holst
Music Producer: Guy Amitai
Vocals: Dana Winter
Arrangement: Roma Otto
Sound Designer: Lawrence Horne

2
Mercedes-Benz's "King of the Jungle"

Music/Sound: Yessian Music, Hamburg and New York Ingmar Rehberg, exec producer; Uli Witt, sr. producer; Lukas Lehmann, producer; Brian Yessian, chief creative officer; Michael Yessian, head of production Audio Post: Yessian Music, Hamburg; Max Fritz, sound designer Agency: Antoni/Berlin Production: Markenfilm, Hamburg; Rattling Stick, London' Daniel Kleinman, director

3
Amazon's "Bears vs. Packers"

Music/Sound: Beacon Street Studios, Venice, Calif. Beacon Stret Studios, composers; Leslie DiLullo, Adrea Lavezzoli, executive producers; Lindsey Lerman, producer. Eleven Sound, Santa Monica, Calif. Jeff Payne, sound designer; Melissa Elston, executive producer Audio Post: Eleven Sound, Santa Monica, Calif. Jeff Payne, mixer; Melissa Elston, executive producer Agency: CP+B L.A. Production: Biscuit Filmworks, Los Angeles; Andreas Nilsson, director

4
Land Rover's "White Christmas"

Music/Sound: SOUTH Music + Sound Design, Santa Monica, Calif. Audio Post: Barking Owl, West Los Angeles; Mike Franklin, mixer Agency: Spark 44, Los Angeles Production: Smuggler, bicoastal; The Guard Brothers, directors

5
Honda's "Evolution"

Music/Sound:  Shindig Music + Sound, Playa del Rey, Calif. Scott Glenn, creative director; Debbi Landon, exec producer; Caroline O’Sullivan, head of production; Dan Hart, music editor. Audio Post: Lime Studios, Santa Monica, Calif. Sam Casas, mixer Agency: MUSE USA, Santa Monica, Calif. Production: Contrast Eye, Venice, Calif. Pascal Heiduck, director

6
Verizon FIOS' "Dark Ages"

Music/Sound: JSM Music, New York; Joel Simon, chief creative officer/composer; Brian Englishman, Nathan Kil, composers; Jeff Fiorello, exec producer; Norm Felker, producer. Audio Post: Sonic Union, New York; Paul Weiss, mixer Agency: McCann New York Production: Smuggler, bicoastal; Henry-Alex Rubin, director

7
Post Bellum's "Veteran's Day"

Music/Sound: BANG, Prague; Viliam Béreš, composer; BEEP, Prague; Lukáš Moudrý, sound designer Audio Post: BEEP, Prague; Lukáš Moudrý, mixer Agency: Y&R, Prague Production: Bistro Films, Prague; Marek Partyš, director

8
Period Equity's "Periods are Not a Luxury. Period."

Music/Sound: Amber Music, New York; Mike Perri, producer/music supervisor; Michelle Curran, exec producer/creative director Audio Post: Heard City, New York; Jodi Levine, mixer Agency: J. Walter Thompson New York Production: The Sweet Shop, Hollywood, Calif. Melanie Bridge, director

9
Director Terence Neale, JohnXHannes Rise "Above The Noise" For Beats by Dre

Client Beats By Dr. Dre Agency JohnXHannes New York Hannes Ciatti, John McKelvey, executive creative directors/co-founders; Matt Bonin, head of production; Dan Koeger, Pierre Janneau, creative directors. Production Park Pictures Terence Neale, director; Jackie Kelman-Bisbee, Scott Howard, exec producers; Anne Bobroff, head of production; Tim Kerrison, Dougal Meese, Youree Henley, producers; Alexis Zabe, DP. Editorial Cartel Leo Scott, Chris Catanach, editors. Color Company 3 Tom Poole, colorist. Finishing a52 Music Ruel’s “Don’t Tell Me” Audio Beats By Dr. Dre Josh Eichenbaum, mixer.

10
Director Steve Rogers, Venables Bell & Partners Meet In "Parking Lot" For Audi Holiday Spot

Client Audi of America  Agency Venables Bell & Partners, San Francisco Paul Venables, founder/chairman; Will McGinness, partner, executive creative director; Justin Moore, Erich Pfeifer, creative directors; Tedd Wood, copywriter; Cody Pate, art director; Craig Allen, director of integrated production; Hilary Coate, producer. Production Biscuit Filmworks, Los Angeles Steve Rogers, director; Shawn Lacy, Holly Vega, exec producers; Karen O’Brien, line producer; Alwin Kuchler, DP. Editorial Exile Kirk Baxter, editor; Paul Jarolimekproner, assistant editor; CL Weaver, exec producer; Remy Foxx, producer. VFX/Finish Electric Theatre Collective, Santa Monica, Calif. Adam Watson, VFX lead supervisor; Kate Hitchings, VFX exec producer; Scott Boyajan, VFX producer; Adam Watson, Eric Mason, Dave Damant, Kevin Jones, Brian Magarian, Phoebe Britton, Gretchen Capatan, James Aguilar, James Gorman, Mikey Smith, Nicholas Hiegel, Steve Miller. 2D artists; Dark Hoffman, digital matte painter; Corinne DeOrsay, CG supervisor. (Toolbox: Houdini, Flame, Nuke) Color Company 3, Santa Monica Stefan Sonnenfeld, colorist; Katie Andrews, color producer. Music Barking Owl Kelly Bayett, creative director/partner; KC Dossett, producer; Barking Owl, arranger; Wylie Statemen, Harry Cohen, sound designers. Music “Carol of the Bells” by Peter J. Wilhousky Audio Post Barking Owl, West Los Angeles Mike Franklin, mixer.