• Monday, Sep. 12, 2016
Creative director Jared Creason joins The Escape Pod
Jared Creason
CHICAGO -- 

The Escape Pod, an independent advertising agency in Chicago, has hired Jared Creason as creative director. 

Creason started his career at Goodby Silverstein & Partners, where he created the Doritos “Crash the Super Bowl” campaign, earning the #1 spot on the USA Today Admeter and the Cannes Titanium shortlist. While at Saatchi & Saatchi, he created the Tide “Montanaland” campaign, a Super Bowl commercial hit that won a Cannes Film Lion and garnered the #2 spot on the USA Today Admeter. 
 
Creason also freelanced at ad shops including StrawberryFrog, DDB, David&Goliath, RPA, JWALK and Olson. He has created innovative campaigns for Starbucks, Trident, JCPenney, Hans Brinker, Head & Shoulders, Miller, Visine, HP, Scotch Tape and Sprint, and earned a host of industry accolades from the Cannes Lions, Clios, One Show and Art Directors Club, among other competitions.

Creason said of The Escape Pod, “Their work is fearless and they have a cool, laid-back culture. I have always admired Vinny [Warren, ECD and founder of The Escape Pod], along with other great mentors I’ve had throughout my career including Gerry Graf at Saatchi NYC and Jeff Goodby and Rich Silverstein. They helped shape my approached to creativity.”

Creason earned his Master of Science in Communications from the Brandcenter at Virginia Commonwealth University and a B.A. in Philosophy from California State University, Long Beach.

  • Thursday, Sep. 8, 2016
Rodney DeMeglio promoted to editor at charlieuniformtango
Rodney DeMeglio
DALLAS -- 

Lola Lott, charlieuniformtango principal/CEO, announced that the company has promoted Rodney DeMeglio to editor. 

DeMeglio, who joined charlieuniformtango in 2004 as an intern, was most recently working as an assistant editor.

“Once on board at tango, my interest in editing and film grew into a passion that helped propel me into a senior assistant editing position, and finally to editor. This is a long term goal of mine,” said DeMeglio. “I’m very excited and grateful for the opportunity to continue to grow.”

DeMeglio has edited projects for shops like The Richards Group, TM, Publicis, Firehouse, 3Headed Monster, The Marketing Arm, and Lucky & Co. Clients include Charles Schwab, Home Depot, Chick-fil-A, American Airlines, GameStop, Frito-Lay, Wyffels, Texas Health, and Zales.

DeMeglio, a drummer, toured with the band The Calicoes for several years and played in a few local bands prior to joining tango. “Deedle LaCour and I played in our first band together when we were teenagers and have always remained close friends,” he said. “Years later after Deedle joined tango, he kept saying how much he loved working there as an editor. When he needed an assistant, I interviewed. Editing to me is a way to see things from different perspectives. I like to try new ideas until I can ultimately say I’ve found the best possible story. Hopefully in doing that, I can stir something inside of someone by engaging them and getting a reaction through visual storytelling.”

  • Thursday, Sep. 8, 2016
Framestore hires creative producer Guillaume Raffi
Guillaume Raffi
LOS ANGELES -- 

Visual effects company Framestore has hired Guillaume Raffi as creative producer across its VR, Design and Labs departments in the L.A. office. 

Raffi’s experience spans producing entertainment and commercial content within video, graphic design and interactive development. Most recently he launched the L.A. office of Paris-based Nightshift Post. At Nightshift Raffi contributed to campaigns for Hennessy, Gucci, Nespresso and L’Oréal, and worked with Iconoclast’s We Are From LA on the award-winning, 24 hour music video for Pharrell Williams’ “Happy.”

Prior to that Raffi was executive producer at Psyop and producer at visual effects shop BUF in Paris for features (Harry Potter and the Prisoner of Azkaban, Wong Kar Wai’s 2046, Oliver Stones’ Alexander), animated features (Luc Besson’s Arthur and the Invisibles), and commercials. Raffi worked closely with director Antoine Bardou-Jacquet, and Paranoid’s Thierry Poiraud and Francois Vogel, focusing on the U.S. market and music videos (including U2’s “Vertigo”).

Raffi also started the in-house post studio of Paranoid where he supervised campaigns for PlayStation, Nike, Verizon, Visa, Walmart, Cablevision and Electronic Arts, among others.

“I’m very excited to work amongst the industry pioneers at Framestore,” said Raffi. “Virtual reality and digital installations are some of the hottest topics in culture right now. Framestore has been doing design work since the ‘80s that I looked up to as a kid, including many of the James Bond title sequences.”

Framestore extended its Design Studio offering to Los Angeles earlier in the year and has already produced work for VW, Venice Architectural Biennale and Gatorade’s “Sports Fuel” campaign. Framestore VR Studio is one of the most prolific in the industry, with nearly 20 unique experiences and over 75 award titles including the Mobile Grand Prix at the 2016 Cannes International Festival of Creativity. Framestore’s experiential offering, Labs, won the first-ever Data Visualization Yellow Pencil at D&AD this year for Morgan Stanley’s “Digital Signage.”

“Guillaume joining Framestore marks a pivotal moment of growth and convergence for the company,” said James Razzall, sr. EP of Framestore’s Los Angeles office. “He comes equipped with the proper skillset, attitude and creativity to carry the job.”

  • Wednesday, Sep. 7, 2016
Editor Chris Collins joins Reel FX
Chris Collins
DALLAS -- 

Digital studio Reel FX, Dallas/Santa Monica, has added editor Chris Collins who’s cut spots for such clients as Jeep, Ram, GameStop, Hasbro, T.G.I. Fridays, Salvation Army and Tostitos. His recent editing endeavors include collaborations with The Richards Group, Moroch, D3 and Mary Kay.

Michigan native Collins studied Film at Full Sail University but discovered his passion for editing in his teen years by shooting and editing videos for his high school’s news program while simultaneously joining forces with neighborhood kids to create video montages from gaming highlights. After attaining a B.A. in Film, he landed an assistant editor position for Renaissance Television and Film, and then for 3008. Throughout his time as an assistant editor, he collaborated with premium agencies on major projects including multiple Super Bowl Ads and international productions in Vancouver and Barcelona. In the midst of many editing endeavors, Collins also served as voiceover talent in spots for Jeep, Twin Peaks, Caliber Collisions and Funyuns. After two short years, Collins was promoted to editor at 3008 where he worked on a diverse range of branded campaigns.

  • Wednesday, Sep. 7, 2016
EP Amanda Tibbits becomes partner at VOLT Studios
Amanda Tibbits
MINNEAPOLIS -- 

Amanda Tibbits, executive producer at VOLT Studios, has been named company partner. Since joining the company as EP in 2014, Tibbits has been a vital part of every project and instrumental in developing the studio’s creative partnerships.

VOLT Studios offers creative production and post services including motion design, VFX, and finish, as well as color via Oscar Oboza in the Nice Shoes wing of the shop. Tibbits is involved in all projects, working closely with agencies and brands on campaigns of all sizes and scope. Among them, collaborations with Fallon for Arby’s, Carmichael Lynch and Subaru, mono and Life Cereal, Target, and Girls Empowerment for Sesame Street Workshop. She has also been instrumental in developing the company’s talent network.

Prior to joining VOLT Studios, Tibbits held key agency roles, most recently project manager at mono. As managing editorial producer at Fallon, Tibbits intensified her expertise in postproduction, overseeing the agencies in-house editorial studio. While at Campbell Mithun, she produced international productions from start to finish for beauty brands such as Tresemme, St Ives, Nexxus and Famous Footwear.

Tibbits’ connection to VOLT Studios’ founder Steve Medin and partner/COO Charlie Lach runs deep; the duo hired Tibbits in her very first industry job at Crash and Sue’s. She started as a receptionist and quickly found her calling as she assumed the role of account manager/producer. The trio kept in touch over the years, reconnecting at Pixel Farm where Tibbits was a producer for three years, and happily reuniting at VOLT Studios.

“With several stints together throughout our careers, I feel like I’ve been chasing her around for 20 years. I’ve finally caught her,” said Medin. “Amanda has always been my #1 EP, and I’m thrilled to have her as a partner.”

“I am excited to usher in this next step with VOLT Studios,” said Tibbits. “This is a company of people who have a strong background in the business of advertising, and who are also open to new approaches. I am surrounded by smart, driven, creative people who love to be inventive and make great things.”

  • Tuesday, Sep. 6, 2016
Andy Green, Sean Fazende named editors At Cut+Run
Sean Fazende (l) and Andy Green
LOS ANGELES -- 

Cut+Run has promoted Andy Green and Sean Fazende to editors. Both editors are based in L.A. and available to work via any Cut+Run location. 

Green is known for his penchant for cutting comedy and dialogue. Over the last year, prior to assuming the editor title at Cut+Run, Green cut Cisco with GS&P, OXO via Muhtayzik Hoffer, and Cesar with BBDO SF. With Jay Nelson, Green contributed to projects with such noted brands as Gatorade, VW, Microsoft and Old Navy. Green was formerly at Bob Industries where he was an editor who worked closely with director Zach Math on such projects as KMART’s “Ship My Pants” and “Yo Mamma” via Draftfcb Chicago, and GameStop for The Richards Group. He edited Elias Sime: Eye of the Needle, Eye of the Heart, a short film directed by Dayton/Faris for an exhibition at the Santa Monica Museum of Art. For Jason Reitman, Green edited Roast Battle, the NSFW docu-short about the no-holds-barred verbal boxing match where comedians compete in a battle of wits and insults. The film was part of the official lineup at Sundance 2016 and has toured festivals around the country. 

Three years ago, Fazende joined Cut+Run where he has fostered his talent for music videos, editing for such artists as Disclosure feat, Lorde, Smashing Pumpkins, Zayn Malik, and Selena Gomez (2016 VMA nominee “Kill em with Kindness”). Working alongside Steve Gandolfi, Fazende parlayed his fast paced editing style and love of sports into commercial work for projects including “Take It” for adidas and Wilson’s “From Federer.” During his junior year at Boston University, Fazende took a summer internship in Los Angeles, which ultimately lead to staff positions at Arcade and Beast, before coming to Cut+Run.

“Andy and Sean are both amazingly talented editors--they’ve already made an impact on the industry and Cut+Run,” commented managing director Michelle Eskin. “It’s great when you have the opportunity to give recognition where it is due, in this case by officially naming them editors at the company.”

  • Wednesday, Aug. 31, 2016
Aaron Dus named VP of strategy & innovation at Engine West
Aaron Dus
LOS ANGELES -- 

Engine Group, a global marketing services network, announced the appointment of Aaron Dus to VP of strategy and innovation for Engine West. He will be reporting to Doug Troy, chief operating and financial officer, Engine West.
 
Based out of the company’s Los Angeles office, Dus will work with Engine’s West Coast agencies, including digitally led creative shop Deep Focus, entertainment and content marketing agency Trailer Park, full-service creative agency Art Machine, as well as the content creation and distribution offering Moment Studio. He will be charged with leading strategic direction and collaborative opportunities for these agencies and their existing clients, including YouTube, Neutrogena and the Los Angeles Rams. In addition, Dus will also work closely with Engine Group East’s chief strategy officer Jonathan Lum to drive integration and synergy across Engine US.
 
Dus joins Engine Group from Rosetta│Razorfish Global where, as associate partner and VP of strategic planning, he was responsible for leading the agency’s SWAT Team and overseeing strategic initiatives on clients like Samsung, MagicLeap, and Bolthouse Farms.
 
“Innovation that really makes an impact begins with the right strategy,” said Dus. “Engine is a network that has integration and strategy at its core. I’m excited to be working with such a strong team of leaders, helping to cross-pollinate their ideas and inspire them to think differently for clients.”
 
Dus has been recognized for his work with a number of awards. Most notably, he received the Gold David Ogilvy Award in the financial services category in 2011 for his work on Ameriprize Financial’s “More Within Reach” platform. Throughout his career he has worked with such brands as eBay, Walmart, MasterCard, and LEGO.

  • Tuesday, Aug. 30, 2016
Directors Dickel, Daniels, Jones join Click 3X’s X3 Films
Lindsay Daniels
NEW YORK -- 

Click 3X has added three directors--Justin Dickel, Lindsay Daniels, and Yannakis Jones--to the roster at X3 Films, its director division headed by recently hired EP Bill Hewes. These hires round out X3 Films’ team and represent Click 3X’s comprehensive offerings in the animation and live action spaces. 

Dickel is a master of mixing traditional performance and choreographed direction with VFX to create evocative and sensory stimulating visuals. Throughout his career, Dickel has worked on a variety of projects, creating commercials and films for brands including Schweppes, Champs Sports, Vodafone, Skype, Pantene, Herbal Essences and Doritos. He’s also worked on music videos for global bands including Take That to smaller bands like Sheppard, including their hit, “Geronimo,” which received more than 30 million views on YouTube. 

Daniels is an Emmy award-winning designer, storyteller and live action director. She has worked as a creative at Digital Kitchen where she designed the main titles for the Emmy winning Dexter and the Emmy nominated ‘Path to 9/11’, as well as several commercial campaigns. At Publicis, she was a creative director for the T-Mobile and Chevrolet accounts, leading both brands through multiple print, broadcast and digital campaigns. 

Jones is a multi award-winning writer and director with a premium documentary style and a knack for building narratives and telling persuasive brand stories across all platforms. His tableau is branded content and longer form films featuring real people and real lives along with highlighting succinct, 360 degree messaging. His recent online film for Skype, called “Translator,” won a Gold and a Silver award at the W3 Awards in the ‘Promotion Branding’ and ‘Business to Consumer’ categories, respectively. The film follows a photojournalist through the markets of Shanghai to remote interior regions of China. Jones has worked with brands including Microsoft Skype, BMW, Ford, Unilever, SKY television, at agencies including WCRS, BBH China, RKCR/Y&R, Ogilvy, W&K, Mother, Publicis and JWT.

  • Tuesday, Aug. 30, 2016
Barkley names Susan Neuman as its 1st head of production 
Susan Neuman
KANSAS CITY, MO -- 

Susan Neuman has been named to serve in the newly created role of SVP, head of production, at Barkley, an independent agency in Kansas City.

“The creation of the role comes after a year of  supernova growth in our production department—not only in size, but the array of things we’re producing and kinds of companies we’re working with,” said Jason Elm, Barkley executive creative director. “Susan has already been instrumental in that growth, and she’s the right person to lead it going forward.”

In her previous role as VP, executive producer, Neuman worked  with Barkley leadership to revamp production protocols to support non-traditional marketing efforts. 

“I hate to see an amazing idea get killed because it’s not clear how to make it happen,” said Neuman. “In this new role, I’m even better positioned to push forward solutions.” 
 
Neuman joined Barkley in 2014 to head up production efforts for the International Dairy Queen account. Neuman previously served as VP/executive producer at Bernstein-Rein Advertising, another Kansas City independent, working on national broadcast and digital campaigns for Wal-Mart, Time Warner Cable, Hostess, Petsmart, McDonald’s and Ruby Tuesday, among others. Immediately before Barkley, she held a sr.  manager role on the client side with Applebee’s Marketing Communications team , on point with then-agency of record CP+B, to produce national broadcast work and other integrated marketing initiatives.

  • Friday, Aug. 26, 2016
BAM Studios hires Bridget Carmody as exec producer
Bridget Carmody
CHICAGO -- 

Bridget Carmody has joined BAM Studios as executive producer. Carmody recently relocated to Chicago from Los Angeles where she had been working in visual effects on feature films, including Disney’s Oz the Great and Powerful and Alice Through the Looking-Glass

Carmody will oversee all production and client relations at BAM, which is headed by company president Brian Reed. BAM specializes in sound for film, broadcast TV and radio, web, and interactive projects.

Carmody holds a degree from Western Michigan University in film studies. 

MySHOOT Company Profiles