• Wednesday, Jun. 29, 2022
Adrian Friend named technology director at Stink Studios
Adrian Friend
LONDON -- 

Creative advertising and digital experience company Stink Studios has named Adrian Friend as its new technology director. He reports to Jax Ostle-Evans, managing director.

Friend joins following a standout year of innovative projects at Stink Studios, including its award-winning Peloton work “The Cooldown.” Along with building Stink Studio’s technical capabilities, Friend is responsible for inspiring and mentoring and growing the company tech team.
 
Ostle-Evans said: “Adrian’s career spans both digital studios and traditional agencies, which, along with his calm demeanor and deep understanding of technology really caught our eye. At the heart of our business is craft and our ability to push technologies to ensure we reach consumers with experiences they truly want to spend time with and we believe Adrian’s experience will allow us to push these even harder.”

Friend was previously technology director at MediaMonks, a role he took up in 2020, working on brands including Starbucks, McLaren Racing and Mondelez. Prior to this he was head of technology at KHWS, and he has also held roles at FCB Inferno, Isobar and Draw Studio.

“Joining Stink Studios feels like a natural choice: their values closely align with my own and they undoubtedly shine through in all that they create,” said Friend. “Stink Studios has a wealth of future thinking clients and I’m excited not only to help shape and focus our existing capabilities but to constantly evolve our offering to always be relevant and where our clients need us.”

Other standout digital work created recently by Stink Studios includes the new Google Security platform Bug Hunters, Air Max Day Worldwide for Nike, and Carnival Sounds for Spotify and Notting Hill Carnival.

  • Monday, Jun. 27, 2022
Jeremiah Bual joins Los York as head of talent
Jeremiah Bual
LOS ANGELES -- 

Creative production studio Los York has brought Jeremiah Bual aboard its management team as head of talent. 

Bual--who will lead the expansion of Los York’s global creative talent--has worked with production companies and agencies, including Wieden+Kennedy, R/GA, The Marketing Arm and Buck. He was most recently with the latter company.

Bual brings his vast network of talent, artists, and designers to Los York. His focus is on fostering young, diverse talent and aligning them with opportunities to collaborate on culture-defining creative work. Bual’s philosophy reflects the commitment of the Los York leadership team to drive forward progressive change, and lead the charge for creating the global, flexible workforce of the future.   

“I’m very passionate about advocacy in the workplace and creating an environment where everyone feels welcome to create. I saw an opportunity at Los York to work alongside a leadership team that was fully aligned with this vision, and who wanted to challenge industry norms that are rooted in the past,” said Bual. 

Los York’s managing director and partner Melina Osornio-Andrade, added, “As a fully remote company of global nomads, now more than ever we are leaning into our commitment to our people and culture. That’s what struck me first about Jeremiah; his ‘be who you are’ mentality empowers everyone around him to thrive and inspires a conscious culture of authenticity; that is his super power and we look forward to seeing him flex that muscle as we continue to grow our pool of talent.”

  • Friday, Jun. 24, 2022
Oscar winners Brevig, Butler join DNEG as VFX supervisors
Eric Brevig
LONDON -- 

Visual effects and animation studio DNEG has hired Eric Brevig and Greg Butler as VFX supervisors.  

Brevig’s notable credits as VFX supervisor include Total Recall (1990), for which he received the Academy Award for Best Visual Effects, Hook (1991), for which he was nominated for the Academy Award for Best Visual Effects, Men In Black (1997), which earned him a BAFTA nomination for Best Visual Effects, and Pearl Harbor (2001), which earned him an Academy Award nomination for Best Visual Effects. 

Butler’s portfolio of credits as VFX supervisor includes Sam Mendes’ “single shot” war drama 1917 (2019), which earned him an Academy Award and a BAFTA for Best Visual Effects, and Harry Potter and the Deathly Hallows: Part 2 (2011), which earned him his first BAFTA. Earlier in his career, Butler received a Visual Effects Society Award for Outstanding Character Animation for his work on Gollum in The Lord of the Rings: Return of the King (2003).

“Eric and Greg will certainly help us continue to push the creative boundaries of what is possible during this period of technological advancement in our industry and unprecedented demand for our services," said Namid Malhotra, chairman and CEO of DNEG which maintains offices and studios across North America (Los Angeles, Montréal, Toronto and Vancouver), Europe (London) and Asia (Bangalore, Chandigarh, Chennai and Mumbai).   

Brevig said, “I have had the pleasure of working with DNEG and Namit on several projects in the past and I am delighted to become part of this world-class creative team.” He added, “My approach to the craft of VFX has always been to find the right techniques to create the most believable, engaging and immersive experience for the audience. Using both virtual and physical tools, we can now realize anything the filmmaker can envision.” 

Butler joins DNEG from Method Studios, where he worked as a VFX supervisor on various feature, episodic and advertising projects, including most recently on a large scale, yet to be announced project for Amazon.

“I have been following DNEG for many years--even before my London Soho days--as a competitor, a collaborator and as the home to many of my favorite people in visual effects,” said Butler. “I am very excited to join DNEG’s Montréal office and I know we are going to make some great work together.”

“Visual effects is a magic trick. Its purpose, to keep the audience engaged in the story and the world of the film,” Butler continued. “Whether it is used to create fantastic wand duels in Harry Potter, or invisible cuts in 1917, visual effects is a series of illusions created in service of the story. While it’s the end result that matters, I have always been enthralled by the filmmaking process; the dynamic behind the scenes collaboration of VFX artists and the live action crews whose work is their foundation.”

  • Thursday, Jun. 23, 2022
Camp + King makes promotions across its creative, production and finace depts.
Garrett DeLorm
SAN FRANCISCO -- 

Garrett DeLorm, director of production at Camp + King (C+K), has been named partner after five years with the agency, which maintains offices in San Francisco and Chicago. For nearly two decades, DeLorm has devoted himself to solving creative problems across a myriad of production disciplines, from video games to a 24/7 live channel. He has worked with dozens of brands, including Apple, Nike/Jordan, Audi, MINI, Columbia Sportswear, Activision, 2K Games, and Levi’s. 
 
Joining the production department promotions is Charlie Ferraye, who has been elevated to executive producer from sr. producer after three years with the company. He has produced television shows such as The Bachelor and The Bachelorette, and for the last decade, he’s focused on content and commercials. In finance, Christine Plascencia takes on the role of director of finance and operations. She began her accounting career in the banking industry before switching to advertising. After stints at BSSP and AKQA, she joined C+K and has been overseeing all aspects of the agency’s finances for the last seven years. 
 
The creative department sees the promotion of two associate creative directors--Chris Nash and Jason Whitehead--to its team of creative directors. Nash has been with C+K for 10 years, starting with the agency as an intern. He has helped develop campaigns for clients such as Google, Capital One, RE/MAX, Copper Cane wines, Energizer, Sacramento Kings, and prAna. Nash most recently worked on the “Wish-Cycling” campaign for Grove Collaborative starring Drew Barrymore. Whitehead began with C+K one year ago. In his short tenure he’s developed and produced social campaigns for RE/MAX and Böen Wines, along with teaming up with Nash to create the aforementioned “Wish-Cycling” campaign. Whitehead comes with nine years of agency experience as a writer, including most recently working on the Acura account at MullenLowe Los Angeles.
 

  • Friday, Jun. 17, 2022
Bruno Regalo promoted to chief design officer of TBWA\Chiat\Day LA
Bruno Regalo
LOS ANGELES -- 

TBWA\Chiat\Day Los Angeles has promoted Bruno Regalo from creative director\head of art & design to chief design officer. Regalo will be responsible for the agency's design leadership across its entire client roster, which includes BEHR Paint, DirectTV, Gatorade, Jack in the Box, Palo Alto Networks and Quickbooks. He will lead the agency’s design practice, called DxD (Design by Disruption).

Design has long been a hallmark of TBWA, which has a legacy of iconic design-driven work for brands like Apple, Airbnb, adidas and more. Regalo will take the West Coast agency into its next chapter, growing its roster of design clients as well as serving as the design center of excellence for the TBWA collective within the Americas, working with clients in Los Angeles as well as brands and agencies across the region. Regalo will also play an important leadership role steering the design discipline within TBWA\Worldwide.

With the promotion, Regalo joins the agency’s extended executive leadership team and will report to chief creative officer Renato Fernandez. He will work closely with TBWA\Worldwide’s chief creative experience officer Ben Williams for global design projects and will also become a member of TBWA’s global creative core.

For Regalo, the elevation is the culmination of over 16 years of experience working across global markets. Regalo has a proven history of establishing a connection between design, storytelling and experiences, allowing him to find and shape the soul of a brand, spanning the entire communications ecosystem. Notably, he was at the design helm for globally award-winning work including The Recording Academy’s "Behind the Record" and BEHR’s "Music in Color" with Katy Perry—campaigns that have changed consumer and industry behaviors as the result of disruptive design and experience.

Fernandez said, “Bruno’s passion for craft is contagious. He is transforming our relationship with clients by unlocking the visual soul of each one of them. Bruno shaped DxD to be more than a department. It is a business unit, capable of delivering end-to-end orchestration and innovation at the speed of culture. There is no one better qualified to help us build and scale our design offering as we continue delivering disruptive brand experiences for our clients.” 

With an always-in-beta mantra, TBWA continues to invest in its design offerings. Doubling down on its creative capabilities, Regalo—alongside TBWA’s network of specialists—will usher in a new era of creativity by drawing on their expertise within Web 3.0, NFTs, 3D, animation, branding, design systems and more.

Erin Riley, CEO, TBWA\Chiat\Day Los Angeles, said, "Bruno's appointment to chief design officer is a testament to his visionary leadership, respect for craft, and incomparable work ethic. Bruno has built a world class, multi-dimensional design experience offering with a pioneering model that leverages LA and Brazil based talent. Bruno’s fingerprints are on virtually every piece of the agency’s work and his team has played a central role in our biggest new business wins. His innovative design model enables Chiat to offer elevated end to end design with unprecedented depth, speed, and value. In short order, he’s expanded our capabilities, grown our revenue, and enriched our culture as a living embodiment of our Pirate values." 

“With design as an essential component of a client’s total brand experience, having a strong practice at the center has never been more essential,” added Williams. “Bruno is an incredible talent and creative leader. I’m excited to partner with him as we lead the next chapter of design within the collective.” 

Regalo stated, “Synonymous with great design, TBWA has helped its clients use design to disrupt the status quo. I'm eager to help lead the collective and help unleash the visual soul of brands through a complete end-to-end design experience."  

 

  • Friday, Jun. 17, 2022
Lauren Ranke named VP of people at COLLINS
Lauren Ranke
SAN FRANCISCO & NEW YORK -- 

Independent strategy and brand experience design company COLLINS has hired Lauren Ranke as VP of people. 

For more than a decade, Ranke has been finding and nurturing talent at Wieden+Kennedy. Her work at W+K helped solidify its legacy for creative excellence, and allowed her to develop a successful model for inclusive hiring practices supporting emerging talent.  

Now, Ranke looks to bring her energy and pioneering perspectives to COLLINS. Her way of encouraging and advancing talent is grounded in listening deeply and acting as a mirror to her teams. “Having ‘people’ as a key part of our leadership means COLLINS is doubling down on supporting its people. As the VP of people, I’ll be responsible for recruiting, team development and resourcing in ways that help evolve COLLINS into our next chapter,” Ranke explained.

With the rise of remote work and talent management brought on by the pandemic, agencies continue to evolve and adapt their approach to recruitment. “The industry must re-center itself around pure creativity,” Ranke added. “Creativity acts as a beacon during murky times. We need to hold both physical and cognitive space for creative work and make business decisions with these creators and the unique ways they work top of mind. The word ‘hybrid’ is broad-stroke. In an ideal world, leaders listen closely to their people and sculpt a culture around their needs. If people are happy and producing high-level, cohesive work from a variety of timezones, then there’s reason for optimism.”

Two years into its chapter as a remote-first company, COLLINS is experimenting with increased flexibility and cross-office collaboration opportunities. “I’m at COLLINS to elevate the experience of working here. We’ll find new ways to collaborate on work and grow our culture. We’ll experience inclusion and unity even when we’re thousands of miles apart. The employees at COLLINS are brilliant, sophisticated and mutually respectful. I see even more greatness ahead,” said Ranke.

COLLINS co-founder and chief creative officer Brian Collins shares her optimism, adding, “The mission for Lauren is less about recruiting people and more about taking really good care of people. Lauren was an anchor and a pillar of the culture at Wieden+Kennedy. She understands how to talk with creative people. Our mission right now at COLLINS is to house the world’s best people having the best time doing the world’s best work, and Lauren will become the ambassador for that entire company.”

  • Tuesday, Jun. 14, 2022
Zeke Bowman named EP at PS260's Boston office
Zeke Bowman
BOSTON -- 

PS260 has hired Zeke Bowman to head up its Boston studio as executive producer. In this role, he will also run WKTF (We Know the Future), PS260’s integrated production arm that offers advertising solutions across all channels. 

Bowman has more than 15 years of experience as an executive producer and has served as head of integrated production on the agency side with MullenLowe US. He’s worked on projects for global clients including Google, JetBlue and Acura. He’s produced, directed, done voiceover work, and now takes over PS260’s Boston outpost from Raná Martin, who has moved over to lead the Los Angeles office.  

Recent work out of PS260 includes a three-spot campaign for American Express Business Card Chronicles, cut by PS260 partner/editor Maury Loeb and directed by Brian Beletic, which shortlisted at the AICP Post Awards for National Campaign. “The Bunny” spot in that campaign won Bronze Clios for both editing and B2B, and is nominated for awards from the ADC and One Show. PS260’s recent direct-to-client work includes projects for Titleist, Audible, Mailchimp, Meta, Puma, and YouTube.

  • Friday, Jun. 10, 2022
LVLY promotes Mackenzie Mauro to editor
Mackenzie Mauro
NEW YORK -- 

LVLY has promoted Mackenzie Mauro to editor. Mauro has been a junior editor since joining the company in 2018 working alongside some of the studio’s top editing talents, including Olivier Wicki and J.P. Damboragian.

Mauro’s work for agency Gotham on several Maybelline spots that feature a powerful, fashion-forward, quick-cut editing style--contrasted with his unhurried, documentary style for agriculture company Corteva via agency Ogilvy--showcase the editor’s broad range of talents according to LVLY EVP Wendy Brovetto.

“Mackenzie is a calm presence in the edit suite and no matter how stressful a job, he manages to exude a confidence that clients appreciate,” Brovetto said. “I think his directorial experience helps him troubleshoot and problem solve. It’s been a pleasure to watch Mackenzie hone his talents here at LVLY.”

Mauro’s first feature film, a sci-fi adventure he wrote, directed and edited, Exposure 36, is now available to rent on Amazon Prime and Apple TV. In addition to spots for Maybelline and Corteva, Mauro’s reel includes work for Ford, Nike and Nos sports drinks.
 
Mauro noted that while he’s comfortable working in a number of editorial styles, the real people/documentary style is one he looks forward to exploring further.

“I particularly like telling human stories where I can use my instincts and natural curiosity to get at real emotions, and then add a cool tone and visual language to create something compelling,” Mauro said. “Over the last year I’ve taken on bigger editing responsibilities, and despite the pandemic managed to build good relationships with our clients. I’m honored by the faith the LVLY team’s shown me, and look forward to continuing my creative journey here.”

  • Wednesday, Jun. 8, 2022
Above+Beyond hires creative director Shez Lord to lead Subway account
Shez Lord
LONDON -- 

Above+Beyond has hired Shez Lord as creative director to lead the Subway account. He reports into Dom Goldman, chief creative officer.

Lord previously served as associate creative director at Wunderman Thompson where he delivered work across HSBC, Nestle, First Direct, HSBC and BT. Prior to that, he was associate creative director at The &Partnership for three years, working across its News International business with specific responsibilities for The Sun.

Lord spent the first five years of his career at BMB, working on brands including Virgin Money, Christian Aid and Bing. He has also had stints at AMV BBDO, JWT, Leo Burnett and WCRS. His awards include the Podium D’Or at the Sportel Awards and a Kinsale Shark for The Sun’s “Knockabout.” Other notable work includes turning Westminster into a jungle for The Times and an award-winning campaign for Christian Aid revealing the “Roots” of poverty.

 

  • Tuesday, Jun. 7, 2022
Solve hires Kathleen Tax Wille as chief creative officer
Kathleen Tax Wille
MINNEAPOLIS -- 

Kathleen Tax Wille has joined the leadership team at Minneapolis-based independent agency Solve as chief creative officer/partner.

She comes over from VML&R in Seattle, with previous stints at FCB and DDB in Chicago. She’s developed high-profile campaigns for Skittle, Intel, State Farm, McDonald’s, Anheuser-Busch and Gatorade. Her work has been recognized by Cannes, Effie, D&AD and the London International Awards, and featured in the Super Bowl.

“Chief creative officer is one of the most critical hires for any agency--finding the right person is essential,” said Solve CEO/founder Corey Johnson. “Kathleen’s creative vision, impressive track record and team-oriented approach made her an easy choice.”

Wille commented, “This is one of those rare opportunities--to help define the next chapter for a strong independent agency. I’m thrilled to be joining such a talented team that shares my belief in restless creativity, curiosity and empathy.”

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