• Tuesday, May. 11, 2021
Editor Shane Reid promoted to partner at Exile
Shane Reid

Bicoastal editorial house Exile has promoted editor Shane Reid to partner, based out of its Los Angeles office. Reid’s advancement is aligned with the overarching Exile ethos which centers on developing and incubating talent to promote growth from within.  

Hailing from the Bay Area, Reid initially started out performing stand-up and sketch comedy in L.A., editing odd jobs that he could get his hands on in order to make ends meet, a skill he had picked up as a teen. When introduced to the commercial editorial world, Reid was blown away by the idea of collaborating on films, advertising, and music videos with high-profile directors, DPs, and creatives.  He started at Lost Planet, assisting Hank Corwin, before moving to Whitehouse Post, where he assisted Rick Lawley and Russell Icke before becoming an editor himself. Reid came to work for Exile in 2015, shortly after the shop’s inception. He has collaborated with directors such as Damien Chazelle, Andrew Dominik, Terrence Malick, Emmanuel “Chivo” Lubezki, Craig Gillespie, John Hillcoat, Johan Renck, Michael Spiccia, Dave Meyers, Ian Pons Jewell, Dee Rees, Sam Pilling, Terrence Neale, Stacy Wall, AG Rojas, Vincent Haycock and Tom Noakes.

Reid’s editing career was propelled by work like his Duracell spot, “Trust Your Power,” about the deaf NFL player Derrick Coleman, along with a number of Apple ads, like “The Stunt Double,” “This Watch Tells Time,” “It Already Does That,” and “Storytellers,” which launched Apple TV. Recently, Reid worked on three 2021 Super Bowl spots: Doritos’ “Flat Matthew,” Jimmy John’s “Meet the King,” and Rockstar’s “Spotlight.”

Reid edited the feature documentary One More Time with Feeling, directed by Dominik (The Assassination of Jesse James by the Coward Robert Ford, Chopper) which documents the recording of Nick Cave and the Bad Seeds album “Skeleton Tree” in the wake of Nick Cave’s 15-year-old son Arthur’s tragic death. Reid was also an editor on Terrence Malick’s latest feature A Hidden Life. His music videos include Florence + The Machine’s “Hunger” and Kamasi Washington’s “Harmony of Difference.”

“What struck me the most about Exile when I first started was the stripping away of vanities, and the focus placed on strong relationships with directors, production companies, and agencies,” said Reid. “Becoming a partner alongside this group of people opens up such potential to help grow our younger editors and keep pushing the quality and expectations of our work further.”
“We remain focused on bringing up the next generation of editors in our shop,” said CL Kumpata, founder/EP at Exile. “Just as Shane has matured in his craft since 2015, so too will our editors starting out today.”

  • Tuesday, May. 11, 2021
Colorist Kya Lou joins Primary
Kya Lou (photo by Jamil G. Baldwin)

Primary (formerly a52 Color) has added colorist Kya Lou to its roster for global representation. She is known for a grading style that is at once artistic, scholarly and emotionally evocative. Lou, who has also worked as an editor and photographer, previously graded out of her own studio, COLOURED ONLY .

Lou has worked on behalf of brands such as Adidas, Calvin Klein and Wales Bonner for stylistically forward directors including Jazmin Garcia, Terence Nance, Kwaku Beke, Sophia Nahli Allison, Stuart McIntyre and Jeano Edwards. She has also been an ongoing collaborator with filmmaker Kahlil Joseph, namely as an editor of “BLKNWS®” — a real-time, “conceptual journalism” broadcast that seeks to “highlight the vastness of the Black experience.”

“I was drawn to Primary not just for their great body of work, but also for the studio’s intimate nature,” said Lou. “The open environment encourages transparent conversations, which helps bring in projects that are meaningful to colorists. For me, what’s important is ensuring that Black cinema is representative of authentic Black experiences in a process that has historically deprioritized Black folk and People of Color in postproduction.”

Thatcher Peterson, executive producer for Primary, added, “Kya brings skill, artistry and a fresh perspective. She is a naturally gifted talent.”

Lou grew up in San Diego and studied photography at UCLA. Her grandfather was a photographer and pictures were a major part of her life. The art of capturing moments, and the details that made them unique, was an often-emphasized practice. Lou became fascinated with the interplay between creative decisions and the technical process, which led to her interest in the history of color and how it has been contextualized within social, cultural and political movements. She founded her studio, COLOURED ONLY, not only to create filmmaking opportunities for herself but for other Black, indigenous and people of color as well.

  • Wednesday, May. 5, 2021
Alasdair Lloyd-Jones becomes president & CMO at Versus
Alasdair Lloyd-Jones

Alasdair Lloyd-Jones has been named president and chief marketing officer at Versus. His goal is to further define and grow the company as a leading creator of non-disposable content. 

Lloyd-Jones has spent the last 20 years in senior and executive positions for both brands and large creative agencies. He most recently served as chief consumer officer at luxury brand David Yurman. Earlier he was president and chief strategy officer at brand experience agency SET Management and before that COO at Big Spaceship. He now oversees Versus’ growth, direction and evolution as it looks to continue expanding its reach within the industry, offering new services and working with top-drawer brands across a variety of industry sectors.

“I was drawn to Versus because of the work that the company is producing, as well as the unique blend of voices and viewpoints that are the driving force behind that work,” said Lloyd-Jones. “Nowadays, anyone can produce content, and the flooded market doesn’t create a lasting impression with viewers, as they often see something and forget about it right away. At Versus, our goal is to create memorable, non-disposable content that resonates with the audience beyond that brief moment, as well as content that drives impactful results for our partners. This starts with content that’s aligned to traditional media formats, but we are now developing an original content arm as we look to deepen the level of engagement between brands and their audiences. We think about content as a product extension for brands and this goes well beyond advertising formats.”

Versus co-founder Samantha Louise said, “Alasdair’s experience and expertise will further enhance our leadership team as we continue to grow as a company and find new, innovative solutions that meet the needs of our partners.” 

Versus has been a producer of content for agencies and brands for over seven years. Disney, Audible, The Home Depot and JBL have seen the value of strategically imbued content and are key partners to Versus in the development of content’s role and effectiveness for brands. 

  • Tuesday, May. 4, 2021
Dan Forman joins the Stink Group as COO
Dan Forman

The Stink Group has appointed Dan Forman to the role of chief operating officer. 

In this newly created position, Forman will drive global growth and commercial strategy across both Stink Films and Stink Studios, with the objective of expanding both companies’ offerings to an even wider array of global clients. Forman will work closely with leads across both companies to oversee key commercial and operational aspects of the Stink Group’s 15+ offices.

Forman brings over 20 years of industry experience to the Stink Group. Over the course of his career, he’s served as the commercial director for BBH London, the CFO for Saatchi & Saatchi Fallon UK Group and UK & Nordics Group, the global commercial director for Geometry Global and, most recently, as the SVP of global client operations for WPP, where he was responsible for commercial delivery across the network’s major clients. 

“Without question, the last six years have been the most rewarding, challenging and fulfilling of my professional life and I’m grateful and proud to have had this experience with WPP,”  said Forman, adding, “I’m delighted to be joining the Stink family, a company that I’ve admired for many years.  I’m honored to now be a part of it and to have a major role in securing its future. Within the world that we’re living in; the changing media landscape that we’re experiencing, I believe Stink is perfectly positioned to be more relevant and able to deliver its unique value to clients.”

Daniel Bergmann, president, Stink Group, said of Forman, “His personality and experience is exactly what Stink needs at this stage. Dan is wise and friendly and open to tackling new challenges. We’re all very much looking forward to our collaboration.” 

Mark Pytlik, CEO, Stink Studios, added ”Dan’s impressive experience ranges across the commercial, financial and operational aspects of some of the most storied agencies on the planet. His knowledge, combined with Stink Studios’ world class creative capabilities, makes for a potent combination.”

Forman will be based out of the London office.

  • Monday, May. 3, 2021
Courtney Ryan Law, Gabe Sanchez join The Den
Courtney Ryan Law

Bicoastal woman-owned edit company The Den continues to expand its presence on the East Coast with the hire of Courtney Ryan Law as head of production in NY. Meanwhile joining The Den's Los Angeles shop is colorist and Flame artist Gabe Sanchez.
Law brings more than 15 years of insight and experience to The Den’s growing New York team. Most recently, she spent two-and-a-half years helping to build Daughter, Mother NY’s in-house content studio, after transitioning from the role of managing director of LVLY. Throughout Law’s career, she has worked direct-to-brand with Fortune 500 companies, including Victoria’s Secret, PepsiCo, and Johnson & Johnson. Her work has included large campaigns for Stella Artois, Target, Maybelline, Budweiser, and Neutrogena. 

Sanchez has spent the past decade honing his craft in color and finishing at studios including a52, Rock Paper Scissors, Arcade Edit, Timber, and Digital Domain. Sanchez’s love for visual storytelling draws inspiration from video games, film, and anime, all of which inform his distinctive style. His commercial work includes projects for Nike, Spotify, Miu Miu, EA Sports, and Madewell, as well as numerous collaborations on music videos and films.

  • Friday, Apr. 30, 2021
TikTok names exec at Chinese parent ByteDance as new CEO
This Sept. 28, 2020 file photo, shows a view of the TikTok app logo, in Tokyo. TikTok said Friday, April 30, 2021, that its new CEO is Shouzi Chew, the new CFO of its Chinese parent company, ByteDance. He is based in Singapore, where TikTok has an office. (AP Photo/Kiichiro Sato, File)

The hit video app TikTok said Friday that an executive at its Chinese parent company, ByteDance, will now also serve as TikTok CEO.

The new CEO, Shouzi Chew, is the chief financial officer of ByteDance. He is based in Singapore, where TikTok has an office. 

Vanessa Pappas, based in Los Angeles, has been interim head of TikTok since August 2020. That's when Kevin Mayer, a former top Disney executive who lasted just a few months as TikTok's chief, resigned. Pappas will become TikTok's chief operating officer. 

Chew became ByteDance CFO in March. He had previously been a top executive for Chinese smartphone maker Xiaomi, which went public in 2018.

TikTok's app features short videos, many with music and dancing, made by its users that has become a favorite of younger people. Research firm eMarketer predicts that TikTok will have 73 million U.S. users this year, and TikTok said last year that it has about 700 million users globally. There is a separate version of TikTok called Douyin for Chinese users.

TikTok named Mayer as its U.S.-based CEO last year amid scrutiny from President Donald Trump and his administration, which tried to ban the app based on vague national-security concerns and to force its sale to Oracle and Walmart. The Biden administration has put these efforts on hold  as it reviews national security threats posed by Chinese technology companies.

While it's still unclear what the Biden administration will decide to do with TikTok, the CEO choice suggests the pressure is off ByteDance compared with how the company fared under Trump, said eMarketer analyst Debra Aho Williamson. "It does seem to me that the concern over ByteDance having to divest TikTok may be lessened. TikTok is trying to move forward as a truly global company, and one that hopefully isn't going to be broken up." 

ByteDance CEO Yiming Zhang said in a statement that Chew will focus on "corporate governance and long-term business initiatives," while Pappas oversees the app's operations. 

"We will continue building out our strong and deep management team as we set the stage for the next phase of TikTok's success," Chew said.

  • Friday, Apr. 30, 2021
Graham Turner joins Union as editor/partner
Graham Turner

Graham Turner--whose award-winning editorial credits include Donate Life’s public service film “The World’s Biggest Asshole” (via The Martin Agency, directed by Speck and Gordon), which garnered assorted honors including 10 Cannes Lions in 2017--has joined bicoastal Union as editor/partner. Additional projects for Nike, Apple, HP, Motorola, Hyundai, Toyota, and more round out the editor's filmography. Prior to joining Union, Turner was at Cabin Editing Company.

“Union has a great reputation, established offices in multiple markets, and a foothold in long form projects,” Turner said. “Beyond all of that, I love the culture - good people who genuinely care about one another. It’s fantastic to be an addition.”

“We are always pushing to make ourselves stronger as a company and Graham’s work is some of the best in the world. I am really looking forward to opening new doors together in commercials and long form. It’s incredibly exciting to have him as a partner,” said Union partner/managing director Michael Raimondi, who presides over the company with partner/managing director Caryn Maclean, alongside executive producer Melissa Lubin in NY, and executive producer Vicki Russell in Austin.

As a high school sophomore in his native Salt Lake City, Turner took classes in filmmaking, and got hooked on post. “Everyone did everything,” he recalled, “but I always ended up as the editor.” After graduation, he moved to LA, and at 21, he started at Mad River Post as a receptionist. Turner worked in the vault, then as an assistant editor. He joined Final Cut, where he became a staff editor, his profile growing with projects like the K-Swiss Kenny Powers campaign, created via 72andSunny and directed by Jody Hill. Moving to Cut + Run, Turner won an AICE Award for Best Comedy Editing on Motorola’s “Lazy Phone” (directed by Speck and Gordon; created via Droga5). At Cabin, standout projects included World of Warcraft (directed by Rob McElhenney; created via 72andSunny), Nissan with Brie Larson (directed by David Leitch; created via TBWA\Chiat\Day\NY), and a continuing relationship with Speck and Gordon, including a Pepsi Super Bowl spot with Steve Carrell (via GS&P).

“I enjoy taking the time to craft a story and to collaborate with all the creative people who are drawn to the same thing,” Turner concluded. “In the larger picture, pacing out the stories, finding those emotional arcs, and nailing the joke are all about giving audiences a feeling of joy.”

The aforementioned, highly lauded, humorous Donate Life film promoted organ donation by introducing us to Coleman F. Sweeney, billed as the world’s biggest a-hole. Portrayed by actor Thomas Jane, Sweeney is mean, belligerent, crude and someone you would want no part of. His bad behavior is front and center in this piece. Yet when he dies, we finally see something redeeming about him--he had signed up to be an organ donor and we see the good that results as his various organs give a new lease on life to others. The film shows us how easy saving a life can be, pointing out that almost anyone can do it--even the world’s biggest a-hole. The fact is that one person can help save and heal more than 50 lives through organ, eye and tissue donation.

  • Thursday, Apr. 29, 2021
Editor John Dingfield returns to Cutters
John Dingfield

Editor John Dingfield has returned to the roster of Cutters. 

Since launching his career with Cutters back in 2000, Dingfield has established himself as a go-to editor for comedic and storytelling campaigns. His reel contains work crafted alongside directors Brian Billow, Bryan Buckley, Lloyd Lee Choi, Craig Gillespie, Paul Goldman, Martin Granger, Erich Joiner and Wayne McClammy, among others, After nine years with Cutters, Dingfield joined Beast in 2009 to anchor the firm’s new Chicago operation. In 2018, he moved on to Whitehouse Post Chicago, before returning home to Cutters. Atop scores of projects for agencies and brands that include seven Super Bowl spots, his most recent endeavors teamed him again with Billow (Ford Mustang Mach-E via Broadway Video), Goldman (Kansas Whiskey and ShipGo.com), and Choi (Walmart).

“John is an incredible comedic storyteller with impeccable timing,” assessed Cutters Studios president/managing director Craig Duncan. “His work on high-profile campaigns with top directors spans Ford, Capital One, State Farm, Raymond James, Fiat, CareerBuilder and Skittles, just to name a few. Having left our fold for a bit, built an incredible body of work and a wonderful group of loyal clients, our prodigal son has returned, bringing his quirky, offbeat sense of humor.”

Dingfield’s frequent collaborator Goldman assessed, “John creates stories that resonate with human insight, stories that move us in ways that last long after the first viewing,” he said. “As a working partner John fully understands how to subtly advocate for the best cut while still leaving everyone feeling engaged with the creative process. Whether it’s a fully storyboarded idea, or crafting vignettes to construct a narrative, John creates stories that leave us wanting more. And wanting more John.”

Director Billow added, “I’ve partnered with John for years on many commercial projects and personal films. When it comes to comedic timing, choosing the best performances, film knowledge, and just being an all-around pleasure to work with, I can sincerely say there is nobody better.”

Dingfield shared, “Starting out my career assisting Cutters partners Kathryn Hempel, Tim McGuire, and Chris Claeys, I found my editing ‘voice,’ and discovered that I loved cutting comedy. Thanks to Chris in particular, one of the first spots on my reel was directed by Christopher Guest, cut from a massive pile of improv footage he allowed me to play with. That has always been the atmosphere at Cutters: open, fun, creative, and collaborative.”



  • Wednesday, Apr. 28, 2021
Editor Gaia Borretti joins Rock Paper Scissors
Gaia Borretti

Rock Paper Scissors has added editor Gaia Borretti to its roster for representation in the U.S. Borretti continues to be represented by The Assembly Rooms for commercials, music videos and film in the U.K. and Europe.

Borretti is known for stylistically-forward edits that effortlessly employ a rhythmic technical acumen. She is a frequent collaborator with director Ian Pons Jewell and most recently Vince Haycock and Agustin Alberdi. Her latest collaboration with Pons Jewell was for Facebook Oculus, delivering an epic three-minute film titled “First Steps,” which was co-created between an in-house creative team at Facebook and TBWA\Chiat\Day NY. Other projects include Nike’s “Further than Ever” with Wieden + Kennedy, Shanghai, as well as work for BBC 3 and the German brand Zalando.

Originally from Rome, Borretti considers herself a global citizen having spent time across the world in the service of film. Originally a classically trained musician, her introduction to the film industry began with assisting Italian film editor Jacopo Quadri. In 2018, her work on the feature-length documentary, To the Wildlands and Back, for Ubisoft’s Ghost Recon video game franchise garnered her multiple awards, including a D&AD Pencil, and a Cannes Lion in the festival’s Entertainment category.

  • Tuesday, Apr. 27, 2021
Sibling Films adds Nic Barnes as East Coast EP
Nic Barnes

Sibling Films, an independent creative production company partnering with clients like Nike, HPE, and Lexus, has added Nic Barnes as its new live-action East Coast executive producer. 

Barnes brings to Sibling Films over 20 years of experience working in broadcast, film and VFX. Her previous roost was The Mill+ where she held the position of sr. content producer for a decade. 

As part of The Mill team, she helped produce the PETA "98% Human" film that took home numerous awards including the Gold Cannes Lion for Film Craft: Visual Effects. She was also a part of the Hallmark "Mother Bird" shoot that won the AICP Show Animation award, Bronze Clio, and Hugo Gold Plaque. 

Joe Wright, co-founder and CCO at Sibling, said of Barnes, “Bringing decades of experience in the industry, she will be responsible for bolstering our live-action production team on the East Coast. Together with our recent hire of Darren Foldes as MD/EP based in Los Angeles, Nic will help to bridge the coasts, opening up a multitude of new opportunities for Sibling Films.”  

MySHOOT Company Profiles