• Thursday, Aug. 11, 2022
Patrick Jones joins Compadre as exec creative director
Patrick Jones
CULVER CITY, Calif. -- 

Creative marketing agency Compadre has brought Patrick Jones on board as executive creative director, creative. He will work closely with Curtis Doss, executive creative director, design, overseeing projects and campaigns for Compadre’s existing clients, as well as helping expand the agency’s footprint into new verticals and markets with his expertise in social media, Web3/Metaverse, and experiential. 

Robert Blatchford, Compadre co-president, said of Jones, “He’s a big-picture conceptual thinker with strong experience in innovative 360 initiatives. That, coupled with Curtis’ beautifully designed storytelling, will lead the way in shaping and elevating the ‘big idea’ for our clients.”

“Compadre has a strong footprint in the world of entertainment marketing--from leading names like ESPN and CBS to tech-forward brands like Netflix, Amazon, Apple, and Meta that have emerged as big players in the space,” added Jones. “I’m excited to help build on that legacy and help break new ground as we harness the exciting things that are happening at the intersection of media, tech, and storytelling today.” 

Jones joins Compadre following a tenure at modern marketing agency Known, where, as group creative director for growth & innovation, he spearheaded campaigns and projects for HBO Max, Netflix, Spotify, Paramount Pictures, and CNN, to name just a few.

Another highlight from Known was the Promax-winning, immersive transmedia campaign for the TBS comedy series Chad, which saw Jones develop an in-world cross-platform social campaign where the titular awkward teen attempts to become a social media star. This allowed Jones and his team to collaborate with the show’s creator and star, SNL’s Nasim Pedrad, creating wholly original comedy content that ran parallel to the show’s first season.

“If a fan is going to follow our marketing, we want it to offer a deeper experience that builds on the world of the IP and rewards their investment,” observed Jones. “That’s the sweet spot, especially for Gen Z, who have infinite options to spend their attention and time on.” 

Another particularly innovative campaign of Jones’ saw Postmates team up with TikTok for an L.A.-exclusive experience, where local restaurants whipped up the platform’s most popular recipes for delivery, like whipped coffee and pancake cereal. The campaign, launched at the height of COVID-19, helped raise funds for local restaurants during lockdown and led Rolling Stone to comment, “Postmates launching a menu based on TikTok trends is the most 2020 thing ever.” 

Originally hailing from New Orleans, Jones studied both advertising and psychology at the University of West Florida--a perspective he sees as key to his marketing perspective. After beginning his career in NYC where he worked on numerous brands like Heineken, Charmin, Reebok, and Verizon, he relocated to Los Angeles in 2015 and transitioned primarily into entertainment marketing. Since making this shift, he has done everything from using bleeding-edge Adobe motion capture tech to host a livestream Q&A with Sherlock Gnomes, to launching the biggest continuous grid takeover in Instagram history for HBO Max, to writing and producing interactive video content with John Cena for Peacemaker (a career highlight for the WWE fan).

“Ultimately, the best creative is all about paying attention to shifts in the ways that audiences consume what you’re putting out there, and really asking yourself why fans care about something in the first place,” concluded Jones. “Once you know that, you can start to figure out where people will be in a few years, and get in on the ground floor. Plant your flag early, so that you’re not trying to play catch-up. Out on the edge is where the coolest stuff is typically done.”

  • Wednesday, Aug. 10, 2022
Stink Studios appoints Etienne Chia as managing director in China
Etienne Chia
SHENZEN, China -- 

Stink Studios has appointed Etienne Chia to run both of its China offices as managing director. He replaces Ramzi Chaabane who is leaving the company. Chia will oversee the creative agency’s operations in APAC, reporting to group managing director, James Britton.

Chia joins Stink from Accenture Song, where he was responsible for the Jaguar Land Rover account. Before that he held several creative and strategic leadership roles in various digital and experiential agencies in China, including Freeman and Lightbridge. Chia will work closely with creative director Addie Hao, the Stink Studios veteran who oversees the creative output in the region.

Stink Studios opened its second office in China, located in Shenzhen, in March this year. The expansion followed a period of strong growth and represents a deepening commitment to the unique ecosystem of innovation offered by the China market, and the strengthening demand from Chinese technology and fashion brands for world class creative campaigns, design and digital experiences. Stink Studios works with several clients with headquarters in Shenzhen, including Tencent, Oppo and Oneplus. The company was early to the Chinese market, first opening its doors in Shanghai in 2015.

Chia said, “Stink Studios has a great reputation in China for craft and digital innovation, and I’m very proud to be joining this amazing team. I’m looking forward to developing our creative services and expertise and helping shape the future of brand experiences in China.” 

  • Tuesday, Aug. 9, 2022
Golden Wolf promotes Sinnott, Jones, adds Stephenson
Dotti Sinnott
NEW YORK -- 

Animation studio Golden Wolf has promoted long-time executive producer Dotti Sinnott to the new title of managing director for the studio while adding Heidi Stephenson as head of production, and elevating Tan Jones to exec producer.  

Sinnott originally joined the studio’s London-based office in 2015 as a freelance producer where she oversaw projects for Nike, Disney, Ubisoft, and more. In 2017, she assumed the title of EP and spearheaded the studio’s expansion into New York City. Her leadership played an integral role for the studio’s transition into remote production during the COVID-19 pandemic. Now in her seventh year with Golden Wolf, Sinnott will now oversee the business operations for both the New York and London offices as managing director.  

Stephenson, a newcomer to the animation studio, has experience spanning from animation production all the way to broadcasting and will manage internal production across both offices as the head of production. Executive producer Jones assists in managing the production team and has overseen projects for brands such as Nike and Adidas. A fellow Golden Wolf veteran, Jones’ promotion includes the new responsibility of spearheading all new business ventures for the studio globally. 

“I couldn’t be more excited to have Dotti, Heidi and Tan by my side as we take Golden Wolf to the next stage of our evolution,” said Golden Wolf founder Ingi Erlingsson. “Having been my right hand woman for over half a decade, Dotti is the perfect person to lead this exceptional team into uncharted territory as we broaden our horizons into music, AI and more.”

Golden Wolf recently celebrated its ninth anniversary earlier this month. The studio has 27 staff members total, with team members hailing from countries around the world.  
 

  • Tuesday, Aug. 2, 2022
Sr. colorist Todd Bochner joins Harbor
Todd Bochner
LOS ANGELES -- 

As Harbor doubles the footprint of its Los Angeles campus, founder and CEO Zak Tucker shared the news that sr. colorist Todd Bochner is joining the company’s talent roster. 

Bochner’s career spans more than two decades, including stints at Modern Videofilm as sr. colorist, and then at Sim as supervising sr. colorist during which time, he received the Hollywood Professional Association’s (HPA) Outstanding Color Grading-Television accolade in 2020 for his work on Watchmen.

Bochner’s recent credits include Good Sam, Invasion, Guilty Party, Star Trek: Discovery, Why Women Kill, Good Girls, Zoey’s Extraordinary Playlist and the cult favorite, The Leftovers. Other notable credits include Krypton, Desperate Housewives, Mr. Mercedes, Madam Secretary, Sleepy Hollow and Jane the Virgin.

  • Tuesday, Aug. 2, 2022
Camp + King promotes Burleson to sr. art director, Marimon to sr. 3D artist
Katie Burleson (l) and Justin Marimon
SAN FRANCISCO -- 

Camp + King has promoted Katie Burleson to sr. art director and Justin Marimon to sr. 3D artist.

Burleson is being promoted from art director. For the past four years, Burleson’s visual storytelling talent has been put into play in international galleries and for brands like Cesar Dog Food, Wells Fargo, Papa Johns, and RE/MAX. 

Of her promotion, Burleson said, “Since my first day at Camp + King I’ve felt lucky to be at an agency that prioritizes heart, creativity, and a good laugh! Better yet, I’ve been surrounded by great people who have helped me grow so much.”

Marimon is being promoted to sr. 3D artist from motion graphics artist. Marimon prides himself on being a multi-disciplinary designer, animator, and a lifetime-student of his craft. He started his career as a graphic designer with a passion for commercial photography and has since expanded his skillset to include CGI motion graphics as well as VFX and compositing. When art directors present groundbreaking concepts, Marimon aims to be the artist that can make it a reality, regardless of the toolset required.

“I started at Camp + King as a 2D visual designer with aspirations of learning animation,” said Marimon. “At every turn, they’ve supported my learning, growth, and constant exploration into new mediums.”
 

  • Monday, Aug. 1, 2022
Picture Shop adds sr. colorist Ken Van Deest
Ken Van Deest
LOS ANGELES -- 

Streamland Media’s picture division, Picture Shop, has added sr. colorist Ken Van Deest to its talent roster. Van Deest brings over 25 years of finishing experience on award-winning productions to his new roost.

“From Picture Shop’s earliest days, our aim has been to offer our clients incomparable creative input by our artists,” said Streamland CEO Bill Romeo. “Ken’s talent and collaborative spirit have supported the vision of many outstanding filmmakers and we are delighted he is joining our vibrant global community.”

Van Deest’s episodic credits range from drama to comedy to documentary. He has contributed to shows such as The Flash (CW), Reacher (Prime Video), DC’s Legends of Tomorrow (CW), The Chef Show (Netflix), Project Blue Book (History Channel), Curb Your Enthusiasm (HBO), It’s Always Sunny in Philadelphia (FX), Revolution (NBC), Prison Break (FOX), Cold Case (CBS) and many others.

Van Deest spent 13 years as a colorist for Riot, followed by a combined 13 years as a senior colorist for Encore and most recently Level 3 Post.

“I am thrilled to be joining the amazing team of artists and technologists at Picture Shop,” notes Van Deest. “Being part of a truly global community of filmmakers is an exciting prospect and I can’t wait to get started.”

In addition to Los Angeles, Picture Shop’s locations include New York, Vancouver and Toronto as well as U.K. facilities in London, Manchester, Bristol, and Wales, giving filmmakers worldwide access to a global talent pool, technical expertise and support from preproduction through post.

  • Thursday, Jul. 28, 2022
Open Swim adds head of production DesMarais, assistant editor Wenzel
Lian DesMarais
BROOKLYN, NY -- 

Open Swim, a full-service production company founded by director/editor Bradley Ross, has added Lian DesMarais as head of production and Jefferson Wenzel as assistant editor to the company’s team. 

“I love having someone on the team who is dedicated to the production process, and to keeping the quality and experience consistent for everyone,” said Open Swim’s EP Amyliz Pera. “Lian has the right variety of experience for Open Swim to be able to guide our teams--including long-form and documentary experience. Most importantly, she’s a decent person. She’s caring, really fun to have around, and happens to have an incredible sense of style.”

DesMarais joins Open Swim as no stranger to Ross as the two worked closely in the production industry years ago. With an in-depth knowledge of traditional production, digital media, branded content and live shows, DesMarais founded production service company Ren Kelley Productions in 2011, delivering exceptional work as an EP and line producer for notable clients including Calvin Klein, Nickelodeon, Adidas and Samsung.

“I’m so happy to be joining Open Swim; It’s rare to have the opportunity to be part of shaping something new and to work with a like-minded team,” offers DesMarais. “We all bring a unique perspective, but share a strong creative drive balanced with a healthy work culture. I take a lot of pride in my work and enjoy facilitating as ideas become fully formed. It’s an honor to bring your values and passions to work every day, and I look forward to what I’ll be able to build with Bradley and Amyliz.” 

DesMarais’ responsibilities will include overseeing Open Swim’s production and postproduction teams, the latter growing with the addition of Wenzel. Prior to joining Open Swim, Wenzel has worked as 3D modeler and animator on projects for fashion brand Collina Strada and retailer Showfields, and as a VFX compositor and assistant editor on the short film “Slow Pulse,” which debuted at the Tribecca Film Festival in 2021.

“Jefferson has the experience we need to assist in our editorial and postproduction process, but in filling this position, we’re fortunate that he comes with visual effects skills to be able to offer more capabilities in-house for our clients,” noted Pera.

Wenzel is another example of Open Swim  growing the team through pre-existing relationships. “Director/owner Bradley Ross’s mom plays in a band with Jefferson’s mom, so when the two started talking about their sons, the job search became much easier; it wasn’t just parental bragging--he really has talent,” added Pera.  

  • Tuesday, Jul. 26, 2022
DGA promotes Faith Santilla to assistant executive director
Faith Santilla
LOS ANGELES -- 

Faith Santilla has been promoted to assistant executive director at the Directors Guild of America (DGA).

“Since joining the DGA in 2015, Faith has helped to grow our field representative operations to address the unique needs of our members working in all categories,” said DGA national executive director Russell Hollander. “In her new role as assistant executive director, her deep union experience and specialized labor knowledge will now be put to work on behalf of our AD and UPM members, as she joins the DGA’s executive team.”

Santilla joined the DGA in 2015 as a field representative. In 2018, she was promoted to special assignments executive, and then promoted again to director of field operations in 2020 where her primary responsibility was to oversee the Western Field Representative Department. In her new role, she will work with assistant directors and unit production managers in the Western region and serve as the staff liaison to the Guild’s Western AD/UPM Council. Santilla will report to associate national executive director/Western executive director Danny Bush.

Prior to joining the Guild, Santilla began her career as a community organizer where she started an immigrant workers center in the Historic Filipinotown neighborhood in Los Angeles. She has also worked as a union organizer for the Hotel Employees and Restaurant Employees Union and for the Editors Guild--IATSE Local 700. She was a sr. representative/organizer for Service Employees International Union (SEIU) Local 1000 and a manager of organizational development at SEIU-United Healthcare Workers West.

  • Friday, Jul. 22, 2022
Becca Schepps joins Fortnight Collective as creative director
Becca Schepps
BOULDER, Colo. -- 

Fortnight Collective has hired Becca Schepps as creative director. Schepps, who was one of the first members of the creative collective when the agency started, will now work full-time side by side with creative directors Mona Hasan and Matt Kubis, reporting to chief creative officer Adam Chasnow.

Schepps will be working for clients Steamboat Ski Resort, Do Good Chicken and Expedia Group and will play an integral role in leading brand hacks. Over the past five years, Schepps has worked on core pieces of Fortnight’s business including Avery, Made in Nature, Grease Monkey, One Bar, Noodles & Company and Upslope Brewing Company. 

“As Fortnight Collective continues to grow, we remain committed to helping brands be better faster by eliminating overthinking, and there’s no one better than Becca to step in and help drive our creativity forward,” said Chasnow. “Schepps has been a part of the collective since the beginning and is the perfect addition to our growing creative team helping our brands reach their creative potential.” 

Schepps’ agency experience includes creative positions at Crispin Porter + Bogusky (CP+B), R/GA, Saatchi NY and Hal Riney, working on clients such as McCormick & Company, Google, Nike, Yoplait, Jell-O, Colorado Lottery and Vlasic Pickles. 

“I’ve been working in freelance roles for Fortnight Collective for years and always knew this team stood out,” said Schepps. “I knew if I were going to stray from my freelance roots, this was the only place I would want to go. I can’t wait to see what this role brings and the creative muscles we will get to flex together.”

In addition to Schepps’ role as creative director at Fortnight, she is also the founder and CEO of Mortal Ventures, a functional beverage brand that makes drinks that “Fight Death.” As Fortnight fosters a supportive entrepreneurial culture, Schepps can pursue this additional passion while maintaining her creative director role.

  • Wednesday, Jul. 20, 2022
Jacki Kelley named board chair of Ad Council
Jacki Kelley
NEW YORK -- 

Jacki Kelley, CEO of dentsu Americas, has been named chair of the Ad Council’s board of directors. She succeeds Linda Yaccarino, chairman, global advertising and partnerships of NBCUniversal, and will serve in the role until June 30, 2023.

Tara Walpert Levy, VP, Americas at YouTube, has also been elected to vice chair of the Ad Council’s board of directors alongside Diego Scotti, current vice chair, who will serve as chair after Kelley.

For more than 80 years, the Ad Council has been at the forefront of driving the communications industry’s social impact efforts. Its board of directors is comprised of senior marketing and media executives who provide expertise, insights and financial support to ensure the Ad Council’s social impact communication campaigns are effective and impactful. Most recently, the Ad Council and its board of directors led the industry’s response to COVID-19 and the launch of the Ad Council and COVID Collaborative’s COVID-19 Vaccine Education Initiative.

As chair, Kelley will work in collaboration with the executive committee, the governing body of the Ad Council’s board, and Ad Council leadership to further the organization’s mission to use the power of communications to address the country’s critical social issues. Additionally, Kelley will chair the Ad Council’s 2022 Annual Public Service Award Dinner, the organization’s largest annual fundraising event.

“Jacki’s commitment to driving social impact through smart and strategic marketing has been invaluable to the Ad Council’s campaigns and reinforced Jacki’s reputation as one of the most influential and altruistic leaders within our industry,” said Lisa Sherman, president and CEO of the Ad Council. “With Jacki’s guidance, we will continue to convene powerful coalitions and implement cutting edge strategies that will move the needle on America’s most pressing issues.”

Kelley joined the Ad Council board of directors in 2017 and became a member of the executive committee in 2018. Prior to her appointment as board Chair, Kelley served as vice chair. Under Kelley’s leadership, dentsu Americas made a commitment from the top to develop a comprehensive blueprint for the Ad Council’s COVID-19 Vaccine Education Initiative, aligning leadership across the organization--Carat, Merkle, Posterscope, Mitchell, Amplifi. The effort was serviced via the dentsu health teaming platform, informing everything that went into the Ad Council’s largest effort in its 80-year history.

“I could not be more proud to serve as the chair, working alongside the amazing Lisa Sherman. I am grateful for the leadership of my friend Linda Yaccarino who led an unprecedented effort for vaccination education in one of the most important moments in our history,” said Kelley. “The Ad Council is a place where our collective power to create change comes together for the good of society. It is an honor to work with my colleagues to demonstrate the power of our craft.”

Kelley has been a recognized and lauded leader in the advertising and media industries for over 25 years. She joined dentsu in 2019 as president, chief client officer, dentsu US, and was named dentsu Americas CEO in January 2020. During her time at dentsu, Kelley has led the region through a restructure going from 35+ brands to six leadership brands, championed and developed an industry leading DEI strategy favoring progress over activity and created a culture of transparency and inclusivity.

In addition to her role at dentsu Americas, Kelley serves on the boards of FreshPet and Comic Relief USA and has been honored with the United Way of New York City’s Power of Women to Make a Difference Award. She was named a Matrix Award Honoree by New York Women in Communications; Advertising Woman of the Year by the Advertising Women of New York; a New York Women in Film & Television Muse Award Honoree; and was inducted into the American Advertising Federation Hall of Achievement. 

With the election of Kelley, the Ad Council will continue its ongoing tradition of rotating board chairs between the organizations’ four sectors: media companies, technology platforms, agencies and advertisers.

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