• Thursday, Jan. 15, 2015
Google to stop consumer sales of Glass to redesign device
GoogleGlass (AP file photo)
SAN FRANCISCO (AP) -- 

Google will stop selling its Internet-connected eyewear to consumers until the company can develop a more polished and affordable version that's less likely to be viewed as a freakish device.

The sales moratorium on the nearly 2-year-old "Explorer" edition of Google Glass goes into effect Jan. 19. The decision announced Thursday coincides with Glass' spin-off from the secretive Google X lab where it was invented.

Glass will now operate in a division run by veteran marketing executive Ivy Ross. She will report to Tony Fadell, who runs the smart-appliance maker Nest Labs that Google bought for $3.2 billion last year.

Glass is a hands-free device featuring a thumbnail-sized screen above the wearer's right eye. It cost $1,500 and raised privacy concerns for its potential to secretly take pictures and videos.

  • Wednesday, Jan. 14, 2015
Cinedeck, axle Video roll out SetMeUp
SetMeUp
NEW YORK -- 

Cinedeck and axle Video have launched SetMeUp, a complete, pre-packaged, cost-effective HD and 4K/UHDTV on-set workflow solution enabling acquisition/playback, radically simple media management and ingest storage for live and episodic broadcast TV production.

A solution for the approaching TV pilot season, SetMeUp is built into a convenient, wheeled, rackmount enclosure, and includes everything needed to capture, playback, store and manage HD and 4K/UHDTV video content on-set. With these capabilities, SetMeUp delivers an ultra-fast and easily affordable gateway from production-to-editorial, and frees production teams from the traditional expense and lock-in of proprietary systems.

The main components of SetMeUp are:

• Cinedeck ZX – a modular, on-set 4K/UHDTV-1/HD/SD record/playback platform with four simultaneous record channels and native encoding to ProRes, DNx, XDCAM, AVC-I, or virtually any other codec and wrapper. Cinedeck’s ingest channels also automatically create H.264 proxy files that are used for instant browsing in axle Gear Pro.

• axle Gear Pro media management system – offers browser-based cataloging, search, review and approval via a simple user interface. Axle’s easy and intuitive user-interface and storage-first approach mean the on-set team will be instantly familiar with how media is stored and managed, and no training is required.

• Ingest storage – SetMeUp comes configured with 18TB of storage optimized for capturing incoming media. The Cinedeck ZX is configured with 2TB SSD storage (with an 8TB option) for immediate capture, regardless of any network connectivity, while the axle Gear Pro is configured with 16TB of usable RAID10 NAS storage for longer-term capture and management of media.

These SetMeUp components are mounted in an easily-transportable rack case to simplify on-set deployment, along with a wide variety of support gear. This includes a powerful Gigabit Ethernet network switch, with 12 open ports, for the attachment of workstations, additional storage, routers, audio and wireless equipment, and a UPS (uninterruptible power supply) to handle intermittent loss of power.

The SetMeUp system makes media instantly available, while keeping native assets secure and easily searchable. It delivers seamlessly to non-linear editing systems from Apple (FCP7, FCPX), Adobe (Premiere Pro CC, Prelude CC, and Anywhere distributed editing solutions) and Avid (Media Composer).

The system also includes open rack space, Gigabit network interfaces and power connections to accommodate two types of optional integrated storage: editing and archival. Supported editing storage options include Facilis Terrablock, Avid ISIS 5500, SmallTree GraniteStor and DDP Dynamic Drive Pool disk arrays. Archival options include QNAP and SpectraLogic Verde NAS appliances, XenData SX-10 LTFS appliances and IBM LTFS tape libraries.

SetMeUp is available for purchase from resellers starting at $59,950, for rental at rates from $8,000 per month. There is also a range of lease-to-buy options and additional configurations include 10GB Ethernet connectivity. All configurations are available immediately. Axle Video and Cinedeck will demonstrate SetMeUp at a customer event to be held in February.

  • Tuesday, Jan. 13, 2015
EditShare hires Martin Bennett as EMEA marketing director
Martin Bennett
BASINGSTOKE, UK -- 

EditShare, a supplier of media management solutions for broadcast and production industries, has appointed Martin Bennett to serve as EMEA marketing director. The hire reinforces the company’s continued drive to grow business across the region after expanding its sales operation during 2014.

Martin has worked in the media business for 20 years, having previously held senior leadership positions with leading technology manufacturers and resellers including Avid Technology, Digital Vision and Tyrell CCT.

“It’s a great time to be joining EditShare as it takes new technology to market and expands it operations within Europe and across the world,” said Bennett. “The company has built up a fantastic range of solutions, such as its Flow MAM platform, that have been quietly taking market share and allowing customers to manage content and collaborate across complex projects. It’s part of my role to make sure even more customers understand the key benefits EditShare can bring to their own workflows.”

EditShare offers networked shared storage and tapeless, end-to-end workflow solutions for the postproduction, TV, and film industries. EditShare’s products include video capture and playout servers, high-performance central shared storage, archiving and backup software, media asset management, and Lightworks, which is billed as the first three-platform (Windows/OS X/Linux) professional non-linear video editing application.

  • Tuesday, Jan. 13, 2015
NUGEN Audio releases 3 audio toolkits for music producers, engineers
NUGEN Audio's Master Pack
LEEDS, UK -- 

NUGEN Audio has released Producer Pack, Master Pack, and Mix Tools, three new product bundles tailored to music industry producers, mix engineers, and mastering professionals. Each toolset provides a custom selection of NUGEN’s audio plug-ins to deliver functionality tailored to the specifics of each craft.

“We recognize the need to make customized solutions according to our clients’ requirements for each aspect of their production process. Last year we launched Stereo Pack, a highly accessible and configurable toolset for stereo image enhancement. These new toolsets are unique solutions designed to encompass a much wider range of applications for music industry professionals. They incorporate our newly introduced plug-ins — MasterCheck SEQ-S and the latest version of Visualizer,” said Jon Schorah, founder and creative director, NUGEN Audio. “With Producer Pack, Master Pack, and Mix Tools, we’ve consulted hundreds of audio professionals and studied very meticulously how to meet the specific requirements of mix engineers and mastering pros while also providing high value.”

Combining seven world-class plug-ins, NUGEN Audio’s Producer Pack augments the mix and mastering suite with essential tools producers need to create top-quality audio from start to finish. Producer Pack includes:
• Visualizer, providing indispensable audio analysis for quality audio production with a standardized reference set of professional tools managed via a unique, intelligent window.
• ISL, a true-peak limiter that enables audio engineers to listen to true-peak-compliant audio “in place” without needing to check louder sections separately for traditional limiter artifacts and true-peak compliance.
• SEQ-S, an all-new and uniquely powerful EQ for sonic sculpting and EQ matching up to 7.1, with linear phase technology that delivers transparency without phase smearing and provides sharp transients.
• MasterCheck, a new tool from NUGEN Audio that demystifies loudness-normalized playout on streaming services such as iTunes® and Spotify. MasterCheck enables producers to mix and master music utilizing maximum dynamic range for each streaming platform.
• Stereoizer, offering a full range of stereo image enhancement capabilities, from gentle width adjustments to huge dynamic ambiences. Stereoizer offers full mono compatibility without unwanted artifacts.
• Stereoplacer, delivering pan control for the 21st century. Stereoplacer allows frequency-specific stereo placement using unique stereo-positioning technology, offering precise control that is not available within a traditional mix setup.
• Monofilter, a low-frequency management tool that enables producers to sharpen and define their bass to provide the foundation for real power and definition.

Master Pack is a professional-grade mastering package with five plug-ins assembled specifically for the needs of mastering engineers. Master Pack brings groundbreaking functionality including low frequency management, stereo correction, pristine limiting, and a full suite of audio analysis tools and playout delivery measures. Master Pack plugins include Visualizer, ISL, MasterCheck, Stereoplacer, and Monofilter.

Mix Tools delivers the big sound professionals strive for. Designed to provide essentials for use in the mix process, Mix Tools includes Stereoizer, Monofilter, and Visualizer for stereo image enhancement, bass management, and comprehensive audio analysis. Mix Tools offers mix engineers deeper control, sonic enhancement, and diagnostic support at any stage of the production process, leading to increased quality and efficiency in any project.

  • Tuesday, Jan. 13, 2015
Apple camera patent gives GoPro stock jitters
GoPro camera
SAN FRANCISCO (AP) -- 

Apple has patented a new design for a digital video camera that could potentially compete with the rugged portable cameras made by GoPro, a move that sent GoPro's stock tumbling.

GoPro shares dropped more than 12 percent on Tuesday after reports of the new patent surfaced on tech blogs and financial wires.

Apple has not announced any plans for the patent, which covers a design for a remote-controlled, digital camera that can be attached to a helmet, surfboard or scuba mask.

But as first reported by the blog "Patently Apple," the company's application to the U.S. Patent and Trademark Office says Apple's design improves on aspects of GoPro's camera. Apple says GoPro's camera "can cause excessive wind resistance and presents a high profile that is more susceptible to damage."

Representatives for Apple Inc., based in Cupertino, California, and GoPro Inc., based in San Mateo, California, did not immediately respond to requests for comment. Patent office records show Apple first applied in 2012 for the patent, which was granted Tuesday.

But one tech analyst cautioned against reading too much into the filing. "Apple develops and patents lots and lots of technology all the time. Only a fraction of it ever sees the light of day in commercial products," said Jan Dawson of Jackdaw Research, who tracks consumer tech products.

Apple already has developed sophisticated camera technology for its iPhones and iPads, added Dawson, who said he doubts the company would want to sell a stand-alone camera unless it could be tied in with Apple's broader family of products and services.

Still, the news seemed to make some GoPro investors nervous.

"Anytime Apple enters a market, it can be bad news for existing players," Dawson noted.

Go Pro's shares ended down $6.91 to $49.87.

Apple shares gained 97 cents, or slightly less than 1 percent, closing at $110.22.

  • Wednesday, Jan. 7, 2015
Genstar Capital to acquire Telestream
Dan Castles, co-founder/CEO, Telestream
NEVADA CITY, Calif. -- 

Private equity investment firm Genstar Capital has entered into a definitive agreement to purchase Telestream, Inc, a provider of live and on-demand digital video tools and workflow solutions. Terms of the deal were not disclosed as both companies are privately held. The transaction is expected to close mid-January.

Telestream will continue to operate as an independent entity with existing management teams continuing their current roles. Headquarters will remain in Nevada City, California with offices in Virginia, San Francisco Bay Area and Germany.

“Genstar’s mid-market focus and deep expertise in the software industry will enable Telestream to further accelerate our growth,” said Dan Castles, Telestream’s co-founder and CEO. “Over the past several years, Telestream has experienced its most significant growth. We look forward to our new partnership with Genstar as we increase our investment in existing products, accelerate our reach into new customer verticals and fuel our next phase of development through additional M&A activity. Our product portfolio and business models are well suited for the Genstar environment.”

Eli Weiss, a managing director of Genstar, said the acquisition “is consistent with our strategy of investing in vertical market software companies. Telestream is a leader in its market and has posted profitable growth since its founding. As even more content is generated and viewed on more devices, we believe the company will continue its demonstrated growth trajectory, and we will support Telestream’s experienced and successful management team to expand organic growth via new product releases and pursue add-on acquisitions.” 

Telestream’s growth and profitability has consistently outpaced the market and has been achieved both organically and through strategic acquisitions. The company’s product line includes media processing platform Vantage, live production and streaming software Wirecast, and its new video playback and inspection tool Switch. 

  • Tuesday, Jan. 6, 2015
Rickard Öhrn joins ChyronHego as COO
Rickard Öhrn
MELVILLE, NY -- 

Rickard Öhrn has joined ChyronHego as chief operating officer. Öhrn brings a 20-year career in executive-level business management to ChyronHego, where he is responsible for the company’s global operations and business growth in EMEA. Öhrn is based in Stockholm and reports directly to ChyronHego president and CEO Johan Apel.

ChyronHego (NASDAQ: CHYR) is a leader in broadcast graphics creation, playout, and real-time data visualization with a wide range of products and services for live television, news, and sports production. Joining forces in 2013 with over 80 years of combined industry expertise, Chyron and Hego Group offer award-winning solutions--such as the TRACAB™ player tracking system and the end-to-end BlueNet™ graphics workflow--under the collective ChyronHego brand. Headquartered in Melville, New York, the company also has offices in the Czech Republic, Denmark, Finland, Germany, Mexico, Norway, Singapore, Slovak Republic, Sweden, and the United Kingdom.

Prior to joining ChyronHego, Öhrn served as CEO of Research and Analysis of Media (RAM), a research and marketing firm for the media industry with close to 1,000 customers in 17 countries. As CEO, he led the business to achieve a 20 percent profit margin. Prior to RAM, Öhrn served as chief operating officer for Svenska Tracab AB, a ChyronHego partner at that time and a leader in real-time digital player-tracking technology for arena-based sports. He also previously founded and served as CEO of two Swedish management consulting firms, Novocap Management and Borneo Management Consulting, and was CEO and founder of Active Time Investment Ltd., a Hong Kong-based investment firm that established the first online poker gaming site in Russia.

He holds a degree in French from the Université de Savoie in France and a degree in Economics from Lund University in Sweden, and has completed courses in marketing and project management from Sweden’s RMI Berghs School of Advertising and Marketing.

  • Tuesday, Jan. 6, 2015
Razer launches Nabu X wearable device at CES
Razer's Nabu X
LAS VEGAS -- 

Razer, a leader in connected devices and software for gamers, announced at CES the launch of Razer Nabu X, a wearable that delivers notifications from smartphones, tracks fitness data, and has social band-to-band capabilities, all in a discreet form factor. The Razer Nabu X will be priced at $19.99 to qualified fans at Razer’s Insider forums and start selling on Jan. 13. Retail units will be shipping in spring for $49.99.

The Razer Nabu X uses three colored LED indicators and vibrations to alert users of any notifications received on a paired smartphone, while the Razer Nabu features an OLED private message screen that displays short text previews of incoming notifications. Both the Razer Nabu X and Razer Nabu will work with the full suite of third-party developed applications available on the Nabu Marketplace.

“The greatest barriers to entry for new technology are price and complexity, and we’ve eliminated both of those with the Razer Nabu X,” says Min-Liang Tan, Razer co-founder and CEO. “We’ve taken what makes the Nabu such a compelling wearable--discreet notifications, activity tracking and band-to-band communication--and incorporated them into the Nabu X. It’s the basic alternative to the Nabu that’s extremely affordable and simple to use.”

The Nabu X’s sensor module houses a highly precise accelerometer, paired with finely tuned algorithms to ensure the most accurate activity data is captured for its users. A vibration motor ensures users are discreetly notified of incoming notifications, and the three LEDs can be color-customized to indicate what type of notification is being received. The sensor module is also detachable to allow users to mix and match between three planned strap colors: black, white, and green.

The Nabu X is designed for absolute comfort during daily wear with a soft-rubber finish, extensive water resistance, and one-size-fits-all watch-like strap. It’s also easy to use, with wrist-turn detection and light taps on the sensor module to activate the LED indicators.

Like the Razer Nabu, the Nabu X can be paired to connected apps on a user’s iOS or Android smartphone where collected data can be displayed and device settings can be finely tuned. Connected apps can be discovered via an in-app marketplace, with more to be added over time.

  • Monday, Jan. 5, 2015
Ikegami to debut HC-HD300 studio camera system to UK at BVE 2015
Ikegami HC-HD300 camera
NEUSS, Germany -- 

Ikegami’s HC-HD300 makes its first UK exhibition appearance at BVE 2015 in London, February 24-26. Introduced at BIRTV 2014 and now deliverable, the HC-HD300 is a highly flexible docking-style camera for studio or field operation.

A compact and aggressively-priced addition to Ikegami’s broadcast-ready Unicam HD product line, the HC-HD300 delivers the outstanding imagery and has the same rugged construction. It is equipped with a 1/3 inch bayonet lens mount and employs three 1/3-inch CMOS progressive-scan 1920 x 1080 native sensors in RGB prism formation. The camera delivers high quality pictures in all commonly used HD video formats: 1920 x 1080/50i, 1920 x 1080/59.94i, 1280 x 720/50p, 1280 x 720/59.94p, and 720 x 576/50i (PAL) 720 x 480/59.94i (NTSC).

Typical performance characteristics of the HC-HD300 in 1080/59.94i output mode are 1,000 television lines horizontal resolution, 58 dB signal-to-noise ratio and 2,000 lux sensitivity (89.9 per cent white reflection) at F10 aperture. Equivalent aperture in 1080/50i mode for this light level is F11.

Camera gain can be attenuated from mid level to -3 or -6 dB, or increased by +3, +6, +9, +12 or + 18 dB. Integral neutral density filters (100 per cent, 25 per cent, 6.2 per cent and 1.6 per cent) can be switched in as required, plus operator-selectable 3,200, 4,300, 6,300 and 8,000 kelvin electronic colour conversion. An electric shutter can be set to 1/100, 1/120, 1/250, 1/500, 1/1,000 or 1/2,000 second speed.

Supporting features of the HC-HD300 include the focus assist and lens aberration correction functions employed in Ikegami’s established UnicamHD range of cameras.

The camera can be operated under local control or in conjunction with a newly developed control system. This consists of an FA-300 fibre adapter and BSF-300 base station. Light in weight and compact in size (1.5RU), the BSF-300 base station is easily integrated into any studio, mobile truck, or portable flypack. When using a hybrid fiber camera cable, the base station provides power to the fibre adapter and the camera itself.

OpticalCON Duo connectors allow use of SMPTE hybrid camera cables at up to 350 meters with a 2 inch viewfinder or 250 meters with a 7 inch viewfinder. For longer links up to 10 kilometres between camera and based station, duplex single-mode fibre with common optical LC connectors for can be deployed.

The HC-HD300 weighs 4.5 kg including FA-300 fibre adapter and measures 139 x 270 x 337 mm (width x depth x height). Operating voltage range is 11 to 16 volts and power consumption (excluding FA-300) is 19 watts. The camera is designed for use within an ambient temperature range of -20 to +45 Celsius and 30 percent to 90 percent non-condensing operating humidity.

Ikegami HDK-97 ARRI large-sensor broadcast production camera
Also on show on the Ikegami stand at BVE 2015 will be the HDK-97 ARRI camera. Jointly developed by Ikegami and ARRI, this is a pioneering new broadcast-style production camera with digital cinema characteristics. The HDK-97ARRI makes it possible to employ a large format sensor in a multiple camera operation. The result is a best-of-both-worlds image acquisition system ideal for use in multi-camera studio and field applications, including conventional broadcast camera operation and classic video operator control of multiple cameras.

Centered around ARRI’s Super 35mm CMOS sensor with its associated support circuitry, the system provides cinematic qualities such as natural colour rendering, very wide dynamic range and progressive frame rates such as 23.98p. Ikegami’s broadcast-grade distribution allows fibre transmission via up to 2 kilometres of SMPTE hybrid fiber/copper camera cable.

The HDK-97 ARRI incorporates a docking style camera head from the Unicam HD camera series plus Ikegami’s latest 3G FPGA-based DSP. Features include complete real time control of all grey scale, colour, and detail functions. A new 3G transmission system transports video from camera head to CCU, as well as 3G transmission from CCU to camera head.

NAC Hi-Motion II sports broadcast camera
For slow-motion applications, Ikegami will exhibit the NAC Hi-Motion II sports broadcast camera. Jointly developed by NAC Image Technology and Ikegami, the Hi-Motion II delivers broadcast-quality slow-motion images at up to 20 times slowdown. The Hi-Motion II employs three-sensor 1920 x 1080 native technology and has a broadcast industry standard B4 lens mount. Features include simultaneous record and replay (96 gigabytes), up to 1,000 frames per second 1920 x 1080 capture, integral shutter and full remote control with paint, flicker suppression, and EVS system compatibility via an LSM panel.

Representatives on the Ikegami stand, F25, will include Ikegami Electronics UK general manager Mark Capstick and NAC Image Technology International sales manager Andy Hayford.

  • Tuesday, Dec. 30, 2014
Dalet releases AmberFin 10.5
PARIS -- 

Dalet Digital Media Systems, a provider of software-based solutions for media organizations, has announced the release of Dalet AmberFin, version 10.5, which enables customers to make the best possible pictures with unprecedented flexibility for their businesses. This major update to the Dalet AmberFin platform marks the debut of Dalet AmberFin Dark enterprise transcode, Cinnafilm Tachyon GPU-accelerated frame-rate conversion (as part of (AT)3 toolbox), XAVC support, ARD-ZDF MXF Profiles and other significant features.

Ben Davenport, Dalet’s director of marketing, stated, “This significant release confirms Dalet’s investment and commitment to the AmberFin platform. Dalet AmberFin Dark is completely scalable, enabling businesses to start small and expand to an enterprise-grade solution. Meanwhile, unlike other vendors, who may only provide a single technology option for temporal conversions, the inclusion of Tachyon as a tool in the (AT)3 toolbox allows users to choose the best solution for their businesses or even a combination of different technologies.”

Dalet AmberFin is a high-quality scalable transcoding platform with fully integrated ingest, mastering, QC and review functionality, enabling facilities to make great pictures in a scalable, reliable and interoperable way. The inclusion of Tachyon within the (AT)3 toolbox gives Dalet AmberFin users the ability to perform faster standards conversion while maintaining the high quality pictures that the Dalet AmberFin platform is known for. The Dalet AmberFin Dark transcoder efficiently turns the content that owners have into the content their customers want. With all components running as Windows services, users can build transcode farms on commodity IT hardware as appliances--minimizing downtime, reducing maintenance costs and enabling complete ‘lights-out’ operation.

“(AT)3 is a real innovation from Dalet, acknowledging that different sectors of the industry and different content types require different approaches to frame-rate conversion,” explains Matthieu Fasani, Dalet AmberFin product manager. “Adding Tachyon to the collection of tools in the (AT)3 toolbox provides customers with the complete flexibility to address those different requirements. For the first time, users are also able to combine those tools in a single-pass operation to achieve unprecedented levels of conversion quality. (AT)3 is available as part of Dalet AmberFin Dark, which is supported with full redundancy, network licensing and Windows services architecture. The technology can be deployed in a data center. ARD-ZDF profiles are vital to helping to solve the problem of file interoperability for media facilities in Germany, in a similar way to Dalet AmberFin support for the DPP initiative in the UK, for which it gained compliance in September.”

Dalet AmberFin 10.5 feature highlights include:

Dalet AmberFin Dark – A new service-based architecture allowing users to build enterprise-scale, fault-tolerant transcode farms while enabling backwards compatibility in the API for existing customers

XAVC (HD) support for transcode-in and playback, increasing codec support, especially in the area of camera acquisition

Cinnafilm Tachyon – GPU-powered, motion-compensated frame-rate converter available as a technology option in the (AT)3 toolkit

ARD-ZDF MXF Transcode Profiles facilitate file interoperability for media facilities in Germany

And SCC Sidecar Transcode Output – 608 Caption data can be extracted from files during a transcode to a .scc sidecar

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