• Tuesday, Aug. 11, 2015
Grass Valley celebrates 1000th NVISION Enterprise Router sold worldwide
The NVISION 8144 router
MONTREAL -- 

Grass Valley, a Belden Brand, has reached a new product milestone, selling more than 1,000 NVISION 8500 Enterprise Routers to broadcasters, studios, mobile production and playout facilities globally.

Often referred to as a “hybrid technology routing platform,” the NVISION router was designed with an eye toward the future and is easily adapted to support increased levels of processing, bandwidth and even connectivity. When the series originally launched, it was a family of one, designed and shipped as the NV8576 that supported SDI over coax and fiber as well as Async AES. Since then, the series has expanded to include four additional frames: the NV8144, the NV8280, the NV8576-Plus and the NV8140.

By creating a family of routers, Grass Valley made more components interchangeable between frames and as a result, the company experienced a significant response from the market. With the growth of the family, the NVISION series became ideal for customers looking to expand into bigger frames without having to replace all of their I/O or crosspoint cards. The series also gives customers the ability to have multi-router systems and only one set of spares.

Customers around the world have come to rely on NVISION routers to keep their operations running at peak performance. A number of major international networks, as well as IMG Studios in the U.K., LeSEA Broadcasting Network and the MLB Network in the U.S., are just a few examples of operations utilizing the power of NVISION routers.

In addition to adding new frames, Grass Valley has also enhanced a number of NVISION features since inception. These include the launch of patented integrated video and audio processing, as well as the award-winning NAB 2014 IP Gateway card. This ensures that today’s investments remain Future Ready, as customers can bridge the gap between SDI and IP infrastructures, preserving their CAPEX investment in SDI and allowing them to transition to IP at their own pace.

By listening to the needs of the customer, Grass Valley has developed innovations that have made the NV8500 series one of the most successful routing technology platforms available on the market today. The advanced level of signal performance and system redundancies is critical for broadcasters and playout alike. Redundant crosspoints, power supplies and control cards help keep the routing system on air at all times. Efficient cooling and unique power distribution designs have increased the lifetime and reliability of the router, ensuring it is working 24/7/365.

As productions become more complex, the hybrid routing with patented integrated audio processing is key to dramatically reducing space, weight and power for studios and mobile production. Integration of disembedding/embedding, frame synchronization, MADI and multiviewer connectivity into the routing chassis means that customers can achieve even greater savings. This reduces both CAPEX and OPEX, all while simplifying signal work and signal flow.

“Since its inception as a coax SDI router, we’ve been able to add fiber connectivity, audio and video processing, and even IP connectivity to the NVISION platform,” said Tim Walker, sr. product manager, NVISION Routing. “This is a true testament to the original architectural design, and we aren’t done—Grass Valley will continue to innovate and add functionality to this field-proven, industry-respected and Future Ready hybrid technology routing platform. This is an exciting milestone for Grass Valley and we look forward to many more.”

  • Monday, Aug. 10, 2015
Animatrik Film Design, Dimensional Imaging team on new mo-cap experience
DI4D's mo-cap system being put through its paces.
VANCOUVER, B.C. -- 

Motion- and facial-capture companies Animatrik Film Design Inc. and Dimensional Imaging Ltd (DI4D) have entered into a collaboration which will yield state-of-the-art facial performance capture services for the VFX and video game communities across North America.

Animatrik technology has been used on such high-profile projects as Image Engine’s Chappie, Microsoft’s popular Gears of War series and Duncan Jones' upcoming Warcraft. DI4D’s technology has appeared in such shows as the BBC’s Merlin and video games like Left 4 Dead 2 and Quantum Break. The new collaboration will allow Animatrik and DI4D to bring even more true-to-life animation to similar projects in the coming months.

Animatrik has licensed DI4D’s facial performance capture software and purchased DI4D systems, which it will operate from its Vancouver and Toronto motion capture studios. Animatrik will also offer an “on-location” DI4D facial performance capture service, which has been seen before in projects such as Microsoft’s Halo 4.

“The collaboration with DI4D marks another huge step for Animatrik, said Brett Ineson, CEO of Animatrik. “In order to continue to win industry-leading motion capture projects, it is essential that Animatrik is able to offer the very best quality facial performance capture possible. DI4D offers the highest fidelity facial performance capture solution that we have seen, and we are therefore delighted to now be able to offer this to our highly demanding VX and video games customers.”

Colin Urquhart, CEO of DI4D, described Animatrik as “one of the industry’s leading motion capture and virtual production service providers. By collaborating with Animatrik, we expect to make our world-leading DI4D facial performance capture solution much more accessible to the VFX and video game communities across North America. Animatrik has recently completed some amazing movie and video game projects and we are very excited that Animatrik will use DI4D to deliver high fidelity facial performance capture on future projects.”

  • Friday, Aug. 7, 2015
SMPTE elevates 15 motion-imaging technology leaders to Fellow status
WHITE PLAINS, NY -- 

The Society of Motion Picture and Television Engineers (SMPTE) has elevated 15 industry leaders to the status of SMPTE Fellow. This honor is conferred on individuals who have, through their proficiency and contributions to the industries, attained an outstanding rank among members of the Society.

New SMPTE Fellows will be elevated on Wednesday, Oct. 28, during the Fellows Luncheon, held in conjunction with the SMPTE 2015 Annual Technical Conference & Exhibition (SMPTE 2015) at the Loews Hollywood Hotel in Los Angeles. Here's the lineup of SMPTE 2015 Fellows:

Annie Chang, Vice President of Post-Production Technology at The Walt Disney Studios
Annie Chang oversees the research and implementation of new technology within Disney’s feature post-production and mastering pipelines through new file-based workflows and standards efforts. She is the chair of the SMPTE Interoperable Master Format (IMF) Working Group and represents Disney in the UHD Alliance as a board director. Prior to Disney, Chang spent six years at THX Ltd. as the senior engineer for the Digital Mastering Program and three years in DVD authoring and compression. She holds a Bachelor of Science in engineering technology from Texas A&M University.

Paul R. Chapman, Senior Vice President of Technology at FotoKem
Paul Chapman has worked in the video and post-production industries in Los Angeles for more than 25 years, having come from the U.K. after a career in software engineering. Early in his career, he was very active in the telecine community, working for both manufacturers and users such as Rank Cintel, Unimedia and Complete Post, and Unitel Video. In 1996, Chapman joined FotoKem, holding a variety of engineering leadership positions and, in his current role, takes responsibility for evaluating, recommending, and implementing all aspects of digital technology companywide. He is a past chair of the SMPTE Hollywood Section and a current SMPTE Hollywood Region Governor.

Peter Fasciano, Executive Director at Franklin TV and WFPR-FM
Peter Fasciano designed, built, and managed television stations and teleproduction studios throughout the 1970s and in the 1980s founded a successful film and video production company. He then worked with Bill Warner to launch Avid in 1987 and design the interface for Avid’s first product, the Media Composer nonlinear editor. As vice president and corporate fellow for Avid Technology’s Advance Product Development Group, he designed, developed, and prototyped AirPlay, the first play-to-air, fully automated video server; EditCam, the first tapeless video camcorder; Digidesign’s AudioVision; and the Avid Unity enterprise media server system. He holds more than 20 patents, and his design research defined new product categories that have been honored with seven Emmy® Awards and two Oscars®.

Simon Fell, Director of Technology and Innovation at European Broadcasting Union 
Simon Fell leads the team spearheading developments in media technologies at the EBU. He has four decades of experience, formerly with ITV as director of future technologies. Previously, he helped establish Carlton Television, where he held several executive positions and participated in the digital broadcasting launch. Fell has chaired the Technical Council at the U.K.’s Digital Television Group (DTG) and was chairman of the HD Forum. Additional roles include serving as director of engineering for rushes and chief engineer of 625, and establishing Channel Four, where he assisted in the introduction of Super 16 film. Fell’s early career included periods with Rank Cintel in the U.S. and with YTV in Leeds, U.K.

William T. Hayes, Director of Engineering and Technology at Iowa Public Television
William T. Hayes has worked in radio and television broadcasting since 1973, garnering extensive experience in planning, designing, and constructing television stations. He currently is responsible for the planning and development of all technology projects at Iowa Public Television, and he is active in future broadcast planning nationally and internationally, serving on a number of committees developing standards for emerging technologies such as mobile/hybrid television and the next generation of terrestrial digital television. Hayes is the SMPTE Central Region Governor and, as a senior member of the Institute of Electrical and Electronics Engineers (IEEE), serves as the president of the IEEE Broadcast Technology Society (BTS). He is also a member of the Society of Broadcast Engineers (SBE), which named him Educator of the Year in 2007 and the Society of Cable Telecommunications Engineers (SCTE).

Larry J. Hornbeck, TI Fellow Emeritus at Texas Instruments
Solid-state physicist, Larry J. Hornbeck has spent most of his 40-year research-and-development career at Texas Instruments developing microdisplays, first in TI’s Central Research Laboratories and later in DLP Products. Following a decade of research on analog technologies that fell short of expectations, he invented the digital micromirror device (DMD), a chip technology (the DLP chip) that provides for the high-speed, digital manipulation of light and enables products including the DLP Cinema projectors popular today. Hornbeck holds 38 U.S. patents, and his numerous awards and honors include a 2014 Academy Award of Merit (Oscar® statuette), induction into the National Inventors Hall of Fame, the SMPTE 2002 David Sarnoff Medal Award, and a 1998 Emmy® Engineering Award. He is a member of the National Academy of Engineering (NAE) and a Fellow of the IEEE and SPIE.

Jim Houston, Principal at Starwatcher Digital
Jim Houston currently consults on digital production and new technologies for motion pictures and television. Earlier, while vice president of technology and engineering for Sony Pictures, he designed and built the Colorworks 4K post-production facility. For 30 years, he has developed or managed digital production facilities for animation, visual effects (VFX), restoration, and post-production for Disney, Sony, and several post-production companies. He has received two Academy Scientific and Engineering Awards and led two projects winning 2012 Engineering Emmys. He is a member of the American Society of Cinematographers (ASC) Technology Committee, serves as cochairman of the Academy of Motion Pictures Arts and Sciences (AMPAS) Academy Color Encoding System (ACES) Project Committee, and is active in standards development for digital cinema, ultra-high-definition television (UHDTV), metadata, and future display systems.

Toshiaki Kojima, Senior Standard Manager at Sony Corporation
Toshiaki Kojima has worked in both the audio/video (AV) and information technology (IT) industry sectors over the past 33 years. For the first 20 years of his career, Kojima was involved mainly in the design of professional video tape recorders (VTRs), from 1-inch to the e-VTR, and he received a 2004 Sports Emmy® recognizing the role of the e-VTR in NBC’s Athens 2004 Olympics coverage. He since has moved into research and development with the aim of replacing dedicated professional AV interfaces with those of general Internet protocol (IP). Kojima is an active participant in network-related industry and standardization bodies including Framework for Interoperable Media Services (FIMS), Video Services Forum (VSF), SMPTE, and the Joint Task Force on Professional Networked Streamed Media (JT-NM). He holds 20 Japanese and international patents and is an MIT Fellow.

Sara J. Kudrle, Product Marketing Manager at Grass Valley, a Belden Brand
Sara Kudrle began her career as a broadcast industry engineer at Tektronix, where she worked in the VideoTele.com business, and then joined the TV transmitter group at Continental Electronics, which later became Axcera, working on exciter control software and single-frequency networks (SFNs). From there she moved on to Miranda/NVISION, where she handled several projects within the router control group, and, most recently, joined Grass Valley. She has authored papers for NAB, PBS, and SMPTE conferences and has been published in the SMPTE Motion Imaging Journal and Broadcast Engineering, earning the SMPTE 2012 Journal Award for “Fingerprinting for Solving A/V Synchronization Issues Within Broadcast Environments.” She holds a Bachelor of Science in computer science with a minor in mathematics from California State University, Chico. Kudrle is a former SMPTE secretary/treasurer for Sacramento and is the current SMPTE Western Region Governor. She is also a member of IEEE.

Karl Joseph Kuhn, Senior Video Applications Engineer at Tektronix
Karl Joseph Kuhn is senior video systems application engineer with Tektronix, supporting test and measurement solutions for digital audio and video, compression, IP, file-based, and radio frequency (RF). He has been at Tektronix for 15 years and is deeply involved in presenting at industry events and providing technology training for his customers. Kuhn earlier was the lead video test engineer for IBM’s Digital Video Development Laboratory. He holds three U.S. patents and one Japanese patent that cover in-service testing of digital broadcast video. Kuhn served on the National Academy of Television Arts & Sciences (NATAS) Technical and Engineering Emmy Committee from 2006 to 2010 and is past chairman of the SMPTE Washington, D.C., Section and past SMPTE Eastern Region Governor. He currently serves as SMPTE North American membership director.

Kenneth Michel, Vice President of Content Systems Engineering at Disney/ABC (retired)
Kenneth Michel spent 34 years at Disney/ABC in the broadcast operations and engineering division of the ABC TV network, serving as the vice president of engineering for 17 of those years. With more than 25 years in the ABC engineering lab, he helped to develop many products used in the TV industry today. Michel was instrumental in transitioning the industry to HDTV and in facilitating the adoption of progressive scan. He has been awarded five U.S. patents (two pending) and has received nine Disney Inventor Awards, two technical Emmy Awards for his work on the 1984 Olympics and the 1989 World Series, and a Primetime Emmy Award. He chaired the IEEE committee that revised the IEEE 208-1960 standard on how to measure camera resolution.

Delbert R. Parks III, Senior Vice President and Chief Technology Officer at Sinclair Television Group, Inc.
Delbert R. Parks III has been with Sinclair Television Group since 1972, moving up through the ranks since he began in the engineering department of Sinclair’s flagship station, WBFF-TV in Baltimore. In his current executive position, Parks handles planning, organizing, and implementing of operational and engineering policies and strategies as they relate to television operations, Internet activity, information management systems, and infrastructure. He is a member of the SBE and serves on the board of directors of the Baltimore Area Council, Boy Scouts of America. He is a retired Army lieutenant colonel who held various commands during his 26-year reserve career.

Michael Strein, Director of Technology and Workflow at ABC-TV
Over the past 25 years, Michael Strein has been at the forefront of virtually every technical advancement that the ABC network has made, from the analog-to-digital conversion, to the HDTV transition to the launch of the WATCH ABC streaming platform. Strein has earned 14 Disney Inventor Awards that have resulted in seven patents, with several others still in process. He has served on the SMPTE New York Section board of managers as television program chair since 1997, earning the SMPTE Citation for Outstanding Service to the Society award in 2010. He maintains an extensive involvement in the vendor and standards communities.

Giles Wilson, Head of TV Compression Business at Ericsson
As head of Ericsson’s TV compression business, Giles Wilson oversees the strategy, vision, and development of the company’s industry-leading compression technology portfolio to ensure that it meets the content acquisition, exchange, and delivery requirements of broadcasters and operators around the world. He has played a pioneering role in the company’s 20-year heritage of creating next-generation compression solutions and has been instrumental in developing the technology architectures and solutions for many of today’s leading TV experiences, including the world’s first MPEG-4 AVC HD encoder, which was recognized with an Emmy Award for its technical innovation. Earlier executive roles include the head of TV technology at Ericsson, as well as chief architect and, subsequently, senior vice president of technology at Tandberg Television.

Peter A. Wilson, Founder and Managing Director at High Definition & Digital Cinema Ltd. (HDDC)
Peter A. Wilson began his career at 15 with an electronic and mechanical apprenticeship and subsequently worked in TV studio engineering before joining Sony Broadcast. He moved into HDTV in the mid-’80s, working on high definition (HD) productions, including the very first feature movie shot in HD, and eventually (for Sony Europe) setting up Europe’s first HD-to-35mm film-out facility using electron beam recording technology. In 1998, he helped to organize the technical facilities for the first digital cinema demonstration at IBC Brighton and today, as a founding director of the European Digital Cinema Forum (EDCF), he continues to focus on digital cinema interoperability. During his time at Snell & Wilcox, he earned a Technical Emmy for work on HD upconversion. Through HDDC, he now provides training in HDTV, UHDTV, and digital cinema matters. He is a British Kinematograph, Sound and Television Society (BKSTS) Fellow, director of the EDCF and Event Cinema Association (ECA).

  • Tuesday, Aug. 4, 2015
Avid appoints Paula Boggs to its board of directors
BURLINGTON, Mass. -- 

Avid (Nasdaq: AVID), a provider of digital media technologies for media organizations and independent professionals, has appointed Paula E. Boggs to its board of directors. Boggs’ many years of corporate leadership experience, combined with her background as a musician experienced with Avid products, will provide a unique perspective as the company continues to deliver on Avid Everywhere.

Boggs has held a variety of professional and community leadership roles for over 25 years. A former member of the executive team at Starbucks Coffee Company, she led the global law department of Starbucks for 10 years. Before joining Starbucks, Boggs was VP of legal for products, operations and information technology, and senior deputy general counsel at Dell Computer Corporation. She was previously a partner with the law firm of Preston Gates & Ellis.

Since 2013, Boggs has been a member of the President’s Committee for the Arts and the Humanities, and was previously a member of the White House Council for Community Solutions. She is a voting member of the National Academy of Recording Arts and Sciences, and a songwriter and lead vocalist for the Paula Boggs Band. She has also served as an officer in the U.S. Army.

“Avid welcomes Paula as our newest board member and appreciates her willingness to serve,” said Avid chairman, president, and CEO Louis Hernandez, Jr. “Paula’s extensive corporate leadership experience, combined with her artistic and musical background, will give the company a unique perspective and help guide us during our ongoing transformation as we continue to deliver on Avid Everywhere.”

  • Tuesday, Aug. 4, 2015
Ikegami rolls out HDL-57 full-digital compact HDTV camera
Ikegami's HDL-57 camera
NEUSS, Germany -- 

Ikegami announces a new addition to its range of broadcast quality television cameras. The HDL-57 is a compact high-definition camera designed for use on remotely controlled pan/tilt heads in applications such as parliamentary television or robotic studios. It can also be used wherever a high-grade fixed-position compact camera is required for intercutting with the output from full-size studio cameras. Camera head and controller are housed in a single robust rectangular unit measuring 90 x 103 x 180 mm (width x depth x height) and weighing 1.5 kg. The HDL-57 can be operated remotely or via its rear control panel.

Three advanced 2.5 megapixel 2/3 inch CMOS sensors are employed to deliver wide dynamic range and, in principle, no smear. Each sensor incorporates active processing circuitry and delivers a digital output to the camera’s digital signal processor, all in a very small device with low power consumption. The sensors are equipped with native progressive and interlace modes. 1080/59.94i, 1080/50i, 720/59.94p, 720/50p and 1080/23.98p are available from the camera head. 1080/23.98p output is available as an option.

Full digital processing is employed within the HDL-57, from imagers to HD-SDI output, delivering high signal integrity and high picture quality as well as stable and reliable operation.  Master gain is processed through a high-grade low-noise amplifier with negative feedback. Video noise cancellation circuits deliver images of wide dynamic range even at high gain level. Specified performance parameters include F11 at 2,000 lux sensitivity, 60 dB signal-to-noise ratio and 1,000 television lines resolution in 1080i format (700 TVL in 720p format).

Among the operating features of the HDL-57 are six-position switchable gain (0 to +30 dB), six electric shutter speeds (1/100 to 1/2,000 second), four-position optical filter (100, 25, 6.2 and 1.6 per cent) and a two-position electronic colour correction filter (3,200 and 5,600 K). The optical filter wheel is motorised and can be operated from Ikegami remote control panels such as the RM-50B and OCP-300.  Using these filters in combination, the camera can handle a very wide range of lighting conditions. Auto-white-balance mode is available to cover the full range of colour temperatures.

The Ikegami HDL-57 operates on 12 volt DC power (11 to 16 volts), consuming 18 watts or less. It delivers two HD-SDI outputs and has a reference signal input accepting tri-level HD sync. The camera will be demonstrated on the Ikegami stand (11.A31) at IBC2015, Amsterdam, September 11-15.

  • Thursday, Jul. 30, 2015
Canon rolls out its first multi-purpose camera
Canon's ME20F-SH
MELVILLE, NY -- 

Canon U.S.A. Inc. has introduced the company’s first multi-purpose camera, the new ME20F-SH, which delivers exceptionally high sensitivity to capture full HD video with a minimum subject illumination of less than 0.0005 lux (at maximum 75 dB gain setting, equivalent to an ISO sensitivity of over 4,000,000). Nighttime surveillance and security, cinematic production, reality television, and nature/wildlife documentaries are just some of the ME20F-SH’s many possible usage applications. With the ability to capture color video in extreme low-light conditions and its simplistic and versatile design, the ME-20F-SH Multi-purpose Camera can be easily incorporated into existing infrastructures and systems to provide high-quality video capture even where subjects might not be seen with the naked eye.

Canon’s new multi-purpose camera employs an enhanced version of the 35mm full-frame CMOS sensor for full HD video use that was originally developed by the company in 2013. Its compact, modular body design allows easy custom configurations for diverse usage scenarios. While capturing video in extreme low-light conditions often requires the use of infrared illumination (a technique that only yields video in black and white), the ME20F-SH camera achieves impressive high-sensitivity performance enabling the capture of color full HD video with reduced noise in low-light conditions without the need for infrared illumination.

Color video capture in extreme low-light conditions
The ME20F-SH camera’s CMOS sensor has pixels measuring 19 μm square, which is more than 5.5 times the surface area of the pixels on the CMOS sensor featured in select top-of-the-line interchangeable lens cameras. Furthermore, the sensor’s pixels and readout circuitry make use of Canon proprietary technologies to achieve both reduced noise and exceptionally high sensitivity on subjects with a minimum illumination of less than 0.0005 lux.

This multi-purpose camera allows users to discern subjects under even some of the dimmest lighting conditions, such as environments lit by artificial illumination or under a moonless night sky. Furthermore, similar to Canon’s Cinema EOS System of professional digital cinematography cameras, the ME20F-SH camera includes Canon Log and Wide DR, which make possible a wide dynamic range, delivering high-image-quality video results across a range of illumination environments, from low- to brightly lit conditions.

Interchangeable EF lens lineup
The new ME20F-SH employs the same EF mount (Cinema Lock type) as Canon’s SLR cameras and Cinema EOS System-series of professional digital cameras, allowing users to make use of the company’s extensive lineup of interchangeable EF lenses. By letting users select the ideal lens based on their shooting or application requirements, taking into consideration such factors as angle of view and level of brightness, this multi-purpose camera facilitates a wide spectrum of imaging possibilities.

Supports various standard video-recording interfaces
Employing output-only 3G/HD-SDI and HDMI terminals, Canon’s ME20F-SH camera enables users working on location to output video via a single cable to a variety of peripheral equipment, including external recorders and monitors. Equipped with a φ2.5mm stereo mini-jack and a round 8-pin jack for RS-422, the multipurpose camera is capable of connecting with Canon’s RC-V100 Remote Controller (released in June 2014; sold separately).

By allowing users to operate the camera or change settings from a remote location, the camera facilitates video capture from inaccessible locations as well as fixed-point surveillance. Furthermore, a φ3.5mm stereo mini-jack allows the camera to connect with an external microphone, enabling users working on location to output audio and video signals to connected peripheral equipment.

The Canon ME20F-SH is expected to be available in December 2015 at a suggested retail price of $30,000.

  • Thursday, Jul. 30, 2015
Streamstar releases streaming studio software
Streamstar's new streaming studio software can turn a desktop into a multi-camera live production studio.
BRATISLAVA, Slovakia -- 

Streamstar has released standalone live production and streaming studio software. This new possibility facilitates use with third party manufacturers of capture cards and other devices, which extend Streamstar’s product range to wider audience.

Streamstar SW is an advanced live production and streaming studio software loaded with professional features, including replay and slo-mo as standard, and an intuitive user interface designed to make production smarter, faster and easier, turning a desktop into a powerful multi-camera live production studio.

For a free product trial, click here.

  • Wednesday, Jul. 29, 2015
Canon tutorials feature Ryan Connolly, MikelParis
A scene from the Canon tutorial "How to Film Films with Filmmaking with Ryan Connolly."
MELVILLE, NY -- 

Canon’s Digital Learning Center has rolled out vlogging and filmmaking tutorials as part of its online Learning Center presentation.

In one, filmmaker Ryan Connolly, the face of YouTube’s popular channel “Film Riot,” demonstrates how to create Hollywood-level productions on a budget. Learn how to select the right camera for your project, how to setup and select composition, how to light for scenes, the importance of audio and much more. As the creator of popular films, like “Portal Combat” and “Real Gone,” Connolly shares the basics behind films like those. Using minimal equipment--which may include a Canon EOS DSLR, Cinema EOS camera or video camera and accessories--he shows viewers how to produce films like he does. Connolly's film can be accessed here.

A second release in the tutorial series is “Behind the Scenes: TuneTrek with MikelParis.” Singer and songwriter MikelParis, host of YouTube’s popular series “TuneTrek,” takes viewers behind the scenes of one of his episodes, “Poppenhusen Institute.” Shot in Queens, NY, his tutorial shares which gear he uses and why, his setup process, how to obtain the best audio quality, his postproduction process, and preferred applications.

  • Tuesday, Jul. 28, 2015
NY wins $600 million hub for photonics research, development
Dr. Alain Kaloyeros, founding President and CEO of SUNY Polytechnic Institute, left, and Michael Liehr, Executive Vice President of Innovation and Technology, Colleges of Nanoscale Science and Engineering, SUNY Polytechnic Institute, right, brief Vice President Joe Biden, center, New York Governor Andrew Cuomo, second from right, and Under secretary Frank Kendall, as they visit SUNY Poly Canal Ponds during the official announcement of the Department of Defense awarding a $110 million to help create the new American Institute for Manufacturing Integrated Photonics Monday, July 27, 2015, in Rochester, NY. (Shawn Dowd/Democrat & Chronicle via AP)
ROCHESTER, NY (AP) -- 

Rochester, whose fortunes have risen and fallen with the demand for futuristic technologies from former powerhouses like Xerox and Kodak, is looking for its next big breakthrough in the field of integrated photonics, a light science with the potential to transform communications, medicine and national defense.

Federal, state and local officials on Monday announced the city as the national headquarters for a $610 million research and manufacturing hub dedicated to the emerging field, which could mean thousands of jobs for the region.

"You've gone from making Brownie cameras to the lenses that are now mapping the far side of Pluto," Vice President Joe Biden told an audience inside a vacant Kodak building that will serve the photonics hub. "We've reached the furthest reaches of the solar system but today's announcement is a much smaller frontier, harnessing the power of light into the tiniest components."

Western New York already has about 100 companies focused on optics and photonics, and supporters of the new project say it will bring together government, industry and academia to advance photonics research and its commercial uses.

"This is a huge win that will shape our region's economy for decades to come," Rep. Louise Slaughter said.

The project will be funded in part by $110 million from the U.S. defense department, with an additional $500 million in state and private investment, Biden and Gov. Andrew Cuomo said in Monday's formal announcement.

"Rochester, the future is here," Gov. Andrew Cuomo said. "Today."

New York's bid was selected from among three finalists competing for the project since it was announced by President Barack Obama's administration last fall as part of efforts to strengthen American manufacturing. Southern California and central Florida also were in the running.

The photonics project is the sixth such private-public partnership to be announced and the most heavily funded to date. Others in the National Network of Manufacturing Institutes include a 3D printing technology hub in Youngstown, Ohio and an advanced materials center in Knoxville, Tennessee, Biden's office said.

The integrated photonics manufacturing institute is envisioned as a photonics "ecosystem" that includes domestic foundry access, automated packaging, assembly and workforce development.

"The photonics center we are now bringing to Rochester will harness the power of the Defense Department and ?the prowess of Rochester's 24,000 employee-strong photonics industry and focus it like a laser beam to launch new industries, technologies, and jobs," Sen. Charles Schumer said in a statement.

The photonics institute involves a consortium of 124 colleges, companies and laboratories. Led by the Research Foundation of the State University of New York, key members include the Rochester Institute of Technology, University of Rochester, Massachusetts Institute of Technology, University of Arizona, University of California, as well as Boeing, IBM, Corning, Raytheon and Texas Instruments.

Biden announced the award with Cuomo following a private briefing on the technology. President Alain Kaloyeros of the State University of New York Polytechnic Institute showed the two men an array of next-generation photonic technology, including a chip with 144 optical ports and the potential to transmit 20 terabytes of data a second and a module with more than 400 integrated photonic elements that can transmit the equivalent of the entire print content of the Library of Congress in 20 seconds.

"Now let me ask you," Biden said to Kaloyeros. "What comes next?"

  • Monday, Jul. 27, 2015
Filmotechnic USA expands operations
Camera car systems company names Jeanine Wojtanowski head of rentals
LOS ANGELES -- 

Filmotechnic USA, known for its fleet of high performance camera car systems, has named Jeanine Wojtanowski head of rentals and customer service.  This follows an overall expansion of the company with new fabrication/staging facilities in Hawthorne, Calif., adjacent to Space X. With two fully equipped facilities in Los Angeles and Detroit (servicing Chicago and New York). Filmotechnic has a fleet of 12 high speed camera cars, 12 Russian Arms (lengths from 9 feet to 25 feet) and 16 gyro-stabilized heads. The lineup of equipment allows filmmakers solutions to every camera tracking need on all types of platforms.

Wojtanowski comes from a family well versed in marketing; her parents (Jerry and Carol) owned their own advertising company that they included the whole family in, and her brother (Jeff) is in digital media marketing. For the last eight years, Wojtanowski served as general manager at Pursuit Systems, Inc., a camera car rental service.

At Filmotechnic, Wojtanowski said she was drawn to Filmotechnic’s people, resources, and R&D which continues to expand those resources. She cited VP/driver/fabricator Dave MacDonald. “For over twenty years, Dave has become a trusted resource for production companies worldwide. His work in fabrication along with his knowledge of rigging, fabrication, picture vehicles and camera car driving is rarely surpassed.” Other key members of the Filmotechnic USA team include longtime general manager John Urso, shop foreman Paul Murufas, Flight Head techs Josh Knight, Drew Dumas and Michael Dzialowski, stunt car drivers Steve Holladay and Ele Bardha, precision driver Bruce MacDonald and Russian Arm operators including Russell Prior and Dan Crosby.

Filmotechnic is a leader in R&D of camera car systems and technologies. Founder Anatoliy Kokush is a two-time Academy Award Winner in the 78th Annual Scientific and Engineering Awards. The Academy awarded Kokush, Yuriy Popovsky and Oleksiy Zolotarov the Sci-Tech Award for the concept and development of the Russian Arm Gyro-Stabilized Camera Crane and Flight Head. The Academy also awarded Kokush a second Sci-Tech Award for the concept and development of the Cascade Series of motion picture cranes including the Traveling Cascade Crane.

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