Top Spot

Titled “To My Great Granddaughter,” this University of Phoenix TV spot tells a relatable tale of a woman who immigrates to the United States, overcomes obsta

The market launch of the new Mercedes-Benz C-Class is being accompanied by an international campaign from Mercedes-Benz out of German agency antoni garage.

This short, titled The Text, is the third film in Coca-Cola’s “Crossroads” campaign from agency Pereira & O’Dell

Dante Ariola of MJZ directed this spot which shows what the world could be like if energy could come from anything, power could be anywhere, and light could

Droga5 London has launched a campaign for personal care brand Radox.

“Believe in Music,” the campaign from The Recording Academy and TBWA\Chiat\Day Los Angeles that celebrates the 59th GRAMMYs and the positive impact of music,

Directed by Juan Cabral of MJZ, this film for Visa Europe--a sponsor of the Rio 2016 Olympic Games--

This two-minute film for U.K. charity Women’s Aid is poignant and powerful, conveying the fear that a woman experiences in an abusive relationship.

Arpita Mandal spends her days in distress about how to feed her children two meals a day and ensure that they are able to get an education of their own in he

Steve Ayson of MJZ directed this spot which shows moms lamenting their sons becoming attractive to the opposite sex thanks to Old Spice.

A couple in a vacant field starts to imagine what might be as we see them act out as if they are in their new family dream ho

CZAR Amsterdam’s Willem Gerritsen directed this film for FCB Amsterdam that embarks on an emotional journey of a woman’s memories of her father.

Via Reset in the U.S.

This Donate Life PSA promotes organ donation by introducing us to Coleman F. Sweeney, billed as the world’s biggest a-hole.

Starting out as what could well be a brand film for an athletic equipment/apparel company, this short features soccer balls from around the world.

CP+B has turned out its first national TV campaign for letgo, introducing the mobile marketplace app to U.S. audiences.