Monday, June 17, 2019


Displaying 41 - 50 of 1058
Wednesday, Feb. 13, 2019
Review: Florian Henckel von Donnersmarck's "Never Look Away"
What to say about an Oscar-nominated film that's more than three hours long, apparently despised by the man whose life inspired it, and has been called both a masterpiece and a manipulation? Perhaps that the film's fascinating backstory could make for another three-hour movie. The protagonist would...
Tuesday, Feb. 12, 2019
Review: Director Robert Rodriguez's "Alita: Battle Angel"
Alita is just like a typical teenage girl. She loves chocolate, breaks curfew and crushes on a bad boy with floppy hair, a leather jacket and a motorcycle. But Alita isn't typical in other ways. For one, she can slice apart a single falling tear with her ferocious battle sword. Those are the two...
Friday, Feb. 8, 2019
2019 Production Outlook: Where Do We Go From Here?
It’s that time of year--for a new beginning, for New Year’s resolutions, which often aren’t kept, and predictions, which often aren’t accurate. Nonetheless SHOOT called upon a brave cross-section of artists and execs from the production and post community to offer their hopes, goals and plans for...
Friday, Feb. 8, 2019
Lensing "Cold War," "The Favourite," "Gotham," "Beyond"
One cinematographer’s reunion with a director resulted yet again in Best Cinematography Oscar, ASC and BAFTA Award nominations. Another DP scored his first Oscar, ASC Award and BAFTA nods for his initial pairing with a celebrated filmmaker. A third lenser received his sixth career ASC Award...
Thursday, Feb. 7, 2019
Directors Reflect On Their Return To Sundance
Director Joe Berlinger is no stranger to Sundance. He has over the years debuted six lauded documentaries there, the last being WHITEY: United States of America v. James J. Bulger in 2014. The first was back in ‘92 when he and colleague Bruce Sinofsky’s Brother’s Keeper won the Audience Award. In ‘...
Thursday, Feb. 7, 2019
VFX Supervisors Reflect On "First Man," "Christopher Robin," "Isle of Dogs"
Paul Lambert, visual effects supervisor at Double Negative (DNEG), last month earned his second Best Visual Effects Oscar nomination. It came for First Man (Universal Pictures), a year after he won the Academy Award for Blade Runner 2049 . As VFX supervisor on First Man , Lambert and his team...
Tuesday, Feb. 5, 2019
Review: Director Asghar Farhadi's "Everybody Knows"
There are few more seductive things to watch onscreen than a big, wine-soaked, multi-generational family wedding like the one that happens early in "Everybody Knows," Asghar Farhadi's new thriller set in a picturesque Spanish village. But as good as Farhadi is at portraying the infectious revelry...
Friday, Feb. 1, 2019
Review: Director Dan Gilroy's "Velvet Buzzsaw"
The art installation, so often a playground in the contemporary art museum, is in Dan Gilroy's gloriously gory satire "Velvet Buzzsaw" a terror chamber. Interactivity is involuntary. "Velvet Buzzsaw ," which opens on the Art Basel Miami Beach fair, assembles a glittering gallery of art-world snobs...
Monday, Jan. 28, 2019
Review: Director Joe Penna's "Arctic"
The premise for "Arctic " is so simple it's almost silly to describe: Stranded man tries to survive. It's also been done more than a few times in movies, so it's understandable if hearing that invokes a yawn. And yet with barely any dialogue, traditional storytelling methods or even a cute pet or...
Monday, Jan. 28, 2019
Review: Director Mike Mitchell's "The LEGO Movie 2"
"The LEGO Movie" is a hard act to follow. Its world was so fresh and vibrant and unexpected, it's no wonder that it spawned a number of spinoffs of varying quality. But the big test was always going to be the sequel and whether or not it could recreate the magic of the first. And I'm pleased to...

MySHOOT Profiles

Rebecca Blake


Audio, Music and Sound Design
Josh Ausley DP

MySHOOT Company Profiles