Monday, June 17, 2019


Displaying 61 - 70 of 1058
Wednesday, Dec. 12, 2018
Review: Clint Eastwood's "The Mule"
Both tender apologia and vigorous justification, Clint Eastwood's "The Mule" is a deeply, fascinatingly personal meditation from the 88-year-old director who, like his aged drug mule protagonist, has spent a long time on the road. "The Mule" is the indefatigable Eastwood's second film just this...
Wednesday, Dec. 12, 2018
Review: Director Rob Marshall's "Mary Poppins Returns"
In the half-century since the original "Mary Poppins" debuted, we've learned a lot about refined sugar, frankly none of it good. Doctors tell us it can lead to obesity, heart disease and all sorts of other detriments to our health. But let's face it, there are times when a little sugar — oh what...
Friday, Dec. 14, 2018
SHOOT’s Picks For The Best Work Of 2018
With 2018 about to fully enter the proverbial rearview mirror, it’s time for reflection on varied fronts, including assessing what work was among the year’s most worthwhile creatively. Determining any year’s “best” is a highly subjective proposition so SHOOT staffers looked to at least narrow the...
Friday, Dec. 14, 2018
Redefining 2018 With A Sense Of Purpose: Year-End Agency Survey
Looking back on the language of 2018 provides cause for pause. picked “misinformation” as its word of the year, on the heels of Oxford Dictionaries choosing “toxic.” While misinformation has always existed, it became more prevalent in 2018, fueled in part by the rise of often...
Wednesday, Dec. 12, 2018
Review: Barry Jenkins' "If Beale Street Could Talk"
"Every black person born in America was born on Beale Street...whether in Jackson, Mississippi, or in Harlem, New York," reads the title card that begins director Barry Jenkins' "If Beale Street Could Talk ." The quote is from a 1974 James Baldwin novel, which Jenkins has adapted himself for his...
Wednesday, Dec. 5, 2018
Review: Director Josie Rourke's "Mary, Queen of Scots"
"Mary, Queen of Scots " is an ambitious re-imagining of the Mary Stuart and Elizabeth I saga with modern flourishes and bold performances from Saoirse Ronan and Margot Robbie. But the film, for all its prestige and edginess, its lofty goals and contemporary messages, is not a particularly...
Tuesday, Dec. 4, 2018
Review: Director Peter Hedges' "Ben is Back"
In one of Julia Roberts' many heartbreaking scenes in "Ben is Back" — and they're pretty much all heartbreaking — she lays down the law to her 19-year-old son, a recovering drug addict who's shown up unexpectedly for Christmas. "You have one day," Holly tells Ben with all the authority she can...
Wednesday, Nov. 28, 2018
Review: Director John McPhail's "Anna and the Apocalypse"
Consider it an early Christmas gift: "Anna and the Apocalypse" is the zombie horror holiday musical you didn't know you needed. Just imagining that first pitch meeting is entertainment in itself. "It's 'High School Musical' meets 'World War Z!' No no, it's 'Glee' meets 'Shaun of the Dead!' Hold on...
Thursday, Nov. 22, 2018
Review: Director Yorgos Lanthimos' "The Favourite"
Yorgos Lanthimos' "The Favourite," a wicked blast of nasty fun, gleefully dispenses with the usual decorum of the period drama to free its powerhouse trio of actresses — Olivia Colman, Emma Stone and Rachel Weisz — in a deliciously performed romp through the wigs and corsets of 18th century British...
Wednesday, Nov. 21, 2018
Review: Director Hirokazu Kore-eda's "Shoplifters"
The idea of family as a simple, straightforward concept is challenged by the provocative but oddly touching "Shoplifters," the Palme d'Or winning film from Japanese director Hirokazu Kore-eda. Kore-eda puts his lens on a poor, multi-generational family, living on the seeming brink of homelessness...

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