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Road To Emmys Annual Series
Displaying 21 - 30 of 171
Friday, Aug. 20, 2021
Directors T.J. Martin, Dan Lindsay Reflect On "Tina"
The quest for truth is a driving force for documentarians. And filmmakers T.J. Martin and Dan Lindsay have over the years successfully made that journey spanning long and short-form fare--the latter reflected in the aptly titled “The Truth Is Worth It” campaign for The New York Times out of Droga5...
Friday, Aug. 13, 2021
First-time Emmy Nominees Share Insights Into Directing "Bridgerton," Editing "WandaVision," "The Flight Attendant"
Among the dozen Emmy nominations this season for Bridgerton is one that helps to give a little geographic balance to the awards portfolio of director Julie Anne Robinson who’s been lauded over the years with BAFTA TV Award nods for such BBC fare as the miniseries Viva Blackpool and the telefilm...
Friday, Aug. 6, 2021
Directorial Insights Into "Ted Lasso," "Hacks"; A Showrunner's POV On "The Boys"
A six-time BAFTA TV Award nominee and two-time winner (for the comedy series Father Ted on U.K.’s Channel 4 and Help from the BBC), director Declan Lowney has taken on a smattering of U.S. sitcom work over the years ( American Housewife, Galavant, Teachers ). But he broke through stateside in a...
Friday, Aug. 6, 2021
Road To Emmy Recap: Contenders Become Nominees
As in years past, a healthy percentage of those SHOOT interviewed relatively early on for its The Road To Emmy Series of feature stories--as well as prior TV Awards Season preview coverage--went on to land nominations from Television Academy voters. For example, among those SHOOT connected with...
Friday, Jul. 30, 2021
A.J. Catoline, Melissa McCoy Reflect On Editing "Ted Lasso"
Ted Lasso (Apple TV+) is special to editors A.J. Catoline and Melissa McCoy on varied fronts. For one, this year each earned a first career ACE Eddie Award nomination--Catoline for “The Hope That Kills You” episode, and McCoy actually winning the Eddie for the “Make Rebecca Great Again” installment...
Friday, Jul. 23, 2021
Editors Lindsay Utz, Greg Finton Shed Light On Billie Eilish With "A Little Blurry" Focus
Editors Lindsay Utz, ACE and Greg Finton, ACE came together for the first time and added to their Emmy credentials, recently nominated in the Outstanding Picture Editing for a Nonfiction Program category on the strength of Billie Eilish: The World’s a Little Blurry (Apple TV+), directed, written...
Friday, Jul. 16, 2021
Emmy-Nominated Directors Reflect On "Mare of Easttown," "WandaVision," "The Flight Attendant," "Ted Lasso"
Prior to this week’s announcement of the season’s Emmy nominations, SHOOT connected with various contenders going back to special Preview coverage starting in April and then this ongoing The Road to Emmy series of feature stories which started two months ago. As it turns out, a good number of the...
Friday, Jul. 9, 2021
Insights Into Lensing "Them," Outfitting And Shaping "Jupiter's Legacy"
Cinematographer Checco Varese, ASC found himself deeply drawn to Them (Amazon Studios), an anthology series on terror which in its first season takes us to 1950s suburbia. A Black family moves from North Carolina to an all-white neighborhood in Los Angeles where they confront evil forces, next door...
Friday, Jul. 2, 2021
Ross Riege Reflects On Lensing "Rutherford Falls," "The Walking Dead: World Beyond"
Cinematographer Ross Riege finds himself in the current awards season conversation for his lensing of two shows: Rutherford Falls (Peacock), a comedy with a serious undercurrent; and The Walking Dead: World Beyond (AMC), a drama/horror thriller that lends a new perspective to the franchise. While...
Friday, Jun. 25, 2021
Lensing and Production Designing The Peabody Award-Winning "The Good Lord Bird"
Cinematographer Peter Deming, ASC was brought onto The Good Lord Bird (Showtime) by Albert Hughes, who directed the first episode and served as an EP on the limited series which is based on James McBride’s novel of the same title. Set in the mid-19th century, The Good Lord Bird is told from the...