Tuesday, June 25, 2019

Road To Emmys Annual Series

Displaying 1 - 10 of 107
Wednesday, Jun. 19, 2019
Designing "The Hot Zone," Lensing & Composing "Our Planet," Editing "Insecure"
Production designer Mark Hutman is no stranger to the Emmy derby, having been nominated back in 2010 for the Glee pilot. He’s also no stranger to director Michael Uppendahl, with whom he worked on a couple of Glee episodes. So when Uppendahl, in his capacity as director and executive producer on...
Thursday, Jun. 13, 2019
Insights Into "Russian Doll," "Ozark," "Mrs. Maisel," "Man in the High Castle," "Umbrella Academy"
For Chris Teague, Russian Doll (Netflix) was a cinematographer’s dream come true. He recalled seeing the lookbook for the show, describing the imagery as “unique,” “absurdist,” full of “surrealist art and photography,” serving to “illuminate what the world of the show was going to be. There was the...
Friday, Jun. 7, 2019
Showrunners, DP, Production Designer Shed Light On "GLOW"
After GLOW season one, the creative and logistical challenges of the critically acclaimed Netflix series--centered on a group of female wrestlers vying for celebrity on the syndicated pro circuit--took on a new dimension, meaning that creators/showrunners Liz Flahive and Carly Mensch couldn’t rest...
Thursday, May. 30, 2019
Janet Mock Strikes A Reflective "Pose" This Awards Season
While it remains to be seen if an Emmy nomination or perhaps even multiple nods are in the offing for Pose (FX Network), major TV Academy recognition has already been attained. Last month, the 12th Television Academy Honors were presented, celebrating programs that examine and portray complex...
Friday, May. 24, 2019
Insights From "True Detective" Creator, "Ozark" Showrunner, "This Is Us" Director/EP
Nic Pizzolatto has presided over True Detective (HBO) from its inception. As series creator, lead writer, executive producer and a director of the anthology drama crime series, he’s shaped each season’s distinctively different narrative set in a distinctly different locale. The show won five...
Thursday, May. 16, 2019
Anastasia White Reflects On "Homecoming," Collaborating With Showrunner Sam Esmail
Anastasia White has earned three Excellence in Production Design Award nominations from the Art Directors Guild in her career, winning the honor in 2017 for Mr. Robot , nominated for the same show the next year and then this past January again coming up a nominee for Homecoming (Amazon),...
Thursday, May. 9, 2019
Chris Manley Reflects On Lensing "The Romanoffs"
In Prague to shoot the Knightfall series for the History network some time back, DP Chris Manley, ASC, phoned his wife one night to check in and find out what was new. She noted that a package came to him from his longtime collaborator, Matthew Weiner. Manley asked her to open it, revealing the Blu...
Thursday, Aug. 23, 2018
Cutting Aboard The "USS Callister"; Reflections On "Black Mirror"
The “USS Callister” episode of Black Mirror (Netflix) garnered a total of seven Emmy nominations this year, including the first for editor Selina MacArthur. “USS Callister,” which is in the running for the Outstanding Television Movie Emmy, is a departure from most Black Mirror episodes, with its...
Thursday, Aug. 16, 2018
Wendy Hallam Martin Embraces A Different Editing Approach For "The Handmaid's Tale"
Wendy Hallam Martin’s work on The Handmaid’s Tale (Hulu) has yielded marquee industry recognition, including her first American Cinema Editors (ACE) nomination and win earlier this year for the “Offred” episode. And most recently, Martin scored her first career Emmy nom--which came in the...
Thursday, Aug. 2, 2018
Colin Watkinson Discusses The Emotional Cinematography of "The Handmaid's Tale"
Colin Watkinson’s work on The Handmaid’s Tale (Hulu) won him the Emmy in the Outstanding Cinematography for a Single-Camera Series Emmy (One Hour) category in 2017 and has gotten him nominated again this year. “I feel like we’ve continued to grow with the show while maintaining the style we set out...

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