Road To Emmys Annual Series
Displaying 121 - 130 of 188
Thursday, Jul. 28, 2016
Emmy Nominee Jay Worth Discusses VFX In A Supporting Role For Hulu's "11.22.63"
There’s an adage that the best VFX are the ones you don’t notice--and that is inherently the case in the Emmy Awards category of Outstanding Special Visual Effects in a Supporting Role. Among this year’s nominated efforts is Hulu’s 11.22.63 , a science fiction thriller/limited series based on the...
Friday, Jul. 22, 2016
Agency Creatives Reflect On Their Emmy-Nominated Spots
The first primetime commercial Emmy Award was bestowed in 1997 upon HBO’s “Chimps” directed by Joe Pytka of PYTKA for BBDO NY. Since then, the spotmaking Emmy has grown in prominence and become increasingly coveted, taking on an added importance spurred on by changes in the business over the years...
Friday, Jul. 15, 2016
Emmy Nominee Insights Into "All the Way," "People v. O.J. Simpson," "American Horror Story: Hotel"
Prior to yesterday’s announcement of this season’s Emmy nominations, SHOOT connected with varied contenders over a two-month stretch spanning different disciplines and as it turns out a good number of the artisans we covered in parts 1 through 8 of our The Road To Emmy series of feature stories...
Friday, Jul. 8, 2016
DP Rodrigo Prieto Reflects On Working With Martin Scorsese
While shooting his first collaboration with director Martin Scorsese, The Wolf of Wall Street , cinematographer Rodrigo Prieto, ASC, AMC found the filmmaker talking about a couple other projects which they could (and eventually would) also team on--one being the upcoming feature film Silence (a...
Thursday, Jun. 30, 2016
Adam Penn Reflects On Cutting "American Crime Story," Writing "Mr. Robot"
Artist perspectives in this installment of The Road To Emmy span writer, editor and composer insights into Mr. Robot (USA Network), editorial and music POVs on The People v. O.J. Simpson: American Crime Story (FX Networks), music for American Horror Story: Hotel (FX) and Scream Queens (FX), and a...
Wednesday, Jun. 22, 2016
"The Dresser" Nattily Attired By Director Richard Eyre, DP Ben Smithard
This installment of The Road To Emmy offers directorial and DP points of view on The Dresser (Starz), reflections from a director/consulting producer on Black Sails (Starz), and DP and production designer takes on Narcos (Netflix). The Dresser For director Richard Eyre, the Starz film The Dresser...
Thursday, Jun. 16, 2016
Director Jay Roach, Production Designer Mark Ricker Go "All the Way" For HBO
Artist perspectives in this installment of The Road To Emmy span directorial and production designer insights into All the Way (HBO), reflections from composers on Homeland (Showtime), Jessica Jones (Netflix) and Killing Fields (Discovery), a costume designer’s take on Billions (Showtime) and The...
Thursday, Jun. 9, 2016
Jack Amiel, Michael Begler Discuss Genesis, Evolution Of Cinemax’s "The Knick"
For Jack Amiel and Michael Begler, creators, showrunners, writers and EPs on Cinemax’s The Knick , the second season of the series presented some daunting challenges in that the creative bar was set so high in season one, contributed to in large part by the yeoman efforts of its director,...
Wednesday, Jun. 1, 2016
DP John Guleserian Sets “Casual” Tone For Hulu Series
The first season of Hulu’s Casual marks cinematographer John Guleserian’s initial foray into full-fledged series television. Created by EP/writer Zander Lehmann working in collaboration with, among others, EP/director Jason Reitman who's helmed multiple episodes, Casual centers on a recently...
Thursday, May. 26, 2016
Lensing "American Horror Story: Hotel"; Composing "Fargo"
Cinematographer Michael Goi, ASC, ISC is no stranger to the Emmy Awards with four career nominations, two of which are for his lensing of American Horror Story with another also in collaboration with series creators Ryan Murphy and Brad Falchuk--a nod for an episode of Glee in 2012. Goi’s first...