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The Road To Oscar Annual Series
Displaying 71 - 80 of 116
Friday, Oct. 28, 2016
The Road To Oscar Prequel: Editors In The Awards Season Conversation
This prequel to SHOOT’s annual The Road To Oscar series of feature stories focuses on the art of editing and four of its notable practitioners: Joe Walker, ACE, Steven Rosenblum, ACE, Jake Roberts, and Julie Monroe.
All four are in the awards season conversation: Walker...
Thursday, Feb. 25, 2016
A Production Designer's Perspective On "Carol," "Joy"
Directed by Todd Haynes, the critically acclaimed Carol tells the story of title character Carol Aird (portrayed by Cate Blanchett) and Therese Belvit (Rooney Mara), two women who fall in love in New...
Thursday, Feb. 18, 2016
Artisans Share Insights Into Lensing "The Revenant," Cutting "Room"
DP Emmanuel “Chivo” Lubezki, ASC, AMC scored the hat trick, having won the coveted ASC Award for Achievement in Feature Film for the third straight year, starting with Gravity in 2014, Birdman or (The Unexpected Virtue of Ignorance) last year,...
Thursday, Feb. 11, 2016
"The 100 Year Old Man" Earns Place Alongside "The Revenant," "Mad Max" In Oscar Derby
The Revenant and Mad Max: Fury Road top this year’s field of Oscar nominations with a dozen and 10, respectively. Yet in the Makeup and Hairstyling category, they are vying with a deserving yet lower profile film that has but one Academy Award...
Friday, Feb. 5, 2016
Creating Different Worlds: "Mad Max: Fury Road," "The Revenant," "Spotlight," "Carol" and "Amy"
It’s been reported that John Seale, ASC, ACS came out of retirement to shoot director/co-writer George Miller’s Mad Max: Fury Road, but the cinematographer regards that as “a running joke.” Seale quipped, “I’ve ‘...
Thursday, Jan. 28, 2016
Exploring Sounds of The Heart and Soul In "The Revenant"
Thursday, Jan. 21, 2016
Insights Into The Lensing of "Room," "The Danish Girl"
Oscar prognostications largely saw Room (A24 Films) reserved for no more than a leading actress nomination based on the strength of the performance delivered by Brie Larson. However one of the...
Thursday, Jan. 14, 2016
"Room" Director Continues An Awards Tradition: The Discrepancy Between DGA and Oscar Nominations
Most years there is at least one difference between the Best Director Oscar and DGA Award nominees. In fact only five times in the 68 years of the DGA Awards have the Guild nominations exactly mirrored their Academy Award counterparts.
Thursday, Jan. 7, 2016
Editorial Perspectives On "Joy," "Trumbo," "The Hateful Eight"
There’s an Academy Award pedigree to the four editors behind director/writer/producer David O. Russell’s Joy (Twentieth Century Fox): Tom Cross, ACE, the Best Editing Oscar winner last year...
Thursday, Dec. 31, 2015
"The Revenant" Marks Jack Fisk’s 1st Collaboration With Alejandro G. Iñárritu
Two close collaborative relationships yielded the opportunity for production designer Jack Fisk to work for the first time with Oscar-winning (Birdman) director Alejandro G. Iñárritu, the project being...