Friday, Mar. 29, 2019

During this year’s Super Bowl, agencies Droga5 and Wieden+Kennedy, along with production house O Positive, delivered a Game of Thrones-twist ending to the latest entry in Bud Light’s series of “Dilly Dilly” commercials.

What starts as a Bud Light Super Bowl commercial featuring...

Monday, Mar. 25, 2019

Creative technology and VFX studio The Mill has formally launched what it believes to be a groundbreaking new virtual production system, Mill Mascot. 

The system, developed by The Mill to address the ever-growing client needs for fast and intelligent characters, enables broadcast quality...

Thursday, Nov. 15, 2018

Chris Tellefsen, ACE, won for his cutting of A Quiet Place, Asa Shoul took home the TV color grading honor for the “Paterfamilias” episode of The Crown, and colorist Adam Scott of The Mill got recognized for his work on Volkswagen’s “Kid’s Dreams” at the 13th annual Hollywood...

Wednesday, Oct. 24, 2018

The ADCAN Awards--a celebration of creativity as a force for good--recognized the stellar work of emerging filmmakers and animators who were tasked with creating a 30 or 60-second original film working from a brief for the competition’s charity partners. Winners were unveiled and honored last...

Monday, Jun. 11, 2018

The Mill Los Angeles has promoted executive creative director Phil Crowe to chief creative officer and Chris Knight and Robert Sethi to executive creative directors. The move elevates a working partnership among the three that has already driven great success and positions The Mill’s L.A. studio...

Thursday, Jun. 7, 2018

The Mill has announced that the Campfire team has joined Mill+ in New York. 
 
For over 12 years, Campfire has developed Emmy, Cannes Lion and Clio-winning immersive experiences to launch new products and entertainment franchises. While Campfire’s founders originally gained notoriety for...

Tuesday, Apr. 17, 2018

Rachelle Madden, VP, post production and digital production affairs for AICP, has announced the shortlist for this year’s AICE Awards for postproduction excellence. This marks the first time the Awards, now in its 17th year and its first year under the auspices of AICP, has adopted a shortlist...

Friday, Oct. 27, 2017

Ad agency KBS, production studio MJZ and VFX studio The Mill joined forces to create an epic, 60-foot purple monster for Monster.com’s “Opportunity Roars” in which the creature grabs a woman from a high-rise building, rescuing her from an unsatisfying job. At first she screams in horror but...

Friday, Sep. 8, 2017

The Mill has tabbed Chris Kiser to serve as executive producer, new business for U.S. regions. This marks a wider U.S. role for Kiser, focusing on growth, new partnerships and client strategies in key American advertising markets. Kiser has already played an...

Tuesday, May. 30, 2017

The Mill has appointed Barry Parkhill to serve as managing director of its New York studio. 

Parkhill succeeds Heather Fullerton, who has moved into the newly created role of chief strategy officer, directing her focus on the future growth of the business.   

Parkhill joins New...

MySHOOT Company Profiles