News

SHORT CUTS

The Ink Tank, New York, completed animation for the documentary Gigantic (A Tale of Two Johns). Directed by A.J. Schnack of Los Angeles-based Bonfire Films...

Bob Moore, Fallon Minneapolis' number two creative, is leaving that agency for Publicis, Seattle. Creative director at Fallon for only 19 months, with this move he becomes co-...

Director Robert Black has joined bicoastal Coppos Films. He just wrapped his first job at his new roost, a three-spot State Farm campaign for DDB Chicago. At press time, Black was about to embark...

Defying the principle that you can only have two of the three values—good, fast and cheap—visual effects company Click 3x, New York, agreed to do a Comcast Digital Cable campaign. It took it on as...

SHORT CUTS

A52, Los Angeles, provided visual effects for Nissan's "Side Effects," via TBWA/Chiat/Day, Los Angeles. The :30, directed by rad-ish of bicoastal Go Film, focuses...

Atlanta may not be burning, but TV commercial production and postproduction is starting to heat up again. In recent months, Stephen Moe of Comotion Films, Atlanta, has shot "Dreams," an American...

CLIENT

AT&T.

PRODUCTION CO.

PSYOP, New York.

PSYCP Creative Collective, director; Marie Hyon, Kylie Matulick, Eben Mears, Todd Mueller and Marco Spier, creative...

CLIENT

Hershey Foods Corporation/ Reese's Pieces.

PRODUCTION CO.

Industrial Light+Magic Commercial Productions, San Rafael, Calif.

Robert Caruso, director; Elliott...

CLIENT

Turner Classic Movies (TCM).

PRODUCTION CO.

hungry man, bicoastal/international.

Jim Jenkins, director; Tim Ives, DP; Steve Orent, executive producer/N.Y.; Dan...

Director/ designer Tuesday McGowan has signed with Picture Park, Boston and Santa Monica, for exclusive commercial representation. In a separate move, she has also joined the staff at digital...