• SPOT.COM.MENTARY: Grass-Roots Art

    The shortage of homegrown talent for the high-tech industryaincluding computer animation and visual effects housesahas been chronicled in SHOOT over the years. Various solutions have been put...

  • KB&P Heads To The Jungle For Biore

    CLIENT

    The Andrew Jergens Co./Biore Balancing Moisturizer.

    PRODUCTION CO.

    Propaganda Films, bicoastal.

    Marcel Langenegger, director; Pierre Rouger, DP; Shelly Townsend...

  • Rubin Postaer Presents Baby's First Odyssey

    Image is everything in our mass-consumer-driven society. And not even a baby still in its mother's womb wants to be seen in something as desperately uncool as … a minivan! But a Honda Odyssey? Now...

  • Bringing Blue To Life

    Nowadays spots rely heavily on visual effects, and some commercials are entirely computer generated. In essence, visual effects are the stars of these state-of-the-art ads. It makes sense then...

  • Grass-Roots Art

    The shortage of homegrown talent for the high-tech industry—including computer animation and visual effects houses—has been chronicled in SHOOT over the years. Various solutions have been put...

  • Got Focus?

    It was Wednesday (9/6), about 3 p.m., when I got the call. The folks at SAG wanted to know if I'd sign the interim talent agreement. They knew that we'd been casting talent for three "Got Milk?"...

  • Flashback

    OCTOBER 20, 1995/Director/DP Kevin Kerslake and director Steve Lowe have signed with A Band Apart Commercials, Hollywood. Kerslake was formerly repped by The Underground, Los Angeles; while Lowe...

  • SPECIAL REPORT: VISUAL EFFECTS_ Bringing Blue To Life: Eric Barba creates CGI wonders, and directs live-action elements.

    Nowadays spots rely heavily on visual effects, and some commercials are entirely computer generated. In essence, visual effects are the stars of these state-of-the-art ads. It makes sense then...

  • SPECIAL REPORT: VISUAL EFFECTS_ Broad Canvas: AT&T uses visual effects to illustrate capabilities.

    Against a clean white background, a blue pushpin flies into frame and hits a wall. It sticks. Three additional pins fly in with thudding force. More pins enter until they are flying as a group,...

  • Crew Cuts, BBDO Win Pepsistuff

    CLIENT

    Pepsi Cola Co.

    PRODUCTION CO.

    M-80, Santa Monica.

    Tenney Fairchild, director/DP; Gregg Stern, executive producer; Gabrielle Yuro-Vickers, producer. Shot on...

MySHOOT Company Profiles