Cinematographer Paulo Perez, ADFC, chose Cooke® Anamorphic/i FF SF (Full Frame Special Flair) lenses to capture the wide vistas of…
Browsing: Cooke Optics
As part of its global expansion and the opening of new operations in Europe, Worldcom OOH, a media trading company…
Cooke Optics has made a major investment in two facilities. Crest Rise, a nearly 6,500 square foot production facility located…
Using three sets of Cooke Optics Anamorphic/i Full Frame Plus Special Flare lenses, cinematographer Glen Keenan, CSC, achieved his desire…
Cinematographers Hermes Marco AEC and Imanol Nabea worked with Cooke S7/i Full Frame Plus and vintage Cooke Speed Panchro S2/S3…
The Disney Channel’s original musical comedy movie Spin is full of the type of color palettes expected of a story…
Cinematographer Isaac Vila chose Cooke S7/1 Full Frame lenses for Netflix’s action thriller feature, Below Zero. The Spanish Netflix Original…
Cooke Optics has appointed Andy Buckland to the newly created role of director of product management. He reports directly to…
DP Toby Oliver, ACS and director Josh Greenbaum selected Cooke Optics Anamorphic/i Standard and Special Flair (SF) prime and zoom…
Cinematographer Declan Quinn gravitated to Cooke Optics’ flagship spherical S4/i prime lenses for Lookout Point’s six-episode series of Vikram Seth’s…
Richmond, VA.-based creative animation and design studio Hue&Cry–headed by EP Scott Friske and ECD Magnus Hierta–has tapped Sara Barnthouse’s indie…
Cooke Optics chairman Les Zellan will be stepping down from the company, and its CEO, Robert Howard, will be retiring,…
Crowdsourced writing platform Write Label has hired Zack Brown as head of sales. The move comes as the business pivots…
When it came time for cinematographer John Conroy to develop the look for Showtime’s Penny Dreadful: City of Angels spin-off,…
The Netflix original series Dead to Me has moved production to Cooke Optics S7/i Full Frame Plus prime lenses for…
Two new Cooke Optics lenses will be making their worldwide debut at IBC2019, giving cinematographers and directors of photography more…
Cooke Optics will demonstrate its strength in the full frame arena at Cine Gear Expo 2019, with lenses from its…
Cooke Optics has promoted Catherine Crawley to director of marketing, following a two year tenure as the company’s digital marketing…
Two VFX-heavy commercials for Disney highlighting the latest Star Wars toys and merchandise benefited from Cooke Optics’ Anamorphic/i prime lenses…
Cooke Optics will present some never-before-seen lenses from its S7/i, Panchro/i Classic and Anamorphic/i Full Frame Plus ranges on Stand…
Over the 50 years chronicled in Adam McKay’s Vice, cinematographer Greig Fraser, ASC, ACS had the challenges of photographing actors…
Cooke Optics has announced that at BSC Expo 2019 it will present not only a standard Anamorphic/i Full Frame Plus…
Cooke Optics will add further depth to its Cooke Anamorphic/i lens family at IBC 2018, when it presents the 50mm…
Cooke Optics will present its latest lens ranges and focal lengths on Stand 12.D10 at IBC 2018 running from Sept.…
Caledonia Investments plc, a self-managed investment trust, has acquired a majority stake in Cooke Optics. The current Cooke Optics management…
Cooke Optics, manufacturer of precision lenses for film and television, will bring its latest lens developments to Stand 12.D10 at…
