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    Home » CAPE Crusader–Opening Up Opportunities in Animation

    CAPE Crusader–Opening Up Opportunities in Animation

    By SHOOTTuesday, October 24, 2023Updated:Sunday, July 7, 2024No Comments3772 Views
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    By SHOOT Staff

    --

    CAPE (Coalition of Asian Pacifics in Entertainment), a non-profit organization creating opportunities and driving success for Asian and Pacific Islanders in Hollywood for over 30 years, has announced the return of the CAPE Animation Directors Accelerator with Kevin Noel, SVP, creative, Sony Pictures Animation, taking the helm as program chair.

    In collaboration with Sony Pictures Entertainment, the initiative identifies and equips the next generation of Asian and Pacific Islander animation professionals with the skills needed to become directors in feature film and episodic animation.

    The Accelerator was co-founded by Justinian Huang (VP, creative, Sony Pictures Animation) and Michelle Wong (producer, K-Pop: Demon Hunters). Selected rising animation filmmakers in the program will hone both their artistic and leadership skills through a series of panels, workshops, and masterclasses from high-level executives, producers, and creatives in the animation industry, as well as receive one-on-one executive mentorship. 

    “With the global animation market size projected to surpass $600 billion by 2030, it’s astounding that we can count on roughly two hands the number of Asian American feature film animation directors (and zero Pacific Islanders),” said CAPE executive director Michelle K. Sugihara. “CAPE is excited to team up with Sony Pictures Entertainment once again to supercharge these creatives’ rise into the feature film director’s chair.”  

    Past program mentors and speakers include Maggie Kang (director, K-Pop: Demon Hunters), Arthur Fong (visual development artist, The Mitchells vs The Machines), Wira Winata, Galen Chu, Alyce Tzue, Henry Yu (director, Surf’s Up 2: Wavemania), Yori Mochizuki, Matt Braly (creator, Amphibia), John Aoshima (co-director, Ultraman), Daniel Chong (creator, We Bare Bears), Jay Hasrajani (creator, Boons and Curses), Domee Shi (director, Turning Red), Jude Weng (director, Finding ‘Ohana), Janet Wu (director, original animated film and family features, Netflix), Jason McConnell (director of development, movies & series, Nickelodeon Animation), Scott Sakamoto (creative development, Netflix), Jason Caparaz (VP, development, DreamWorks Animation TV), Larry Jonas (producer, Trollhunters), Kurt Albrecht (producer, The Mitchells vs The Machines), Tim Yoon (producer, Maya and the Three), and Osnat Shurer (producer, Moana). 

    Ideal candidates for the Accelerator will have five-plus years in the animation field and ambitions of being the creative lead for animation film or episodic projects. Prioritized levels of experience include head of story, episodic director, art director, CG director, technical director, VFX supervisor, editor, and production designer. 

    As part of the CAPE Animation Directors Accelerator, CAPE will also be holding a panel at Lightbox Expo in Pasadena on Saturday October 28 centering on comic book adaptation featuring Randall Park (director, Shortcomings), Karen Gaviola (director, The Boys) and Steve Maeda (co-showrunner, Netflix’s One Piece).

    The CAPE Animation Directors Accelerator is part of other industry-renowned CAPE initiatives such as the CAPE New Writers Fellowship, CAPE Leaders Fellowship, Julia S. Gouw Short Film Challenge, and CAPE Emerging Executive Committee, as well as the soon-to-be-launched CAPE Database, a public-facing database for Asian and Pacific Islander talent, executives, reps, and more. 

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    News Categories:POV (Perspective)
    Tags:CAPECoalition of Asian Pacifics in Entertainment



    Street Talk for February 6, 2026

    Friday, February 6, 2026
    Lidia Estepa

    Papaya Films has signed Madrid-born, Mexico-based director and photographer Lidia Estepa for representation in the U.K. Estepa’s commercial work spans collaborations with Palacio de Hierro, American Eagle, Kate Spade, Bose, Coca-Cola and Pantene. With deep roots in the fashion industry, she has also created emotionally resonant worlds for a slew of leading editorial titles including Vogue, Harper’s Bazaar and L’Officiel alongside luxury fashion brands such as Gucci, Cartier, Chanel and BCBG. A graduate of Madrid’s prestigious Centro Internacional de Fotografía y Cine, Estepa spent 15 years honing her photography practice in New York, Boston, Barcelona and Madrid before moving to Mexico City and expanding organically into directing. Rooted in emotional truth and guided by an intuitive feminine gaze, Estepa’s storytelling explores the space between the sacred and the ordinary, the seen and the felt. Her ability to create emotionally resonant worlds, both mystical and human, is seen in work such as her short film Khimia for Harper’s Bazaar, which portrays the transformative process of the soul.... Havas has acquired a majority stake in Acento Public Affairs, a public affairs consultancy in Spain led by Alfonso Alonso and Pepe Blanco. Founded in 2019, the firm employs more than 50 professionals across its offices in Madrid, Barcelona, and Brussels. Acento will be immediately integrated into H/Advisors, Havas’ global communications and public affairs advisory network, and will expand international advisory services in Spain in coordination with 1,500 professionals across 50 offices worldwide. Acento... Read More

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