Animation studio Blind Pig has promoted several staffers as it settles into a new location in the Fitzrovia district of London.
Ric Comline, formerly creative director, is now executive creative director. Since founding Blind Pig in 2009, Comline has been a driving force in creatively leading work as well as nurturing the studio’s diverse team. In his new role, he’ll continue to direct creative briefs, while keeping a keen eye on the development of the studio as it enters a new chapter.
Thierry Levy leaves his position as executive producer for a new role as head of production. His experience with both clients and artists lends itself to the title, which comprises overseeing projects, work culture and new international business opportunities.
Christine Peters has made the jump from 2D lead to 2D creative director. She’ll remain at the heart of all 2D animated projects, directing client briefs and keeping a watchful eye across all traditional frame-by-frame projects.
Sean Cooper’s promotion takes him from 3D lead to 3D creative director. He’ll continue to direct 3D briefs while overseeing all CG projects and adding creative and strategic input along the way.
Blind Pig, Absolute’s animation studio, has garnered a loyal international following in recent years, expanding its reach into international markets such as New York, Amsterdam and Dubai. Alongside this, the team have seen an increase in film and TV projects, crafting title sequences and graphics for the likes of Netflix and National Geographic.
Optimus promotes Caralyn Moore to editor
Caralyn Moore has been promoted to editor at Optimus, the production and post house with offices in Chicago and New York. Moore started at Optimus in 2019 as a seasoned assistant editor, next earning the title of senior assistant and now making the jump to editor.
Moore has cut spots for such brands as CDW, Chicago Humanities Festival, Famous Footwear, Hillshire Farm, Walgreens and WW. In addition, she edited the independent feature film All Happy Families, which premiered at the 60th Chicago International Film Festival last fall and is releasing in select AMC Theatres nationwide on September 20.
“Editing is like a big open-ended puzzle, where you only use a fraction of the pieces and there are no right answers (though there are definitely wrong ones),” said Moore. “I love the challenge of finding the right balance of visuals, pacing, music, sound, and information--it’s precarious, it’s challenging, it’s endlessly creative and fun.”
“Caralyn has proven time and again how skilled she is in her craft,” said Angelo Valencia, Optimus managing editor/partner. “Her calming presence always makes you feel you are going to be well taken care of and her attention to detail is second to none. I am so excited for her to showcase her talent for everyone to see.”
Born and raised in Northern Virginia, just outside Washington, DC, Moore was passionate about theater classes at school and making short films with her friends and family. Her love of writing, acting and especially editing, landed her at Northwestern University for film school. Following graduation, Moore spent time in the documentary production world in Washington, DC, and then several years freelance assistant editing back in Chicago.
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