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    Home » Powerhouse VFX expands into Vancouver; sr. VFX supervisor Michael Cliett to lead new location

    Powerhouse VFX expands into Vancouver; sr. VFX supervisor Michael Cliett to lead new location

    By SHOOTMonday, July 22, 2024No Comments465 Views
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    Michael Cliett
    VANCOUVER, B.C. --

    Powerhouse VFX, which has turned out work featured on such projects as Silo (Apple TV +)and Stranger Things (Netflix), has expanded into the Vancouver, BC area and hired sr. VFX supervisor Michael Cliett to lead the new operation. Cliett was recently nominated for a visual effects Emmy on the strength of his team’s work on Shōgun. He served as overall VFX supervisor and second unit director on the FX Network’s lauded series.

    Powerhouse VFX now has both a Vancouver and Toronto presence, as well as locations in Los Angeles, Atlanta and its flagship in New York.

    Prior to his expansive work on Shōgun, Cliett gained industry notoriety for his contributions as VFX supervisor on Warner Bros.’ post-apocalyptic series The 100. Before that, he worked at Method Studios as the company’s VFX supervisor on Guy Ritchie’s action/adventure film King Arthur: Legend of the Sword.

    Ryan Cunningham, SVP, managing director of Powerhouse, said, “Vancouver has such a rich talent base and community. We are excited to bring our boutique culture and provide this offering to our clients.”

    Kevin Blank, sr. VFX supervisor/creative director at Powerhouse VFX, said of Cliett, “I’ve been a fan of his many years, and we are all excited to have him join in helping to spearhead our growth.”

    Cliett said of his new roost, “I’ve admired their work and I’m looking forward to help build a special team here in Vancouver. The relationship Powerhouse and Company 3 have to their many loyal clients is very impressive. I look forward to developing that kind of reputation for Powerhouse VFX in Vancouver in the years to come.”

    Cliett is a member of the Directors Guild of Canada, the Television Academy and the Visual Effects Society (VES).

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    Aggregated Categories:People on the Move
    News Categories:People on the Move
    Tags:Michael CliettPowerhouse VFX



    Slander or “trash-talking”? Drake-Kendrick Lamar feud has a day in court

    Monday, June 30, 2025

    A federal judge is pondering the nature of rap battles and the cutting wordplay in Kendrick Lamar 's "Not Like Us," the megahit diss track that spurred a defamation lawsuit from his fellow superstar Drake.

    Drake sued Universal Music Group — both his and Lamar's record label — over "Not Like Us," saying the company published and promoted a song he deems slanderous. Universal says the lyrics are just hyperbole in the tradition of rap beefing, and the label is trying to get the case dismissed.

    Judge Jeannette Vargas didn't immediately decide after a lively hearing Monday, when the raw creativity of hip-hop brushed up against the staid confines of federal court.

    "Who is the ordinary listener? Is it someone who's going to catch all those references?" Vargas wondered aloud, addressing a legal standard that concerns how an average, reasonable person would understand a statement. "There's so much specialized and nuanced to these lyrics."

    Neither artist attended the hearing.

    The case stems from an epic feud between two of hip-hop's biggest stars over one of 2024 biggest songs — the one that won the record of the year and song of the year Grammys, got the most Apple Music streams worldwide and helped make this winter's Super Bowl halftime show the most watched ever.

    Released as the two artists were trading a flurry of insult tracks, Lamar's song calls out the Canadian-born Drake by name and impugns his authenticity, branding him "a colonizer" of rap culture who's "not like us" in Lamar's home turf of Compton, California, and, more broadly, West Coast rap.

    "Not Like Us" also makes insinuations about Drake's sex life, including "I hear you like 'em young" — implications that he rejects.

    Drake's suit says that the... Read More

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