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    Home » “All That Breathes” and “Fire of Love” top 16th Cinema Eye Honors

    “All That Breathes” and “Fire of Love” top 16th Cinema Eye Honors

    By SHOOTFriday, January 13, 2023Updated:Tuesday, May 14, 2024No Comments1547 Views
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    A scene from "All That Breathes"
    QUEENS, NY --

    Shaunak Sen’s Cannes-winning feature All That Breathes, which follows two brothers who run a bird hospital dedicated to rescuing injured black kites, took the top prize at the 16th annual Cinema Eye Honors, winning the award for Outstanding Achievement in Nonfiction Filmmaking as well as the award for Cinematography.

    Recognizing excellence in nonfiction filmmaking, the Cinema Eye Honors awards ceremony took place last night (1/12) at the Museum of the Moving Image in Astoria, Queens, with winners being announced in 18 categories.

    Fire of Love, Sara Dosa’s documentary about intrepid husband-and-wife volcanologists Katia and Maurice Krafft received  three honors—the most of the evening won by any single film—for Outstanding Editing, Outstanding Visual Design (tied with Moonage Daydream) and Outstanding Original Score. The score was composed by Nicolas Godin of French electronic music duo Air. 

    Laura Poitras won Outstanding Direction for All The Beauty and the Bloodshed. The film, which follows the life and work of photographer and activist Nan Goldin, marks the third nomination and third win in this category for Poitras. She previously won the award for both The Oath (2010) and Citizenfour (2014). She is the only individual to have won the Directing award more than once.

    In the Visual Design category, Stefan Nadelman also became a three-time winner on Thursday, taking home the trophy for Brett Morgen’s Moonage Daydream (tied with Fire of Love), which illuminates the life and genius of David Bowie. Nadelman previously won for Kurt Cobain Montage of Heck (2016) and Long Strange Trip (2018). Moonage Daydream took home two awards, with Samir Foco, John Warhurst and Nina Hartsone winning for Sound Design.   

    Also receiving two awards was Daniel Roher’s Navalny, a nonfiction film that follows the Russian opposition leader and former presidential candidate Alexei Navalny in real time as he recovers from an assassination attempt. Navalny‘s producing team won the Outstanding Achievement in Production award, and the film also took home the Audience Choice Prize, an award voted on by documentary fans around the world. This year, for the first time, voters from the general public selected this year’s Audience Choice Prize nominees from a 16-film Long List  by Cinema Eye’s nominations committee, and they then voted for the winner. More than 50,000 votes were cast to determine this year’s award recipient.

    All That Breathes, Fire of Love, All the Beauty and the Bloodshed, Moonage Daydream and Navalny are all on the Documentary Feature shortlist for the upcoming Academy Awards. Also shortlisted is Alex Pritz’ The Territory, which won the Award for Debut Feature. Nuisance Bear won for Outstanding Nonfiction Short and is also on the Academy shortlist in that category.

    In Broadcast Honors, a notable win came in the Outstanding Anthology Series category. How To with John Wilson (Season Two) won the award. It previously won the Broadcast Editing award at last year’s ceremony, marking the second consecutive win for the Cinema Eye-nominated series.

    This year’s ceremony opened with an emotional tribute to documentary pioneer Julia Reichert, a Cinema Eye winner and godmother of American independent documentary, Reichert died in December. Her husband and filmmaking partner, Steven Bognar, talked about Reichert’s passion for her beloved documentary community.

    Whitney Museum curator Chrissie Iles announced this year’s Legacy Award, which was given to Terry Zwigoff for Crumb, his 1994 landmark portrait of artist Robert Crumb. Zwigoff thanked his team and the documentary filmmakers in attendance in video remarks from San Francisco. Zwigoff will be presented the Legacy Award trophy in Los Angeles at a screening of Crumb at Vidiot Foundation’s newly reopened Eagle Theatre later this year.

    Brandy Burre, the centerpiece of Robert Greene’s previously nominated film Actress, spoke of the challenge many in the nonfiction filmmaking community are having in determining the role and title of those who are in front of the documentary camera. She also introduced videos celebrating this year’s Unforgettables, Cinema Eye’s category recognizing documentary subject/collaborators who have been particularly memorable this year. 

    In remarks later in the evening, Cinema Eye founding director AJ Schnack noted the continued imprisonment of filmmaker and Cinema Eye winner Jafar Panahi and encouraged those in attendance to be vigilant to attacks on filmmakers and journalists.

    Kai Ryssdal and a number of reporters from American Public Media’s Marketplace radio program served as Cinema Eye’s “Voice of Goddess”, welcoming audience members and introducing categories. This year’s n-person presenters were documentary filmmakers Cecilia Aldarondo, Zeshawn Ali, Nels Bangerter, Sabrina Schmidt Gordon, Monica Hellström, Angelo Madsen Minax, Omar Mullick, Diane Quon, Jeff Reichert, Ondi Timoner, Caroline Waterlow and Simon Lehring Wilmont.

    A full list of winners follows:

    16h Annual Cinema Eye Honors Winners 

    Outstanding Achievement in Nonfiction Feature Filmmaking
    All That Breathes
    Directed and Produced by Shaunak Sen
    Produced by Aman Mann and Teddy Leifer

    Outstanding Achievement in Direction
    All the Beauty and the Bloodshed
    Laura Poitras

    Outstanding Achievement in Editing
    Fire of Love
    Erin Casper and Jocelyne Chaput

    Outstanding Achievement in Cinematography
    All That Breathes
    Ben Bernhard and Riju Das

    Outstanding Achievement in Production
    Navalny
    Odessa Rae, Diane Becker, Melanie Miller and Shane Boris

    Outstanding Achievement in Original Score
    Fire of Love
    Nicolas Godin

    Outstanding Achievement in Sound Design
    Moonage Daydream
    Samir Foco, John Warhurst and Nina Hartstone

    Outstanding Achievement in Visual Design (tie)
    Fire of Love
    Lucy Munger, Kara Blake, and Rui Ting Ji

    Moonage Daydream
    Stefan Nadelman

    Outstanding Achievement in a Debut Feature Film
    The Territory
    Directed by Alex Pritz

    Audience Choice Prize
    Navalny
    Directed by Daniel Roher

    Outstanding Achievement in Nonfiction Film for Broadcast
    Chernobyl: The Lost Tapes
    Directed by James Jones | HBO Documentary Films/HBO Max

    Outstanding Achievement in Nonfiction Series
    Black and Missing
    Directed by Geeta Gandbhir and Samantha Knowles | HBO Documentary Films/HBO Max

    Outstanding Achievement in Anthology Series
    How To with John Wilson (Season Two)
    Nathan Fielder, Michael Koman, Clark Reinking and John Wilson, Executive Producers | HBO

    Outstanding Achievement in Editing in a Nonfiction Film or Series for Broadcast
    We Need to Talk About Cosby
    Meg Ramsay | Showtime

    Outstanding Achievement in Cinematography in a Nonfiction Film or Series for Broadcast
    Playing With Sharks
    Michael Taylor, Judd Overton, Nathan Barlow and Toby Ralph | Disney+

    Outstanding Achievement in Nonfiction Short Filmmaking
    Nuisance Bear
    Directed by Jack Weisman and Gabriela Osio Vanden

    Legacy Award
    Crumb
    Directed by Terry Zwigoff

    Heterodox Award
    Aftersun
    Directed by Charlotte Wells

    Spotlight Award
    Master of Light
    Directed by Rosa Ruth Boesten

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    Tags:All That BreathesAll the Beauty and the BloodshedCinema Eye HonorsFire of Love



    Industry mourns Carol Jean Busching, co-founder of Paisley Productions

    Saturday, May 9, 2026
    Carol Jean Busching

    Carol Jean Busching (née Carol Jean Corbett) passed away peacefully surrounded by her family on May 2 at her home in Los Angeles. The cause of death was lung cancer. She was 86.

    Born and raised in Southern California, Busching was just five days away from her 66th wedding anniversary to her beloved husband, Tony. Partners in all things, in the 1960’s Carol and Tony successfully founded Paisley Productions, a company based in Hollywood to make television commercials. This was when the advertising business was still in its early stages promoting products on television. After a 20-plus year run, the couple moved west to Venice, Calif., and subsequently formed Electric Avenue Films.

    Carol was in many ways a pioneer in the field of commercial production, doing accounting and cost reporting, budgeting and payroll on film shoots for some of the biggest companies in the country. Hired by many multinational clients such as Chevron, Ford, McDonald’s and Radio Shack, they were responsible for work that was shot all around the world. It was a high risk, but high return enterprise and Carol’s personal strength, intelligence and intuition served the partnership well.

    At the same time, Carol and Tony raised three daughters, with Carol showing her girls that a woman can manage a successful career while also being a devoted mother. It was a lesson that her girls would not just take to heart but emulate.

    Besides her family, which always came first, Carol had deep interests. She loved thoroughbred racehorses, cooking, reading, crossword puzzles, and her dogs. But above all, she found her greatest joy in being a beloved wife to Tony, and a mother, sister, aunt and grandmother.

    For all those who knew her, Carol’s laugh was her signature. It... Read More

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