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    Home » American Film Institute introduces the AFI DWW+ Class of 2027

    American Film Institute introduces the AFI DWW+ Class of 2027

    By SHOOTTuesday, January 13, 2026No Comments263 Views
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    Top row (l-r): Sindha Agha, Mary Ann Anane, Arabella Anderson and Carolina Espiro. Bottom row (l-r): Anika Kan Grevstad, Christina YR Lim, Anna Remus and Maaman Rezaee
    LOS ANGELES --

    The American Film Institute (AFI) has announced the filmmakers selected for the AFI DWW+ Class of 2027. Founded in 1974 as the Directing Workshop for Women, AFI DWW+ is a tuition-free year-long directing program, open to all applicants, that supports emerging narrative filmmakers through the production cycle of a short film, providing hands-on instruction led by industry experts. Eligible participants’ work is invited to screen for agents, managers, producers and executives in Los Angeles at the DWW+ Showcase in spring 2027.

    The artists selected for the AFI DWW+ Class of 2027 are Sindha Agha, Mary Ann Anane, Arabella Anderson, Carolina Espiro, Anika Kan Grevstad, Christina YR Lim, Anna Remus and Maaman Rezaee.

    AFI also announced that award-winning filmmaker Lily Mariye (AFI DWW Class of 2000) has been named the AFI DWW+ guest artistic director for the Class of 2027.

    “In this moment of evolution in the film and television industry, each of these candidates demonstrated the skill and tenacity to be selected through a rigorous application process,” said Susan Ruskin, dean of the AFI Conservatory and executive VP of the American Film Institute. “The 50-year legacy of AFI DWW+ leverages a powerful reinforcing network effect to support this new talented cohort of directors. We look forward to working with them over the next 15 months under the guidance of our guest artistic director, Lily Mariye.”

    “The first time I ever called myself a director was in AFI’s DWW+. Walking the halls of AFI, surrounded by the rich history of filmmakers and mentors, gave me the validation to proudly announce it to the world,” said Mariye. “I am now a full-time working TV and film director. Today I am honored to be named this year’s guest artistic director, to help guide this next group of amazingly gifted filmmakers.”

    Mariye is a Directors Guild of America Award nominee for Amazon’s JUST ADD MAGIC. She is a film and television director, best known for AMC’s THE WALKING DEAD, THE TERROR: INFAMY; MGM+/Hulu’s GODFATHER OF HARLEM; Paramount+’s THE GOOD FIGHT; Netflix’s PARTNER TRACK; ABC’s HOW TO GET AWAY WITH MURDER; NBC’s CHICAGO PD; CBS’ ELSBETH; NCIS: LOS ANGELES; Fox’s PRODIGAL SON, among many others. MODEL MINORITY, starring Nichole Sakura (SUPERSTORES), is Mariye’s feature writing and directorial debut. MODEL MINORITY won 11 Film Festival Awards around the world, including Best Film, Best Director, Best New Actress and Best Cinematography. Since its 2013 debut online at Hulu and Amazon, it has had over 1 million views. Her short film, THE SHANGRI-LA CAFE, has shown in over 25 film festivals winning awards for Best Short Film and Best Screenplay. Mariye was named one of PBS’ Up and Coming Filmmakers of Color and received the Filmmaker of the Year Award from the National Organization for Women (NOW). As a writer, she has been a top 15% finalist for both the Nicholl Fellowship and the Rockefeller Foundation Fellowship. Mariye is also an actor, best known for her role as nurse Lily Jarvik on the Emmy® Award-winning TV series, ER, for 15 seasons, for which she won the SAG Award for Best Ensemble in a Drama Series four times. She has appeared in many films such as EXTRAORDINARY MEASURES, THE BEST LITTLE WHOREHOUSE IN TEXAS, THE SHADOW and THE DOCTOR. Mariye has guest starred in over 30 TV shows. She is also an award-winning theatre actress, performing in New York, Los Angeles and regional theatres across the country. Born in Las Vegas, Nevada, she graduated from UCLA with a B.A. in Theatre. Mariye resides in Los Angeles with her husband, 4-time Grammy-nominated Concord Records recording artist/saxophonist Boney James, who also contributed to the soundtracks for THE SHANGRI-LA CAFE and MODEL MINORITY.

    Mariye will act as a mentor for the DWW+ participants throughout the production cycle and industry showcase and oversee and direct the artistic curriculum, which is taught by film and television professionals working at top levels within the industry, as well as experienced faculty from the AFI Conservatory.

    As one of the longest-running and preeminent film and television workshops nationwide, AFI DWW+ has trained hundreds of artists whose directorial work has entertained global audiences and defined our collective cultural landscape. Distinguished alums of the AFI DWW+ program include Maya Angelou, Anne Bancroft, Neema Barnette, Pippa Bianco, Tessa Blake, Tricia Brock, Ellen Burstyn, Rebecca Cammisa, Dyan Cannon, Dime Davis, Jan Eliasberg, Naomi Foner, Jennifer Getzinger, Lesli Linka Glatter, Lyn Goldfarb, Randa Haines, Siân Heder, Victoria Hochberg, Marianne Jean-Baptiste, Matia Karrell, Maggie Kiley, Lynne Littman, Nancy Malone, Gandja Monteiro, Sarah Gertrude Shapiro, Becky Smith, Cicely Tyson and Joanne Woodward.

    About the AFI DWW+ Class of 2027:

    Sindha Agha
    Agha is a BAFTA-winning and Emmy®-nominated director and writer. In 2018, without formal training or industry connections, Agha made her first film, a no-budget personal documentary, BIRTH CONTROL YOUR OWN ADVENTURE. The short became a New York Times Op-Doc, received over 12.5 million views, was accepted into Tribeca and nominated for an Emmy®. Agha has since been awarded two Sundance Institute fellowships, the Cannes Lions Gold Young Director Award, Best Episodic at Tribeca X, and a Special Jury Mention for Screenwriting at AFI FEST. She co-executive produced the Netflix series THE PRINCIPLES OF PLEASURE, directed the documentary anthology BODY LANGUAGE for BBC Three, and the documentary shorts EVERYTHING WRONG AND NOWHERE TO GO for ITVS and PBS and THE DESIRE TO OWN NOTHING for The New Yorker. She has guest lectured at MIT, UC Berkeley and NYU and her documentaries are included in the curricula of film programs and medical schools worldwide. She has served on the AFI FEST shorts jury and previously had three short films programmed at the festival. Most recently, Agha wrote and directed HOW TO BE A PERSON, an anthology of shorts for Channel 4 which won a 2023 BAFTA.

     

    Mary Ann Anane
    Anane is a Ghanaian-born, New Jersey-raised filmmaker. She was a 2022 San Francisco Film Rainin Grantee, a 2021 Sundance Screenwriters Lab Fellow, a 2020 Athena Feature Lab Fellow and a 2020 Film Independent’s Project Involve Fellow. Her projects have been invited to the Gotham Market Project Week and have been listed on the Wscripted Cannes Screenplay List. Anane’s directorial debut short film, THE DAUGHTER, premiered at the Austin Film Festival in 2025.

     

    Arabella Anderson
    Anderson is a Peabody Award-winning and WGA Award-nominated writer/director based in Los Angeles. She has written and produced on television series including RIVERDALE (CW), STAR (Fox) and TRANSPARENT (Amazon). Anderson’s work focuses on women, gender and class through the prism of genre.

     

    Carolina Espiro
    Espiro is a Chilean-American director whose work celebrates chasing passions and cross-cultural belonging. After earning a BFA in Theater from Chapman University, she built a 20-year career as an award-winning actor in television, film and commercials before pivoting to directing during the pandemic.

    Her narrative directorial debut, THE AVON LADY, a comedy inspired by her mother’s first job in the U.S., won 12 awards and received more than 25 nominations at festivals including Oscar®-qualifying LA Shorts, and premiered on Omeleto, where it has drawn nearly 400,000 views. She most recently directed a music video for four-time Grammy Award-winning musician Kalani Pe’a. Espiro’s directing work extends into theater where she has directed plays at Blue Sphere Alliance with seasoned television actors, as well as a staged production of “Expectations,” starring Elizabeth Ho and Leonardo Nam written by Teresa Huang (ALIEN: EARTH, AVATAR: THE LAST AIRBENDER).

    She currently owns a winery with her husband which inspired her debut feature script “The Vintner,” a dark comedy set in a California vineyard. Her second feature, “Searching for Paz,” is an adoptive father/daughter road comedy set in Chile.

    A proud member of the Television Academy, Alliance of Women Directors, NALIP, Women in Film and SAG-AFTRA, Carolina continues to build momentum as a director committed to creating vivid, larger-than-life stories featuring life’s quiet protagonists.

     

    Anika Kan Grevstad
    Kan Grevstad is a biracial (Chinese/White) director based in Los Angeles. Her work explores themes of isolation and belonging through a lens of genre, humor and hope.

    Her narrative and documentary shorts have screened at Oscar®-qualifying festivals nationwide, including LA Shorts, Provincetown Film Festival and LA Asian Pacific Film Festival. Her short film WHAT WE FIND IN THE SEA won Best Short Film at the Santa Fe Film Festival, and NO ONE EVER REALLY DIES received the Special Jury Award for New Voices at LAAPFF. Her documentary HELEN PASHGIAN: VISIBLE INVISIBLE was featured as an LA Times Short Doc. Her latest short, MY ONLY FRIEND IS A ROBOT NAMED BEANS, starring Midori Francis, won the Enderby Entertainment Filmmaking Fellowship at Austin Film Festival.

    Kan Grevstad has directed work for LACMA and Dropout TV and was a 2023 recipient of the Hedgebrook screenwriting residency. With a background in documentary cinematography and editing, she brings a holistic, craft-driven approach to directing. Recent credits include cinematographer and editor on LOVE, LIZZO (HBO Max) and cinematographer on THE JOB OF SONGS (DOC NYC).

    Kan Grevstad is drawn to emotionally nuanced, intimate stories that center underrepresented perspectives while exploring universal themes.

     

    Christina YR Lim
    Lim is a Korean-American writer/director who explores fish-out-of-water, genre-bending stories often with an overachieving AAPI female at the center. Lim began in theater, then turned to filmmaking, earning her MFA in directing and screenwriting from USC.

    As a writer, Lim won SeriesFest’s Women’s Writing Competition, garnering her a development deal with Kyra Sedgwick’s Big Swing Productions. Her feature script, “Gyopo,” was selected for the Black List x Women in Film Feature Residency, and for Wscripted’s Cannes Screenplay List where it was presented at Marché du Film. Her script, “Icon,” was selected for EAVE’s Ties That Bind, Cine Qua Non and Stowe Story Lab.

    Lim’s films have been screened and awarded at multiple film festivals, including Bentonville, RiverRun, Cinequest, LA Asian Pacific Film Festival, and Catalina Film Festival. She has directed films in Shanghai and Beijing and is an alumnus of Yale’s directing lab and Reykjavík International Film Festival’s Talent Lab.

    Lim’s first feature film as an auteur, B-SIDE: FOR TAYLOR, was distributed by Buffalo 8 and EST Studios in 2024. She then filmed a proof-of-concept for her second feature, GYOPO, as a recipient of The Black List x GM incubator fund and Panavision’s New Filmmaker Grant. Objectively Good Media is producing the feature film. She recently received the Djerassi Artist Residency, and the prestigious SeriesFest x Shondaland Directing Mentorship.

     

    Anna Remus
    Remus is a director and writer drawn to stories rooted in transformation and the unseen. She grew up in the wild, frigid landscapes of International Falls, Minnesota, America’s coldest city, where she first learned the power of atmosphere in storytelling through the Bible stories she heard on Sundays. After graduating from Harvard University, Anna began her career working on programs like DOWNTON ABBEY and interviewing award-winning talent, including Benedict Cumberbatch. She has since led visual storytelling projects for major brands such as Planet Fitness, Pfizer, Zulily and Apple TV+. Her narrative work has been recognized by respected development labs and film organizations. Remus was named a runner-up in the 2020 ScriptED Writing Challenge at Sundance Film Festival and was selected for the Stowe Story Labs feature campus cohort in 2023. That same year, she was chosen as a Blackmagic Collective Producers Lab Fellow for her feature script “Shed.” Remus’s work explores emotional shifts within vivid, atmospheric settings, and she is drawn to the cracks where the ordinary breaks open.

     

    Maaman Rezaee
    Rezaee is a Los Angeles-based Iranian filmmaker and writer. Her work explores memory, political inheritance, and belonging, often threaded with dark humor. Born and raised in Iran, Rezaee’s early life as a political prisoner and member of a persecuted minority continues to shape the urgency and perspective of her storytelling.

    Her debut feature script “Ashes” won the 2024 Slamdance Screenwriting Competition and is in development through their mentorship program. It also advanced in major competitions including the Austin Film Festival Screenwriting Competition and NBC’s Launchpad Feature Competition.

    Rezaee’s latest short film EVANESCENCE won the Programmer’s Award at the 2024 Virginia Film Festival and is currently on the festival circuit, screening at LA Shorts, Santa Fe International and deadCenter. Her previous shorts have been featured at BlackStar, Anthology Film Archives, the Institute of Contemporary Arts LA, and multiple international and experimental venues.

    She was recently named a fellow of the Writers Guild Foundation’s Access Program and shadowed Oscar®-nominated director Steph Green on DUSTER, an HBO series created by J.J. Abrams and LaToya Morgan. Rezaee holds an MFA in Film & Digital Arts from Temple University and formerly taught as an assistant professor at the University of New Mexico. She is currently developing her first feature, ASHES.

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    Rethink appoints Marika Wiggan as executive strategy director

    Monday, May 18, 2026
    Marika Wiggan

    Independent creative agency Rethink has appointed Marika Wiggan as executive strategy director. Based in Vancouver, Wiggan will operate across the network, leading strategic direction across key client work and helping shape new opportunities for the agency. She will report to partner and global chief strategy officer Sean McDonald. At Rethink, she will drive strategic direction across clients, partnering closely with teams to ensure strategy is embedded throughout the work--connecting culture, brand, and audience into more cohesive and impactful ideas. “Marika struck me as a Rethinker from the first time that I met her,” said McDonald. “She brings the kind of perspective and ambition that pushes the work beyond expectations. As we continue to build Rethink into a truly international creative partner, it’s critical that we bring in talent that can redefine what great looks like across markets. Marika is one of those people.” Originally from Vancouver, Wiggan returns to Canada after several years in the United States. Most recently, she served as head of strategy at Preacher in Austin, where she led the agency’s strategy department for five years. During that time, she worked across a range of brands, including Molson Coors, GMC, Coca-Cola North America, WeTransfer, and ESPN. Prior to Preacher, she held roles at Argonaut and Goodby Silverstein & Partners, where she began her career working on the Chevrolet portfolio, including launches for the Volt, Camaro, and Sonic. “Rethink has a clarity of ambition that I wanted to be a part of,” said Wiggan. “It’s clear that teams are here to make the best work of their careers and do it with people who love our craft. I’m thrilled to be back in Vancouver and helping build on that... Read More

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