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    Home » Australia’s plan to ban children from social media proves popular and problematic

    Australia’s plan to ban children from social media proves popular and problematic

    By SHOOTFriday, November 15, 2024No Comments240 Views
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    Online safety advocate Sonya Ryan attends a press conference at Parliament House in Canberra, Australia on June 15, 2021. Ryan knows from personal tragedy how dangerous social media can be for children. (Mick Tsikas/AAP Image via AP)

    By Rod McGuirk

    MELBOURNE, Australia (AP) --

    How do you remove children from the harms of social media? Politically the answer appears simple in Australia, but practically the solution could be far more difficult.

    The Australian government’s plan to ban children from social media platforms including X, TikTok, Facebook and Instagram until their 16th birthdays is politically popular. The opposition party says it would have done the same after winning elections due within months if the government hadn’t moved first.

    The leaders of all eight Australian states and mainland territories have unanimously backed the plan, although Tasmania, the smallest state, would have preferred the threshold was set at 14.

    But a vocal assortment of experts in the fields of technology and child welfare have responded with alarm. More than 140 such experts signed an open letter to Prime Minister Anthony Albanese condemning the 16-year age limit as “too blunt an instrument to address risks effectively.”

    Details of what is proposed and how it will be implemented are scant. More will be known when legislation is introduced into the Parliament next week.

    The concerned teen
    Leo Puglisi, a 17-year-old Melbourne student who founded online streaming service 6 News Australia at the age of 11, laments that lawmakers imposing the ban lack the perspective on social media that young people have gained by growing up in the digital age.

    “With respect to the government and prime minister, they didn’t grow up in the social media age, they’re not growing up in the social media age, and what a lot of people are failing to understand here is that, like it or not, social media is a part of people’s daily lives,” Leo said.

    “It’s part of their communities, it’s part of work, it’s part of entertainment, it’s where they watch content – young people aren’t listening to the radio or reading newspapers or watching free-to-air TV – and so it can’t be ignored. The reality is this ban, if implemented, is just kicking the can down the road for when a young person goes on social media,” Leo added.

    Leo has been applauded for his work online. He was a finalist in his home state Victoria’s nomination for the Young Australian of the Year award, which will be announced in January. His nomination bid credits his platform with “fostering a new generation of informed, critical thinkers.”

    The grieving mom-turned-activist
    One of the proposal’s supporters, cyber safety campaigner Sonya Ryan, knows from personal tragedy how dangerous social media can be for children.

    Her 15-year-old daughter Carly Ryan was murdered in 2007 in South Australia state by a 50-year-old pedophile who pretended to be a teenager online. In a grim milestone of the digital age, Carly was the first person in Australia to be killed by an online predator.

    “Kids are being exposed to harmful pornography, they’re being fed misinformation, there are body image issues, there’s sextortion, online predators, bullying. There are so many different harms for them to try and manage and kids just don’t have the skills or the life experience to be able to manage those well,” Sonya Ryan said.

    “The result of that is we’re losing our kids. Not only what happened to Carly, predatory behavior, but also we’re seeing an alarming rise in suicide of young people,” she added.

    Sonya Ryan is part of a group advising the government on a national strategy to prevent and respond to child sexual abuse in Australia.

    She wholeheartedly supports Australia setting the social media age limit at 16.

    “We’re not going to get this perfect,” she said. “We have to make sure that there are mechanisms in place to deal with what we already have which is an anxious generation and an addicted generation of children to social media.”

    A major concern for social media users of all ages is the legislation’s potential privacy implications.

    Age estimation technology has proved inaccurate, so digital identification appears to be the most likely option for assuring a user is at least 16.

    Australia’s eSafety Commissioner, an office that describes itself as the world’s first government agency dedicated to keeping people safer online, has suggested in planning documents adopting the role of authenticator. The government would hold the identity data and the platforms would discover through the commissioner whether a potential account holder was 16.

    The skeptical internet expert
    Tama Leaver, professor of internet studies at Curtin University, fears that the government will make the platforms hold the users’ identification data instead.

    The government has already said the onus will be on the platforms, rather than on children or their parents, to ensure everyone meets the age limit.

    “The worst possible outcome seems to be the one that the government may be inadvertently pushing towards, which would be that the social media platforms themselves would end up being the identity arbiter,” Leaver said.

    “They would be the holder of identity documents which would be absolutely terrible because they have a fairly poor track record so far of holding on to personal data well,” he added.

    The platforms will have a year once the legislation has become law to work out how the ban can be implemented.

    Ryan, who divides her time between Adelaide in South Australia and Fort Worth, Texas, said privacy concerns should not stand in the way of removing children from social media.

    “What is the cost if we don’t? If we don’t put the safety of our children ahead of profit and privacy?” she asked.

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    Daniel Dae Kim explores booming South Korean pop, film, cosmetics and food influences for CNN series

    Thursday, May 7, 2026
    Daniel Dae Kim poses for a portrait during Comic-Con International in San Diego on July 25, 2025. (AP Photo/Chris Pizzello, File)

    Not too long ago, Daniel Dae Kim had an unusual encounter with a salmon. It had nothing to do with dinner.

    The actor, director and producer lay down in a doctor's office in Seoul and underwent microinjections into his face of DNA from salmon sperm. The hope was to reduce inflammation and improve elasticity.

    "I look like a got a little sunburn and a little redder than usual, but it's not bad," he says to a camera crew after the procedure. "OK, I'm camera ready."

    Kim was putting his face on the line as part of the new CNN series "K-Everything: The Global Rise of Korean Culture," his love letter to K-beauty, K-pop, K-food and K-film. It debuts Saturday on CNN International and is also available on CNN and HBO Max.

    "It's an examination of how Korea has risen in the course of three short generations from a war-torn third world country to one of the most modern places in the world," Kim says in an interview. "We'll take a look at how that's happened through food, through cinema, through beauty products and through music."

    What's the show about?
    At a vibrant kimchi festival in Pyeongchang, Kim explores how K-food is reshaping fine dining across the globe. In other episodes, he meets actor Lee Byung-hun, "Gangnam Style" singer-songwriter Psy, BigBang's Taeyang and the songwriters behind the Oscar-winning song "Golden."

    "For those who've never been to Korea, this is a nice introduction in a way that is not something taught in a classroom or in a textbook," Kim says.

    In the beauty episode, Kim chats with makeup artist and influencer LeoJ and model Irene Kim on how beauty standards have changed. He tries various serums and face masks and even visits a factory where snail slime is collected to be used in... Read More

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