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    Home » “Barbie,” “Daisy Jones & The Six” win big at Guild of Music Supervisors Awards

    “Barbie,” “Daisy Jones & The Six” win big at Guild of Music Supervisors Awards

    By SHOOTMonday, March 4, 2024Updated:Sunday, July 7, 2024No Comments2019 Views
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    Billie Eilish (l) and Finneas took to the stage to accept their award for Best Song Written for Film from "Barbie"
    LOS ANGELES --

    The Guild of Music Supervisors held its 14th annual award ceremony on Sunday evening (3/3) at The Wiltern Theatre, celebrating outstanding achievement in the craft of music supervision in film, television, documentaries, advertising, trailers, and video games. George Drakoulias took home a double-win for his work on Barbie for Best Music Supervision for Film Budgeted Over $25 Million, and Best Song Written and/or Recorded for a Film with the Oscar-nominated original song “What Was I Made For?”, performed by Billie Eilish and written by Billie Eilish O’Connell and Finneas O’Connell.

    Frankie Pine was also a big winner, taking home two trophies for her work on Daisy Jones & The Six.  Alex Hackford also won two Guild of Music Supervisors Awards for his work on Marvel’s Spider-Man 2 video game, and Toko Nagata won twice for her work on the films Totally Killer and Joy Ride.
     
    Robbie Robertson was posthumously awarded the Icon Award to celebrate his contributions to the music and film industry.  He was given a tribute performance of his music by Margo Price, Rocco DeLuca and Johnny Sheppard. Allan Mason was awarded the Legacy Award for his impact within the industry over the course of his career.  
     
    Keeping music at the forefront, audience members were treated to a performance from Oscar-nominated and Grammy-winning songwriter Dan Wilson with his song “It Never Went Away,” from the Netflix film American Symphony, that he co-wrote with Jon Batiste, and the Guild of Music Supervisors Award-nominated song “I Found You” performed by India Carney from the Showtime series The L Word: Generation Q, plus the RIAA Multi-Platinum certified hit “Romantic Homicide” by Spotlight Performer d4vd. 
     
    Here’s a rundown of winners at the 14th Annual Guild of Music Supervisors Awards:  
     

    FILM

    Best Music Supervision for Film Budgeted Over $25 Million
    George Drakoulias – “Barbie”

     

    Best Music Supervision for Film Budgeted $25 Million And Under
    Toko Nagata – “Joy Ride”
     

     

    Best Music Supervision for Film Budgeted $10 Million And Under
    Lindsay Wolfington – “Theater Camp”
     

     

     
    Best Music Supervision for a Non-Theatrically Released Film
    A tie between:
    Angela Asistio – “Chang Can Dunk”; and 
    Toko Nagata – “Totally Killer”

     

     

     
    Best Song Written and/or Recorded for a Film
    “What Was I Made For?” – “Barbie”
    Songwriters: Billie Eilish O’Connell, Finneas O’Connell
    Performer: Billie Eilish
    Music Supervisor: George Drakoulias

     

     

     

     
    TELEVISION 

    Best Music Supervision – Television Drama
    Gabe Hilfer – “The White Lotus” Season 2

     

     

    Best Music Supervision – Television Comedy or Musical
    Frankie Pine – “Daisy Jones & The Six” Season 1

     

     

     
    Best Music Supervision – Reality Television
    Carrie Hughes – “Love & Hip Hop: Miami” Season 5

     

     

    Best Song Written and/or Recorded for Television
    “Look At Us Now (Honeycomb)” – “Daisy Jones & The Six”
    Songwriters: Jason Boesel, Blake Mills, Marcus Mumford, Johnathan Rice, Stephony Smith
    Performer: Daisy Jones & The Six
    Music Supervisor: Frankie Pine

     

      
    DOCUMENTARIES

    Best Music Supervision for a Documentary
    Jonathan Finegold – “Little Richard: I Am Everything”
     

     

    Best Music Supervision in a Docuseries
    Andrea von Foerster – “Welcome to Wrexham” Season 2

     

     

     

    ADVERTISING

    Best Music Supervision in Advertising (Synch)
    Scott McDaniel – Run This Town – The Road to Halftime Starts on Rihanna Drive
     
     

     

    Best Music Supervision in Advertising (Original Music)
    Nicole Palko, Jonathan Wellbelove – iPhone 15 Plus – Miss You
     

     

     

    TRAILERS

    Best Music Supervision in a Trailer – Film
    Angel Mendoza – “Killers of the Flower Moon” – Official Teaser Trailer
     
     

     

    Best Music Supervision in a Trailer – Series
    Rochelle Holguin Cappello, Katie Pool – “Yellowjackets” Season 2 – Official Trailer

     

     

     
    Best Music Supervision in a Trailer – Video Game & Interactive
    Rebecca Bergman, Brian Murphy – “Suicide Squad: Kill the Justice League” – Official Justice League Trailer – “No More Heroes”
     

     

     

    VIDEO GAMES

    Best Music Supervision in a Video Game (Synch)
    Alex Hackford – Marvel’s Spider-Man 2

     

     

    Best Music Supervision in a Video Game (Original Music)
    Alex Hackford, Scott Hanau, Keith Leary – Marvel’s Spider-Man 2
    Composer: John Paesano

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    Tags:BarbieDaisey Jones & The SixGuild of Music Supervisors Awards



    Kino Lorber acquires North American rights to Sundance and Berlin selection “Filipiñana”

    Friday, February 13, 2026
    A scene from "Filipiñana" (photo courtesy of Kino Lorber)

    Kino Lorber has acquired North American distribution rights to Rafael Manuel’s surreal and stylized debut feature Filipiñana, executive produced by Jia Zhangke. Winner of the Special Jury Award for Creative Vision at the 2026 Sundance Film Festival, the film will next make its European premiere at the Berlinale on February 15. Filipiñana will be released theatrically by Kino Lorber later this year followed by a digital, educational, and home video release. Based on his 2020 award-winning short film of the same title, Filipiñana is written, directed, produced, and edited by Rafael Manuel. The film stars Jorrybell Agoto, Carmen Castellanos, Teroy Guzman, Carlitos Siguion-Reyna, Isabel Sicat, and Nour Hooshmand. Amid stifling heat and pervasive drought, Isabel (Agoto), a 17-year-old Ilokana from the rural north, works at a posh country club outside Manila, lining up golf balls for powerful men to drive into the verdant horizon. New to the job, she wanders the immaculate grounds sampling its luxuries as members, including an industrialist and his expatriate niece, the club president and his pampered wife, and a slew of Chinese tourists, engage in a complex dance with the club’s doting and subservient staff. But something is rotting beneath the pristine fairways of the elite resort, as Isabel discovers when she tries to return a mislaid golf club to its patriarchal director, Dr. Palanca (Guzman). The deeper she journeys into its most exclusive corners, the closer she gets to the violent truths of the club, her native Philippines, and her own past. The deal for Filipiñana was negotiated by Kino Lorber VP of acquisitions Karoliina Dwyer and Austin Kennedy of Magnify. “Kino Lorber brought Miguel Gomes’ Tabu... Read More

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