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    Home » Baz Luhrmann, Catherine Martin to receive Cinematic Imagery Award at ADG ceremony

    Baz Luhrmann, Catherine Martin to receive Cinematic Imagery Award at ADG ceremony

    By SHOOTFriday, January 20, 2023Updated:Tuesday, May 14, 2024No Comments1565 Views
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    Catherine Martin (l) and Baz Luhrmann
    LOS ANGELES --

    The Art Directors Guild (ADG, IATSE, Local 800) has announced that Academy Award®-nominated filmmaker Baz Luhrmann and his long-time producing partner and collaborator, Academy Award-winning production and costume designer Catherine Martin, known for their visually stunning movies, including the recent highly acclaimed Elvis, will receive the 2023 Cinematic Imagery Award. The Luhrmann/ Martin 30-year collaboration has produced decades of successful and innovative entertainment for film, television, and the stage. They will accept the honor at the 27th Annual ADG Awards on Saturday, February 18,2023, at the InterContinental Los Angeles Downtown. 

    “We are incredibly thrilled to honor Baz Luhrmann and Catherine Martin with the 2023 ADG Cinematic Imagery Award. Since their first collaboration, the extraordinarily creative and impactful pairing of these groundbreaking filmmakers has continued to dazzle audiences, stretch the imagination and push the cinematic boundaries while also remaining excitingly contemporary,” said ADG president Nelson Coates.
     
    The ADG’s Cinematic Imagery Award is given to those whose body of work in the film and television industry has richly enhanced the visual aspects of the viewer’s experience. Previous recipients include Jane Campion, Ryan Murphy, Chuck Lorre, Steven Spielberg, Christopher Nolan, Martin Scorsese, John Lasseter, George Lucas and Clint Eastwood.
     
    Oscar-nominated Luhrmann is a master storyteller and pioneer of contemporary visual culture, writing, directing, and producing across film, opera, theatre, events and music. His signature blend of drama, romance, decadence and wit fuses high and low culture, a unique sonic and cinematic language and trademark theatrical aesthetic that continuously captivates audiences and ignites imaginations around the world. Nominated for three Golden Globes and seven Critics Choice Awards and one of AFI’s Top 10 Films of 2022, Elvis has become the filmmaker’s highest grossing film in the U.S. and in 22 international territories, including the UK, Mexico, Holland, Brazil and New Zealand. Elvis is also 2022’s highest-grossing non-franchise/IP film.
     
    Luhrmann burst onto the scene with the first of the Red Curtain Trilogy, Strictly Ballroom, followed by the ambitious modern adaptation of William Shakespeare’s Romeo + Juliet and Academy Award-winning Moulin Rouge!, which cemented Luhrmann’s following amongst audiences and industry alike. In addition, "Moulin Rouge! The Musical" won 10 Tony Awards (the most of the 2020-2019 season), adding to the two Tony Awards garnered by Luhrmann’s production of Puccini’s opera "La Bohème" on Broadway in 2003.
     
    The filmmaker’s sweeping historical epic Australia was followed by his adaptation of F. Scott Fitzgerald’s The Great Gatsby, which won two Academy Awards. A collaboration with Netflix later produced The Get Down (2016), a critically successful series based on the birth of hip-hop in 1970s South Bronx.
     
    In 1992, Martin began designing for film and partnered with Luhrmann on his hugely successful film debut Strictly Ballroom, and on William Shakespeare’s Romeo + Juliet, for which she received an Academy Award nomination for Best Art Direction. She garnered two Academy Awards for Best Production Design and Best Costume Design for her work on The Great Gatsby. Martin’s acclaimed design work on Moulin Rouge! won her two Academy Awards, for Best Costume Design and Best Art Direction, among other accolades.
     
    Martin has also designed almost all of Luhrmann’s stage productions, including Benjamin Britten’s "A Midsummer Night’s Dream" and a version of Puccini’s opera "La Bohème" on Broadway, winning a Tony Award for Production Design. Martin worked as both costume designer and production designer on Luhrmann’s stage production of "Strictly Ballroom the Musical."
     
    Martin co-produced Luhrmann’s epic Australia and was also the film’s production designer and costume designer. The film earned Martin an Academy Award nomination for Best Costume Design.
      
    The ADG Awards honor excellence in production design in theatrical motion pictures, television, commercials, music videos and animated feature films. Producers of this year’s ADG Awards is art director Michael Allen Glover, ADG (Station Eleven, The Alienist, Solos). Joining the team as co-producer is production designer Megan Elizabeth Bell, ADG (Out of the Blue, Breakwater, American Murderer). 
     
    ADG Awards are open only to productions when made within the U.S. by producers signatory to the IATSE agreement. Foreign entries are acceptable without restrictions. 

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    Tags:ADG AwardsBaz LuhrmannCatherine MartinElvis



    Christine Choy, indie filmmaker who led seminal documentary on the killing of Vincent Chin, dies at 73

    Friday, December 12, 2025
    In this photo provided by Film at Lincoln Center, filmmaker Christine Choy attends a screening of her film, "Who Killed Vincent Chin?" at the 59th New York Film Festival in 2021. (Dan Rodriguez/Film at Lincoln Center via AP)

    Christine Choy, a trailblazer for Asian Americans in independent film and whose documentary on the fatal beating of Vincent Chin was nominated for an Academy Award, has died. She was 73.

    Choy died Sunday, according to a statement from JT Takagi, executive director of Third World Newsreel, a filmmaking collective Choy helped establish in the 1970s. No cause of death was given.

    "She was a prolific filmmaker who made significant films that helped form our Asian American and American film history," Takagi said on the organization's website.

    Chin, a Chinese American who grew up in Detroit, was celebrating his bachelor party in 1982 when two white auto workers attacked him. At that time, Japanese auto companies were being blamed for job losses in the U.S. auto manufacturing industry. The attackers were motivated by their assumption Chin was Japanese. His death and the lack of prison time for the two assailants is considered a galvanizing moment for Asian Americans fighting anti-Asian hate.

    Renee Tajima-Peña, co-director of "Who Killed Vincent Chin?," met Choy around 1980 through Third World Newsreel. They decided to collaborate on a documentary a year after Chin's death after seeing how little coverage it received.

    Tajima-Peña recalls bonding with Choy and other crew during freezing Detroit winter nights while waiting for witnesses in Chin's death and evenings spent with Chin's mother's over home-cooked meals.

    "We were in constant motion during the production with Chris always the picture of cool — sunglasses, stylishly slim, cigarette in hand. And yes she was brash and outspoken — her cigarettes may have had filters but her language didn't," Tajima-Peña said in an email to The Associated Press on Friday. "But, her... Read More

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