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    Home » Exec director Eric Roth to retire from Visual Effects Society

    Exec director Eric Roth to retire from Visual Effects Society

    By SHOOTThursday, June 2, 2022Updated:Tuesday, May 14, 2024No Comments1339 Views
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    Eric Roth
    LOS ANGELES --

    The Visual Effects Society (VES) has announced the forthcoming retirement of Eric Roth, its executive director for nearly 19 years.  Roth will end his tenure as leader of the organization on September 30, 2022, amidst the Society’s milestone 25th anniversary year. The VES board’s executive committee, under the leadership of VES chair Lisa Cooke, has created a search committee that will soon begin the process to identify the next executive director.

    “We have been exceptionally proud and fortunate to have a leader of Eric’s caliber, possessed with such passion, integrity and vision–and the unparalleled skills needed to drive this dynamic organization forward,” said Cooke.  “As my colleague and friend, Eric is the kind of collaborator, mentor and cheerleader you always hope to work with.  Eric has done transformational work in growing the Society into this rich global community, and he leaves an enormous legacy for us to carry forward.”

    The letter Roth submitted to the VES board of directors today (6/2) informing them of his decision read in part,  “Working with all of you–our extraordinary volunteer leaders serving on the board to represent our worldwide membership, and certainly the six people who have held the title of chair–has been a true honor and the pinnacle of my professional career.  And now, it is with mixed emotions, that I am announcing my retirement, effective September 30 of this year.

    “At this time in my life, while being mindful of some underlying health issues, I am looking forward to spending more time with my family, traveling, and pursuing my next chapter.  Since I’m about to turn 65 in a few weeks (time certainly does fly by!), and as we are currently celebrating the Society’s milestone 25th Anniversary, this seems like the right time to make a transition and usher in the next leader who will carry us forward.

    “Truly, my time with VES has been filled with many points of pride and accomplishments – we rolled out our award-winning VFX Voice magazine five years ago, created three editions of the VES Handbook of Visual Effects, produced 20 years of our amazing VES Awards Show, hosted our yearly VES Honors and Hall of Fame Program and delivered a robust roster of top-notch programming and online content.

    “But more than that, we have created a ‘voice’ for our industry and Society over these years by working together with a common purpose. Although we are an Honorary Society we have found our power–our voice–when we convene industry leaders on vital topics, or issue important whitepapers on the status of the industry or the latest technology.  And when we announce the yearly winners of our fabulous VES Awards Show, the industry really takes notice! At the end of the day, I believe that VFX is the beating heart of the worldwide entertainment industry and if you want the best visuals in your show–and who doesn’t?–you want to get to know the VES.

    “We are an organization that runs on ‘volunteer passion.’ SO many extraordinarily talented people have voluntarily given up their nights and weekends in service to VES over the years. I–and the Society–know we’ll never be able to fully repay or acknowledge all that you’ve done. Just know, you are truly appreciated in ways that are deeply felt for all the contributions you’ve all made.  In fact, our volunteer committees continue to do vital work in service to our members and the worldwide VFX community, including creating industry-leading mental health benefits, mentoring programs, diversity, equity and inclusion initiatives, forward-looking technology projects, a video archive and a soon-to-be-realized VFX digital museum, and exclusive opportunities that foster education and professional development.”

    Roth wrote that the achievement that stands out for him is “the sheer growth of VES’ membership and reach–bound together in a worldwide community. Said another way, WE ARE NOW TRULY GLOBAL. When I assumed this role, we were about 750 people, mostly situated in California; now we have more than 4,400 members in 45 countries and 14 Sections worldwide.  I will proudly count our global expansion and influence as the most important part of the legacy I leave behind.

    “This summer, I will be working with all of you to continue raising the profile and recognition of the VES and the industry, while paving the way for the leader who will succeed me and take the VES to ever-new heights.”

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    Tags:Eric RothLisa CookeVisual Effects Society



    On the set of the first Agatha Christie show where mysteries are solved with the internet

    Friday, November 7, 2025
    Antonia Thomas, left, and and Josh Dylan appear on the set of the Agatha Christie series "Tommy & Tuppence" in Beaconsfield, England on Wednesday, Oct. 29, 2025. (Photo by Scott A Garfitt/Invision/AP)

    The scene: Outside a stately English home, a man and a woman attempt to solve a mystery. What's unusual about this picture?

    They're using the internet.

    In a departure from what could be the logline for many a cozy English mystery before it, "Agatha Christie's Tommy & Tuppence" marks the first time Agatha Christie's work has been modernized for an English-speaking TV audience. In this six-part drama premiering next year, there are phones, social media and TikTok alongside the usual murky secrets, red herrings and nefarious crimes.

    Speaking in late October on the set of the BritBox contemporary series shooting in the U.K., writer and executive producer Phoebe Eclair-Powell says the makers were thrilled to get permission from Christie's estate and have been careful not to "simplify" solving classic puzzles, like a locked room mystery, with new tech.

    "We have used it, but carefully, sparingly, and when we think actually that it's enhanced the original story that it's adapted from," explains Eclair-Powell.

    She says that it's been a "tricky" part of the process, but one they hope Christie herself would approve of.

    In Japan, Korea, India and Sweden, there have already been Christie characters living in the modern age, but this is the first contemporary adaptation in the author's native language.

    "Phoebe came to us with a brilliant take on the stories which put them in the modern day and because of the energy & vitality of these characters it felt completely natural to say yes!" Christie's great-grandson James Prichard, who manages the literary rights to her estate, wrote in an email.

    The Associated Press joined stars Antonia Thomas ("The Good Doctor") and Josh Dylan ("The Buccaneers") in the library of a... Read More

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