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    Home » Filmmaker Takashi Yamazaki to receive the VES Visionary Award

    Filmmaker Takashi Yamazaki to receive the VES Visionary Award

    By SHOOTSunday, December 15, 2024No Comments387 Views
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    Takashi Yamazaki
    LOS ANGELES --

    The Visual Effects Society (VES) has named Academy Award-winning director and visual effects supervisor Takashi Yamazaki as the recipient of the VES Visionary Award, in recognition of his valuable contributions to visual arts and filmed entertainment. The award will be presented at the 23rd Annual VES Awards on February 11, 2025 at The Beverly Hilton hotel.

    The VES Visionary Award, bestowed by the VES Board of Directors, recognizes an individual who has uniquely and consistently employed the art and science of visual effects to foster imagination and ignite future discoveries by way of artistry, invention and groundbreaking work. The Society will honor Yamazaki for his consummate artistry, expansive storytelling and profound ability to use visual effects to bring his unique visions to life.

    “Takashi Yamazaki is a renowned talent in Japanese cinema, who accomplished a significant feat when he became only the second director to win an Academy Award for Best Visual Effects, and in the process reinvigorated a legendary kaiju franchise,” said VES chair Kim Davidson. “Yamazaki has been at the forefront in using visual effects to tell remarkable stories that transfix audiences and create unforgettable cinematic experiences. As a creative force who has made an indelible mark in the world of filmed entertainment, we are honored to award him with the prestigious VES Visionary Award.”

    Born in Matsumoto City, Nagano Prefecture in 1964, Yamazaki is a Japanese filmmaker and visual effects supervisor, counted as one of Japan’s leading film directors. Most recently Yamazaki wrote, directed and led the visual effects team responsible for the groundbreaking global hit Godzilla Minus One, making him the first director since Stanley Kubrick to win an Academy Award for Best Visual Effects. Godzilla Minus One is currently the 3rd highest grossing foreign language film in U.S. box office history making over $56 million dollars. The film also won eight Japan Academy Prizes including the prizes for Best Picture, Best Screenplay and Best Visual Effects, becoming the most-awarded film at the 47th annual awards.

    Yamazaki is set to make his Hollywood debut with Grandgear for Bad Robot and Sony Pictures. In addition to writing and directing the film, he will also serve as a producer alongside J.J. Abrams and Glen Zipper.

    Yamazaki credits childhood viewings of Star Wars and Close Encounters of the Third Kind with influencing his pursuit of a career in special effects. After graduating from Asagaya College of Art and Design, he joined VFX house Shirogumi Inc. in 1986 working on SFX and digital compositing in films directed by Juzo Itami, such as The Last Dance (1993) and A Quiet Life (1995). Yamazaki made his debut as a film director in 2000 with Juvenile and became a leading figure in visual expression and VFX using computer graphics in Japan.

    Always: Sunset on Third Street (2005), using VFX to depict the streets of Tokyo in the late 1950s, won 12 awards, including Best Picture and Best Director at the 29th Japan Academy Film Prize. His films The Eternal Zero (2013) and Stand by Me Doraemon (2014) won Best Picture and eight other awards at the 38th Japan Academy Film Prize, as well as the Best Animation Film in the same year.

    Previous recipients of the VES Visionary Award include: Christopher Nolan; Ang Lee; Alfonso Cuaron; J.J. Abrams; Syd Mead; Victoria Alonso; Jonathan Nolan; and Roland Emmerich.

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    Tags:Takashi YamazakiVESVES AwardsVisual Effects Society



    Yacht Club expands its postproduction team

    Friday, November 14, 2025
    Yacht Club’s (l-r) Zac Gobetz, Jacqueline Xerri, Aria Yagobi, Zach Law and Amin Ashtar Ali

    Yacht Club, known for bringing a fresh perspective to holistic production, is expanding its post offerings to intensify how and what it delivers on behalf of clients. Having honed an exceptional post process for its own productions, Yacht Club is set to bring that expertise and creative perspective to agencies and brands as a stand-alone creative service or integrated with production. “Increasingly, clients are looking for partners who can operate from both a creative and efficiency mindset,” noted Zach Law, head of post/founding partner of Yacht Club. “We make sure that everything is considered from technical to exploring the creative to make sure the best options end up on screen.” “With post, we always just focused on supporting our own productions,” he continued, “and while we are still doing that and growing, with our expansion of our post department we are able to bring that experience to other folks as well.” Law’s colleague on the producing side is Zac Gobetz who brings 15 years of experience across Company 3, Movement Strategy, and Postworks, to his role at Yacht Club. Integral to Yacht Club’s post offerings is Aria Yagobi, who has served as an editor for the past four years, cutting spots for a wide range of clients including Baskin Robbins, Bud Light, and Gillette. Newly joining Uagpbo on the editorial team is Jacqueline Xerri, whose work spans commercials, music videos, and narrative/documentary film. Her commercial clients include Etsy, Dunkin’, Vagisil, Architectural Digest, The North Face, and Pure, whose latest campaign directed by Jake Ladehoff received a 2025 Telly Award. Award-winning 3D motion designer Amin Ashtar Ali is also an important recent addition to Yacht Club Films. As a VFX artist, he brings diverse... Read More

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