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    Home » Formula One’s return to Las Vegas is a winner for late-night TV viewers, too

    Formula One’s return to Las Vegas is a winner for late-night TV viewers, too

    By SHOOTWednesday, November 22, 2023Updated:Sunday, July 7, 2024No Comments1633 Views
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    Red Bull driver Max Verstappen, of the Netherlands, drives past the Sphere during the Formula One Las Vegas Grand Prix auto race, Saturday, Nov. 18, 2023, in Las Vegas. (AP Photo/Nick Didlick)
    LAS VEGAS (AP) --

    Formula One's return to Las Vegas drew the largest audience for the series since June, despite starting in the middle of the night for viewers on the East Coast, according to ESPN.

    The race, which began at 1 a.m. Eastern, attracted 1.3 million viewers, one of its largest audiences for the series this season, ESPN said.

    The telecast, which ran until just after 3 a.m. Eastern, averaged 1.3 million viewers. That's the third-largest F1 audience of the season on cable and sixth-largest overall on ESPN platforms this season.

    The Las Vegas Grand Prix, run for the first time since 1982 in Sin City, was the most-viewed F1 race since June's Canadian Grand Prix on ABC (1.76 million) and the most-watched telecast of any kind on cable after 11 p.m. Eastern on Saturday night and in the overnight hours. Viewership for the race peaked at 1.5 million between 1:15-1:30 a.m. EST.

    The 2023 season has had three of the four largest live F1 audiences in history on U.S. television: 1.96 million in Miami, 1.79 million in Monaco and 1.76 million in Canada.

    Max Verstappen won in Las Vegas, his 18th victory in 21 races this season.

    The F1 season concludes with the Abu Dhabi Grand Prix on Sunday, Nov. 26.

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    Tags:ESPNFormula OneLas Vegas Grand Prix



    CYLNDR Studios hires Leah Chaney as director of influencer

    Friday, May 15, 2026
    Leah Chaney

    CYLNDR Studios has appointed Leah Chaney as director of influencer, a move that signals the evolution of the discipline within the studio. Chaney steps in to expand and redefine CYLNDR Studios’ influencer practice--ensuring that when creators are engaged for campaigns, they are a driving creative force, not just a distribution channel.

    Already partnering with global brands including Little Caesars, Samsung and Ross Dress for Less, CYLNDR Studios has been integrating creators into its production-first approach, where every idea is grounded in reality, but designed to push beyond it. Chaney’s role is to formalize and scale that philosophy by embedding creators alongside strategists, designers and filmmakers from the very beginning. Transforming influence into something authored, not applied.

    “There’s been a ceiling on influencer because we (the industry) have treated it as an output,” said Chaney. “The real opportunity is to treat it like authorship. Creators shouldn’t be brought in to execute ideas, they should be helping define them. That’s how the work becomes something undeniable and culturally impactful.”

    At CYLNDR Studios, production is the strategy, which removes the distance between idea and execution. This shifts the focus from managing outputs to shaping ideas where craft, instinct, and cultural fluency sharpen the work in real time. The goal isn’t more content. It’s work that earns real attention. From episodic storytelling to creator-led formats, Chaney will lead a new wave of work designed to resonate beyond the scroll.

    “The industry has gotten very good at producing content,” Chaney added. “But not all content is treated equally. Creators are directors, editors, storytellers; they understand... Read More

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