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    Home » “Life After Pi” named Best Documentary Short at Santa Barbara Film Fest

    “Life After Pi” named Best Documentary Short at Santa Barbara Film Fest

    By SHOOTWednesday, February 11, 2015Updated:Tuesday, May 14, 2024No Comments1134 Views
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    Christina Lee Storm (l) and Scott Leberecht.
    SANTA BARBARA, Calif. --

    Life After Pi has been awarded the Best Documentary Short Film at the 30th annual Santa Barbara International Film Festival. The announcement was made at the festival awards breakfast on Saturday, February 7.

    Directed by Scott Leberecht and produced by Christina Lee Storm, the documentary chronicles the collapse of the visual effects studio Rhythm & Hues Studios, even as it was on the cusp of earning the Academy Award for its work on the feature film Life of Pi.

    Filmed over a two week period in early 2013, Life After Pi reveals the issues facing the visual effects industry and examines the impact the bankruptcy had upon hundreds of artists and staff, and the industry as a whole. At the time Rhythm & Hues declared Chapter 11 bankruptcy, the company had just celebrated its 25th anniversary.

    Director Leberecht said, “As a twenty-year veteran of the visual effects industry, I am very happy that our film is being acknowledged and seen by so many. I carry a deep sense of gratitude for the brave individuals who participated in the film and went on record. For a brief moment, we broke through the culture of fear. My hope is that the conversation continues.”

    Storm added, “It’s a bittersweet win. We’re proud to have earned this recognition, but we’re also mindful of the human impact the events had upon the people featured in the movie, our co-workers and friends. We hope the film continues to shine a light and contribute to a better business model for all concerned in the film industry.”

    Originally released on YouTube almost one year to the day after the bankruptcy, Life After Pi had captured 1.2 million views (and 14 years of accumulated watch time) within the first two months of its release. Storm and Leberecht are currently developing a feature length documentary which will explore the industry’s transition from optical to digital techniques in movie special effects. Click here for more info and to see Life After Pi.

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    Tags:Life After PiRhythm & HuesScott Leberecht



    As the world rediscovers “The Odyssey,” disabled actors in Greece explore the pain of war

    Sunday, August 9, 2026
    From left to right, Eirini Kourouvani, a wheelchair dancer, Evi Saoulidou and Lydia Fotopoulou perform during a dress rehearsal of Euripides' tragedy The Trojan Women, staged by the National Theatre of Greece, at the Ancient Theater of Epidaurus, Greece, on Thursday, July 30, 2026. (AP Photo/Petros Giannakouris)

    As Christopher Nolan's "The Odyssey" renews global fascination with Homer, a cast of disabled and non-disabled performers in Greece is staging the war's other story.

    It's not about the triumph of returning heroes, but the suffering they left behind.

    "The Trojan Women," with a cast of 22, was staged at Epidaurus, the ancient open-air stone arena in southern Greece. It marked what organizers called the first fully accessible performance in the ancient theater's 2,300-year history.

    While Homer followed warriors sailing home from Troy, the playwright Euripides — writing some three centuries later — turned to the city's ruins and its women, forced into exile and enslavement.

    The ancient theater offered a full range of accessibility services for the Aug. 2 performance. Blind audience members received Braille programs, tactile models and live audio description, while deaf spectators followed overhead titles. Physical adaptations also improved access throughout the site.

    "It's the first time a performance at Ancient Epidaurus has been made accessible to everyone," said Greg Polychronidis, a Paralympic gold medalist who attended the event. "Today was a celebration of equality and it should serve as an example for everyone, forever."

    For many of the performers, standing on the ancient stage was itself part of the message: a voice for those often overlooked. Eirini Kourouvani, a 58-year-old cast member who uses a wheelchair, had never set foot inside the theater before.

    "It is just grand," she said. "I feel my heart opening up as wide as this theater is."

    Ioanna-Maria Gertsou, a blind psychologist, attended with Babu, her guide dog.

    "We too have the right to attend performances on an equal footing," she said,... Read More

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