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    Home » Louis C.K. premieres his secret, very Woody Allen-esque film

    Louis C.K. premieres his secret, very Woody Allen-esque film

    By SHOOTSunday, September 10, 2017Updated:Tuesday, May 14, 2024No Comments2276 Views
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    In this Feb. 15, 2015 file photo, Louis C.K. attends the SNL 40th Anniversary Special in New York. (Photo by Evan Agostini/Invision/AP, File)

    By Jake Coyle, Film Writer

    TORONTO (AP) --

    Louis C.K. on Saturday debuted potentially the most audacious film of the Toronto International Film Festival: a very Woody Allen-esque comedy that simultaneously comments on Allen — and C.K.'s — controversies.

    C.K. shot the film, "I Love You, Daddy," earlier this year in secret. He financed its production himself and shot it in black-and-white and on 35mm. Little was known about it before it premiered Saturday, so audiences were at turns delighted, surprised and uncertain about the brazen — but definitely quite funny — result.

    The New York-set, lushly scored movie often takes after Allen's 1979 film "Manhattan," yet it also includes a character that the cast on Saturday acknowledged was modeled after Allen. John Malkovich plays a legendary film director who's rumored to have molested a young girl decades earlier. At the premiere, C.K. — who co-starred in Allen's "Blue Jasmine" — said he and co-writer Vernon Chatman wanted to make a movie about beloved artists who are trailed by murmurs of scandal.

    "Vernon and I were talking about the fascination with people that there's these stories about and stuff — people that you love in their work," C.K. told the audience after the screening.

    But "I Love You, Daddy" could also be seen a C.K.'s response to his own controversies. Allegations of questionable sexual behavior have long dogged C.K. Most recently, the comedian (and previous C.K. collaborator) Tig Notaro advised C.K. to "handle" the rumors.

    In the film, C.K. plays a successful TV producer whose 17-year-old daughter (Chloe Grace Moretz) begins a relationship with Malkovich's aged director. It spawns a kind of crisis for C.K.'s character, who has his own issues with how he treats women.

    The Guardian called it "a very funny and recklessly provocative homage to Woody Allen, channeling his masterpiece 'Manhattan' and brilliantly finding a fictional way to tackle his personal reputation head-on."

    C.K. said he was able to pay for the film with profits from "Horace and Pete," the TV series he also self-funded and distributed on his own. How he'll release "I Love You, Daddy" isn't yet clear, though the comedian reminded those in attendance that it's for sale.

    "I just didn't tell anybody we were making it. If you don't tell anybody, nobody cares what you're doing," C.K. said. "Once you ask for money, then it gets around. But I was just making it on my own dime. I always figure I part with the money. It's gone. So if it ever comes back, I'm OK with it."

    Some were content to let C.K.'s motives remain mysterious.

    "I don't know that we had a conversation about, necessarily, why he wanted to do it," Malkovich said. "But it's not the kind of thing I would ask."

     

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    Tags:Louis C.K.Toronto International Film Festival



    Saylor hires Harris Sherman as head of production and Brian Freia as creative director, campaigns

    Wednesday, February 11, 2026
    Harris Sherman (l) and Brian Freia

    Saylor, the Los Angeles–based creative agency known for crafting entertainment-led advertising, has made two key new hires: Harris Sherman as head of production, and Brian Freia as creative director, campaigns.

    “As attention gets harder to earn, brands must think and act differently to break through. They have to operate like creators,” said Will Trowbridge, founder and CEO, Saylor. “Harris and Brian bring exactly the mix of bold ideas, production rigor, and entertainment knowledge needed to help our clients not just show up, but truly make waves.”

    Sherman joins as head of production to command Saylor’s growing studio operations. He will lead the wider production division while expanding the creator team’s capabilities--creating a production engine built to deliver studio-quality content at the speed of social. He brings extensive production leadership experience--including senior roles at React Media and All Def Media, and most recently as VP of production & operations at Wildcatter--and has a proven track record of scaling teams and operations, driving audience growth, and building infrastructure for high-quality, multi-platform content.

    “At Saylor, we’re helping brands create the content people seek out, rather than the ads they scroll past,” said Sherman. “That requires a different kind of production muscle. I look forward to building an environment where we can execute ambitious ideas with the polish of a studio and the pace of a creator.”

    As creative director, campaigns, Freia leads Saylor’s teams to develop innovative, culture-driven work and oversees projects from concept through execution to ensure campaigns are ambitious, strategically sound, and designed to perform across platforms. He brings... Read More

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