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    Home » NBA Finals viewership up 24% over 2021; Nielsen week in review

    NBA Finals viewership up 24% over 2021; Nielsen week in review

    By SHOOTWednesday, June 22, 2022Updated:Tuesday, May 14, 2024No Comments1210 Views
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    Golden State Warriors guard Stephen Curry, center, holds up the Bill Russell Trophy for most valuable player after the Warriors defeated the Boston Celtics in Game 6 to win basketball's NBA Finals championship, Thursday, June 16, 2022, in Boston. (AP Photo/Steven Senne)

    By David Bauder, Media Writer

    NEW YORK (AP) --

    Nearly 14 million people watched the Golden State Warriors win its fourth NBA championship since 2015 by beating the Boston Celtics in the sixth game of their series.

    The series that matched the NBA's most current dynasty against the one with the most championships overall averaged 12.3 million viewers, which was 24% more than the 2021 series between Milwaukee and Phoenix, the Nielsen company said.

    As is typical, the series built in audience as it went on, with the 13.99 million people who watched the final game nearly a million more than the audience for any other game, Nielsen said.

    The first game of hockey's Stanley Cup Finals between Colorado and Tampa Bay was seen by 4.2 million people last week.

    Each of these sports events was seen on ABC, allowing the network to dominate the weekly ratings race. ABC averaged 5 million viewers in prime time last week, CBS averaged 2.8 million, NBC averaged 2.6 million, Fox had 1.5 million, Univision had 1.1 million, Telemundo had 940,000 and Ion Television had 900,000.

    Fox News Channel topped cable networks with an average of 2.15 million viewers. MSNBC had 1.37 million, HGTV had 927,000, Discovery had 779,000 and TLC had 750,000.

    ABC's "World News Tonight" won the evening news ratings race with an average of 7.2 million viewers. NBC's "Nightly News" had 6.4 million viewers and the "CBS Evening News" had 4.7 million.

    For the week of June 13-19, the top 20 primetime programs, their networks and viewerships:

    1. NBA Finals Game 6: Golden State at Boston, ABC, 13.99 million.
    2. NBA Finals Game 5: Boston at Golden State, ABC, 13.02 million.
    3. "America's Got Talent," NBC, 6.21 million.
    4. "60 Minutes," CBS, 5.58 million.
    5. "60 Minutes" (Sunday, 8 p.m.), CBS, 4.7 million.
    6. Stanley Cup Finals Game 1: Tampa Bay at Colorado, ABC, 4.2 million.
    7. "The Price is Right 50th Anniversary," CBS, 4.02 million.
    8. "NBA Countdown" (Thursday), ABC, 4 million.
    9. "FBI," CBS, 3.81 million.
    10. Stanley Cup Finals Game 2: Tampa Bay at Colorado, ABC, 3.75 million.
    11. "America's Funniest Home Videos," ABC, 3.68 million.
    12. "Stanley Cup Pregame" (Wednesday), ABC, 3.65 million.
    13. "NBA Countdown" (Monday), ABC, 3.61 million.
    14. "Young Sheldon," CBS, 3.52 million.
    15. "NCIS," CBS, 3.37 million.
    16. "Tucker Carlson Tonight" (Tuesday), Fox News, 3.27 million.
    17. "The Neighborhood," CBS, 3.26 million.
    18. "Tucker Carlson Tonight" (Monday), Fox News, 3.2 million.
    19. "FBI: Most Wanted," CBS, 3.184 million.
    20. "FBI: International," CBS, 3.176 million.

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    Tags:ABCESPNNBANielsen



    CYLNDR Studios hires Leah Chaney as director of influencer

    Friday, May 15, 2026
    Leah Chaney

    CYLNDR Studios has appointed Leah Chaney as director of influencer, a move that signals the evolution of the discipline within the studio. Chaney steps in to expand and redefine CYLNDR Studios’ influencer practice--ensuring that when creators are engaged for campaigns, they are a driving creative force, not just a distribution channel.

    Already partnering with global brands including Little Caesars, Samsung and Ross Dress for Less, CYLNDR Studios has been integrating creators into its production-first approach, where every idea is grounded in reality, but designed to push beyond it. Chaney’s role is to formalize and scale that philosophy by embedding creators alongside strategists, designers and filmmakers from the very beginning. Transforming influence into something authored, not applied.

    “There’s been a ceiling on influencer because we (the industry) have treated it as an output,” said Chaney. “The real opportunity is to treat it like authorship. Creators shouldn’t be brought in to execute ideas, they should be helping define them. That’s how the work becomes something undeniable and culturally impactful.”

    At CYLNDR Studios, production is the strategy, which removes the distance between idea and execution. This shifts the focus from managing outputs to shaping ideas where craft, instinct, and cultural fluency sharpen the work in real time. The goal isn’t more content. It’s work that earns real attention. From episodic storytelling to creator-led formats, Chaney will lead a new wave of work designed to resonate beyond the scroll.

    “The industry has gotten very good at producing content,” Chaney added. “But not all content is treated equally. Creators are directors, editors, storytellers; they understand... Read More

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