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    Home » The One Club and WPP partner to bring ONE School for Black creatives to the U.K.

    The One Club and WPP partner to bring ONE School for Black creatives to the U.K.

    By SHOOTThursday, October 6, 2022Updated:Tuesday, May 14, 2024No Comments1236 Views
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    Ez Blaine
    NEW YORK & LONDON --

    The One Club for Creativity has partnered with WPP to launch ONE School UK, a free 16-week online portfolio program designed to open doors to a career in advertising for talented U.K.-based Black creatives.

    ONE School launched in the US in 2020 as a free alternative to ad schools to provide new career opportunities for creative Black individuals, and make agency and brand creative departments more diverse. The results-oriented school has already made a tangible difference: an 80% hire rate at top agencies and brands in the U.S. to date for its 128 graduates, 65% of whom are women. 

    The virtual ONE School UK will welcome its first cohort in March 2023. Black creatives from all walks of life are encouraged to apply for one of just 15 sought-after places. No prior knowledge of advertising is required.

    ONE School UK will be run by Ez Blaine, founding creative partner at Uncommon Experience Studio in London. Born in Hackney and raised in North London, Blaine ran ONE School West while living in Los Angeles. He previously held creative leadership positions at brands and agencies including ChowNow, Apple, Sonos, and WPP’s AKQA.

    ONE School teaches students how to navigate the industry while Black. Courses are taught by Black tutors–including some from WPP agencies–and designed to help students bring their authentic voice into their work.

    Blaine said, “As a Black creative from the U.K., it’s very meaningful to me to return here and help bring new Black talent into the creative industry. Our choice of Black lecturers and mentors helps close the gap and exposes students to creative leaders who they can relate to, and allows them to see a pathway for themselves into the industry. This is about teaching students to stand out for their Blackness, be 100% authentic to who they are, and understand the value that brings.”

    The U.S. program was co-founded with The One Club by Spotify creative director Oriel Davis-Lyons, who worked with industry veteran and One Club head of creative development Bob Isherwood to develop the school shortly after the death of George Floyd. The initiative aims to ensure that the high cost of portfolio schools does not get in the way of giving world-class Black creative talent a route into the industry. 

    Rob Reilly, chief creative officer, WPP, said, “We’re committed to fostering a culture that delivers extraordinary work for our clients–work that’s authentic and reflective of the diverse world in which we live. This means making sure that all types of people, from all backgrounds, with different opinions and voices, are involved in the creative process from strategy to execution. Partnering with the One Club for Creativity to bring ONE School to the U.K. is a privilege and we’re excited to see what it can achieve, not only for our business but the industry at large.”

    The partnership aligns with WPP’s set of anti-racism commitments and actions made in 2020, which aim to advance racial equity and support Black and minority ethnic talent. It will form part of WPP’s Racial Equity Program which–managed by WPP’s Dr. Stacie Graham–is a three-year, $30 million commitment to fund inclusion programs within the company and to support external organizations.

    Karen Blackett OBE, president of WPP in the U.K., said, “We’re proud to partner with an organization that shares our commitment to taking meaningful action to support, build and grow the Black creative community. Not only is this partnership–spearheaded by the wonderful Dr Stacie Graham via WPP’s Racial Equity Program–about positively impacting underrepresented talent, it’s also about recognizing that without diversity, our industry simply won’t thrive. The ONE School has been described as one of the biggest social change programs in the history of the U.S. ad industry. I can’t wait to see what it can do here in the U.K.”

    Black creatives wanting to make the leap into advertising can find more details about ONE School UK, including information on how to apply, here.

     

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    Tags:Ez BlaineONE School UKThe One Club for CreativityWPP



    NFL sees increased viewership for wild-card round, eyes more for divisional games

    Friday, January 16, 2026
    San Francisco 49ers wide receivers Demarcus Robinson, left, and Kendrick Bourne take the field before an NFL football game against the Seattle Seahawks in Santa Clara, Calif., Saturday, Jan. 3, 2026. (AP Photo/Jed Jacobsohn)

    After double-digit increases in its regular-season and wild-card playoff round ratings, the NFL is looking for another large bump in ratings during this weekend's division round. The league and Nielsen said last weekend's six wild-card games averaged 32 million viewers, a 13% jump from last year. It was also the most-watched opening weekend of the NFL playoffs since the field expanded to 14 teams in the 2020 season. Overall, it was the most-watched wild-card round since the 2015 season and the fifth highest since average viewer numbers started being tracked in 1988. Five of the games saw increases compared to the same time frames a year ago while the sixth game was even. The regular season averaged 18.7 million viewers per game, a 10% increase. It also was the second-highest average on record. Some of the increase can be attributed to a change in the way viewers are counted. Nielsen began using its Big Data + Panel methodology for all events last September with the start of the current television season. Earlier this year, Nielsen began measuring out-of-home viewers for all states but Hawaii and Alaska, along with including data from smart TVs along with cable and satellite set-top boxes. Nielsen previously measured only the top 44 media markets, which covered 65% of the country. "It was a great weekend of football all around," said Hans Schroeder, the NFL's executive vice president of media distribution. "Every year, there's a new set of stars and players emerging. You have (New England's) Drake Maye, who's a potential MVP and on the other end you have an established star like (Los Angeles Rams QB) Matthew Stafford, who may be the other MVP favorite playing a heck of a game with the fourth-quarter comeback." Last year's four divisional... Read More

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