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    Home » The One Club unveils winners and finalists for COLORFUL grant program

    The One Club unveils winners and finalists for COLORFUL grant program

    By SHOOTFriday, July 7, 2023Updated:Tuesday, May 14, 2024No Comments1242 Views
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    COLORFUL 2023 1st place winner Mischelle Moy
    NEW YORK --

    The One Club for Creativity has unveiled the winners and finalists for COLORFUL 2023, a special grant program related to the global Young Guns 21 competition to help up and coming BIPOC creatives around the world advance their careers. 

    COLORFUL winners are awarded cash prizes to be used towards a professional dream project of their choosing, and free entry to the YG21 competition.

    This year’s first-place winner is Mischelle Moy, a digital artist and photographer based in Brooklyn, who will receive a $3,000 grant.  

    Second place went to Troy Charbonnet, a filmmaker in Irvine, California, who picked up a $2,000 grant.

    There are two third-place winners, each receiving a $1,000 grant: Improper Design + Animation (the 2D animation director team of Mehr Chatterjee and Aditya Dutta) in New Delhi, and Katty Huertas, a Washington DC-based illustrator.

    In addition, the following COLORFUL 2023 finalists qualify for free entry in YG21:

    • Jappy Agoncillo, artist, Long Island City (New York)
    • Diego Aguilar Villalobos, graphic designer, art director, Draav, Montréal
    • Advik Beni, filmmaker, Valley Village (California)
    • Esston Benjamin, photographer, EssTheory Inc., Brooklyn
    • Denzel Boyd, artist, designer, Zeus Jones, Los Angeles
    • Black Childish, illustrator, Amsterdam
    • Lo Harrris, multidisciplinary artist, Lo Harris Universe, Brooklyn
    • Seine Kongruangkit, art director, artist, AKQA Bloom, Miami 
    • Hayley Lim, art director, designer, Montréal
    • Aarman Roy, graphic designer, visual artist, Sunday Afternoon, New York
    • Levi Walton, photographer, videographer, director, Brooklyn
    • Yifan Wu, illustrator, Madison (Alabama)
    • Rozi Zhu, designer, Long Island City (New York)

    The complete list of winners and finalists, with links to their websites, can be viewed here.

    The COLORFUL grant program, which has no application fee, is open globally to BIPOC creatives who qualify for the club’s Young Guns competition: age 30 years and under with at least two years of professional creative experience, and never having won Young Guns in the past. Submissions were reviewed by the 2023 COLORFUL jury, many of whom are past Young Guns winners.

    Funding for COLORFUL is provided by Russell’s Reserve Bourbon, female and minority-owned creative studio and artist rep agency Sunday Afternoon, as well as personal contributions from Menno Kluin, CCO at Ogilvy New York, and Rich Tu, an award-winning multidisciplinary artist, designer, and ECD/partner at Sunday Afternoon, who conceived of the grant program two years ago.

    Sunday Afternoon will also provide one COLORFUL applicant with 12 months of mentorship from the studio’s leadership team.  Receiving that honor this year is COLORFUL second-place winner Charbonnet, who will connect with the Sunday Afternoon team to help support their creative growth and goals.

    “Congratulations to winners Mischelle, Troy, Mehr, Aditya, and Katty, as well as all the finalists,” said Tu.  “It’s mind-blowing to witness the caliber of submissions this year, everyone came to play.  COLORFUL continues to be a barometer for the industry in terms of talent and representation from all spectrums. If you’re hiring, look out!”

    COLORFUL branding was created by Sunday Afternoon, using the custom typeface — also called COLORFUL — designed by Tré Seals at Vocal Type Foundry in Washington DC, a YG17 winner.  The result is an exuberant new look, reflecting the grant program’s ability to help BIPOC creatives “make waves” in the industry. The COLORFUL typeface is available for sale, with all proceeds going to the grant program.

    The Young Guns 21 online entry system is open, with the regular deadline on July 13, 2023, and final deadline July 27, 2023.  Winners will be announced in the fall.

     

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    Tags:COLORFUL 2023The One Club for CreativityYoung Guns 21



    “Lord of the Rings” director Peter Jackson backs long shot de-extinction plan, starring the lost moa

    Tuesday, July 8, 2025
    Filmmaker Peter Jackson, left, and Colossal CEO Ben Lamm hold up bones from Jackson's collection of extinct moa bones in Wellington, New Zealand, 2024. (Courtesy of Colossal Biosciences via AP)

    Filmmaker Peter Jackson owns one of the largest private collections of bones of an extinct New Zealand bird called the moa. His fascination with the flightless ostrich-like bird has led to an unusual partnership with a biotech company known for its grand and controversial plans to bring back lost species.

    On Tuesday, Colossal Biosciences announced an effort to genetically engineer living birds to resemble the extinct South Island giant moa – which once stood 12 feet (3.6 meters) tall – with $15 million in funding from Jackson and his partner Fran Walsh. The collaboration also includes the New Zealand-based Ngāi Tahu Research Centre.

    "The movies are my day job, and the moa are my fun thing I do," said Jackson. "Every New Zealand schoolchild has a fascination with the moa."

    Outside scientists say the idea of bringing back extinct species onto the modern landscape is likely impossible, although it may be feasible to tweak the genes of living animals to have similar physical traits. Scientists have mixed feelings on whether that will be helpful, and some worry that focusing on lost creatures could distract from protecting species that still exist.

    The moa had roamed New Zealand for 4,000 years until they became extinct around 600 years ago, mainly because of overhunting. A large skeleton brought to England in the 19th century, now on display at the Yorkshire Museum, prompted international interest in the long-necked bird.

    Unlike Colossal's work with dire wolves, the moa project is in very early stages. It started with a phone call about two years ago after Jackson heard about the company's efforts to "de-extinct" – or create genetically similar animals to – species like the woolly mammoth and the dire wolf.

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