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    Home » Pentagram New York tops winners in TDC71 Competition

    Pentagram New York tops winners in TDC71 Competition

    By SHOOTThursday, April 24, 2025No Comments250 Views
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    Pentagram New York's work for Helions
    NEW YORK --

    Creative innovation and extraordinary craft were on full display in the global winners in the TDC71 Competition, announced by the Type Directors Club.

    This year’s global jury awarded a total of 170 TDC71 Certificates of Typographic Excellence–104 in Communication Design, 37 in Type Design, and 29 in Lettering–to entrants from 26 countries.

    Leading the way with seven TDC71 Certificate wins, all in Communication Design, is Pentagram New York. They include five in Print or Digital-Brand Identity System, one each for Barco de Papel, Helions, Williamstown, Windham Campbell, and The Roald Dahl Story Company. The firm also has two wins in Print or Digital-Logotype/Monogram-Single–one for Barco de Papel and the other for Helions.

    The New York Times Magazine has six winning entries, all in Communication Design, Publication/Editorial – Editorial/Catalog/Magazine-Series, for “The Weirdest, Wildest Performances of the Year”, “The Olympics Issue”, “The Lives They Lived”, “Forget the Academy. Our Nominees Are…”, “The Retirement Issue”, “The Culture Issue”.

    In addition, The New York Times Kids has three TDC71 Certificate wins, all in Communication Design, Publication/Editorial-Book/Magazine Cover-Series, for “2024 Covers,” “The Elections Issue,“ and “The Games Issue.” The New York Times, working with Daisy Chain Studio London, has two wins in Communication Design for “State of The Times”, one each in Motion-Credits or Titles, and in Print or Digital-Brand Identity System.

    With five TDC71 wins is Typotheque The Hague, all in Type Design. They include one each for “Pristine” in Single Axis Type Family, “Zed Icons” in Emoji/Symbol Typeface, “November Mongolian” in Multiple Axis Type Family, and “November Tibetan” in Multiple Axis Type Family. They also won a certificate working with Hagilda Tel Aviv for “Rapida Hebrew + Arabic” in Single Axis Type Family.

    The End Design Guangzhou has four TDC71 Certificate wins, all in Communication Design for client Shenzhen Graphic Design Association. They include two for “Motion & Graphic Typography Design Exhibition”–one each in Motion-Animated Posters-Single, and Print or Digital-Brand Identity System–and two for “China TDC 2024,” one each in Motion-Animated Posters-Single, and Print or Digital-Brand Identity System.

    With three TDC71 Certificate wins each are Baillat Studio Montreal, Kevin Cantrell Studio Mantua, mdbuero Zurich, Untitled Macao Macao, and The New York Times for Kids New York.

    A showcase of all TDC71 Certificate winners can be viewed here.

    Jury presidents for this year’s TDC71 competition were three members of the TDC Advisory Board: Min Lew, managing partner, ECD, Base Design in New York, for Communication Design; David Jon Walker, principal, Rhealistic, New Haven; Professor of Art in Graphic Design, Yale University, for Lettering; and Sahar Afshar, type designer, founding partner, Dogray Type Foundry in London for Type Design.

    TDC71 Best of Discipline and Judges’ Choice recipients will be announced on May 13, 2025 during The One Club for Creativity’s annual Creative Week in New York. That’s also the date for a special TDC71 Exhibition of winning work, from 7-9pm at Location05.

    All TDC71 winners receive a Certificate of Typographic Excellence and digital seal certifying their work is among the world’s best of the year. Winning work will also be featured in the highly respected TDC Annual, The World’s Best Typography®, and showcased in eight exhibitions that travel to museums, schools and design organizations around the world.

    Across its three juries, TDC71 had native experts for writing systems spanning Arabic, Cyrillic, Indic, CJK, Thai, and select African scripts. The addition of these and other judges in recent years is a reflection of TDC’s commitment to have a greater number of the most appropriate experts judging designs for which they have a deep knowledge.

    Branding for this year’s competition was created by Paprika, based in Montréal, with fonts donated by Klim Type Foundry, in Wellington, NZ.

    The One Club for Creativity–home of The One Show, ADC Annual Awards, Art Directors Club of Europe (ADCE) awards, ONE Asia Awards, Type Directors Club and competition, TDC Ascenders, Young Guns, Young Ones Student Awards, Next Creative Leaders, ONE Screen Short Film Festival, and more–-is the world’s foremost non-profit organization whose mission is to support and celebrate the success of the global creative community. Revenue generated from entries to its global awards shows goes back into the industry to fund programming under the organization’s four pillars: Education, Inclusion & Diversity, Gender Equality, and Creative Development.

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    Tags:TDC71 CompetitionThe One Club for CreativityType Directors Club



    Netflix delivers solid 4th quarter, but slowing subscriber growth cause for some concern

    Wednesday, January 21, 2026
    A Netflix sign is displayed atop a building in Los Angeles, on Dec. 18, 2025, with the Hollywood sign in the distance. (AP Photo/Jae C. Hong, File)

    Netflix capped last year with another solid financial performance despite slowing subscriber growth that underscored the importance of its contested $72 billion bid to take over Warner Bros.' movie studio and slot HBO Max into its video streaming line-up. The fourth-quarter results announced Tuesday eclipsed the projections of stock market analysts, but Netflix's report also noted that the video service ended the year with more than 325 million worldwide subscribers, a figure indicating it has added about 23 million subscribers since 2024. The 2025 subscriber increase marked a dramatic slowdown from the 41 million picked up during 2024, amplifying investor worries that Netflix's growth has peaked since the 2022 introduction of a low-priced, advertising-supported version of its service that triggered a massive surge in subscribers. Management also forecast a profit for the January-March period that was below analysts' predictions and announced Netflix would stop buying back its own stock while trying to complete the Warner Bros' deal. Even though its ad sales are expected to double, Netflix also projected its revenue growth would taper off from 16% in 2025 to 12% to 14% this year. "Overall, this points to a challenging start to the year," said Investing.com analyst Thomas Monteiro. Netflix's shares sank nearly 5% in extended trading, even though its profit and revenue for the past quarter were better than anticipated. The company earned $2.4 billion, or 56 cents per share, 29% increase from the same time in the previous year. Revenue rose 18% from the previous year to more than $12 billion. The results almost seemed like a footnote next to the stakes involved in Netflix's bidding war to buy Warner Bros. Discovery . The battle took another turn... Read More

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