Facebook Twitter Instagram LinkedIn RSS
    Facebook Twitter Instagram LinkedIn RSS
    SHOOTonline SHOOTonline SHOOTonline
    Register
    • Home
    • News
      • MySHOOT
      • Articles | Series
        • Best work
        • Chat Room
        • Director Profiles
        • Features
        • News Briefs
        • “The Road To Emmy”
        • “The Road To Oscar”
        • Top Spot
        • Top Ten Music Charts
        • Top Ten VFX Charts
      • Columns | Departments
        • Earwitness
        • Hot Locations
        • Legalease
        • People on the Move
        • POV (Perspective)
        • Rep Reports
        • Short Takes
        • Spot.com.mentary
        • Street Talk
        • Tool Box
        • Flashback
      • Screenwork
        • MySHOOT
        • Most Recent
        • Featured
        • Top Spot of the Week
        • Best Work You May Never See
        • New Directors Showcase
      • SPW Publicity News
        • SPW Release
        • SPW Videos
        • SPW Categories
        • Event Calendar
        • About SPW
      • Subscribe
    • Screenwork
      • Attend NDS2024
      • MySHOOT
      • Most Recent
      • Most Viewed
      • New Directors Showcase
      • Best work
      • Top spots
    • Trending
    • NDS2024
      • NDS Web Reel & Honorees
      • Become NDS Sponsor
      • ENTER WORK
      • ATTEND
    • PROMOTE
      • ADVERTISE
        • ALL AD OPTIONS
        • SITE BANNERS
        • NEWSLETTERS
        • MAGAZINE
        • CUSTOM E-BLASTS
      • FYC
        • ACADEMY | GUILDS
        • EMMY SEASON
        • CUSTOM E-BLASTS
      • NDS SPONSORSHIP
    • Contact
    • Subscribe
      • Digital ePubs Only
      • PDF Back Issues
      • Log In
      • Register
    SHOOTonline SHOOTonline SHOOTonline
    Home » Rights to “Crying Indian” PSA to go to Native American group

    Rights to “Crying Indian” PSA to go to Native American group

    By SHOOTSunday, February 26, 2023Updated:Tuesday, May 14, 2024No Comments1173 Views
    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email
    Iron Eyes Cody, the ''Crying Indian'' whose tearful face in 1970s TV commercials became a powerful symbol of the anti-littering campaign, is pictured in this 1986 photo. Keep America Beautiful, the nonprofit that originally commissioned the advertisement, announced Thursday, Feb. 23, 2023, that ownership of the ad's rights will be transferred to the National Congress of American Indians. (AP Photo/File)

    By Terry Tang

    --

    Since its debut in 1971, an anti-pollution ad showing a man in Native American attire shed a single tear at the sight of smokestacks and litter taking over a once unblemished landscape has become an indelible piece of TV pop culture.

    It's been referenced over the decades since on shows like "The Simpsons" and "South Park" and in internet memes. But now a Native American advocacy group that was given the rights to the long-parodied public service announcement is retiring it, saying it has always been inappropriate.

    The so-called "Crying Indian" with his buckskins and long braids made the late actor Iron Eyes Cody a recognizable face in households nationwide. But to many Native Americans, the public service announcement has been a painful reminder of the enduring stereotypes they face.

    The nonprofit that originally commissioned the advertisement, Keep America Beautiful, had long been considering how to retire the ad and announced this week that it's doing so by transferring ownership of the rights to the National Congress of American Indians.

    "Keep America Beautiful wanted to be careful and deliberate about how we transitioned this iconic advertisement/public service announcement to appropriate owners," Noah Ullman, a spokesperson for the nonprofit, said via e-mail. "We spoke to several Indigenous peoples' organizations and were pleased to identify the National Congress of American Indians as a potential caretaker."

    NCAI plans to end the use of the ad and watch for any unauthorized use.

    "NCAI is proud to assume the role of monitoring the use of this advertisement and ensure it is only used for historical context; this advertisement was inappropriate then and remains inappropriate today," said NCAI Executive Director Larry Wright, Jr. "NCAI looks forward to putting this advertisement to bed for good."

    When it premiered in the 1970s, the ad was a sensation. It led to Iron Eyes Cody filming three follow-up PSAs. He spent more than 25 years making public appearances and visits to schools on behalf of the anti-litter campaign, according to an Associated Press obituary.

    From there, Cody, who was Italian American but claimed to have Cherokee heritage through his father, was typecast as a stock Native American character, appearing in over 80 films. Most of the time, his character was simply "Indian," "Indian Chief" or "Indian Joe."

    His movie credits from the 1950s-1980s included "Sitting Bull," The Great Sioux Massacre," Nevada Smith, "A Man Called Horse" and "Ernest Goes to Camp." On television, he appeared in "Bonanza," "Gunsmoke" and "Rawhide" among others. He also was a technical adviser on Native American matters on film sets.

    Dr. Jennifer J. Folsom, a journalism and media communication professor at Colorado State University and a citizen of the Choctaw Nation of Oklahoma, remembers watching the public service announcement as a child.

    "At that point, every single person who showed up with braids and buckskins, on TV or anywhere in the movies, I glommed on to that because it was such a rare thing to see," said Folsom, whose areas of study include Native American pop culture. "I did see how people littered, and I did see how the creeks and the rivers were getting polluted."

    But as she grew up, Folsom noticed how media devoted little coverage to Native American environmental activists.

    "There's no agency for that sad so-called Indian guy sitting in a canoe, crying," Folsom said. "I think it has done damage to public perception and support for actual Native people doing things to protect the land and protect the environment."

    She applauded Keep America Beautiful's decision as an "appropriate move." It will mean a trusted group can help control the narrative the ad has promoted for over 50 years, she said.

    The ad's power has arguably already faded as Native and Indigenous youths come of age with a greater consciousness about stereotypes and cultural appropriation. TikTok has plenty of examples of Native people parodying or doing a takedown of the advertisement, Folsom said.

    Robert "Tree" Cody, the adopted son of Iron Eyes Cody, said the advertisement had "good intent and good heart" at its core.

    "It was one of the top 100 commercials," said Robert Cody, an enrolled member of the Salt River Pima-Maricopa Indian Community in Arizona.

    And, it reminded him of time spent with his father, said Cody, who lives at Santa Ana Pueblo in New Mexico.

    "I remember a lot, even when he went on a movie set to finish his movies and stuff," Cody said. "I remember going out to Universal (Studios), Disney, places like that."

    His wife, Rachel Kee-Cody, can't help but feel somewhat sad that an ad that means so much to their family will be shelved. But she is resigned to the decision.

    "You know, times are changing as well. You keep going no matter how much it changes," she said. "Disappointment. … It'll pass."

    Writer Tang is a member of The Associated Press' Race and Ethnicity team. 

     

    REGISTRATION REQUIRED to access this page.

    Already registered? LOGIN
    Don't have an account? REGISTER

    Registration is FREE and FAST.

    The limited access duration has come to an end. (Access was allowed until: 2023-02-28)
    Tags:Iron Eyes CodyKeep America BeautifulNational Congress of American Indians



    EU accuses TikTok of “addictive design” that harms children, seeks changes to protect users

    Friday, February 6, 2026
    The icon for the TikTok video sharing app is seen on a smartphone in Marple Township, Pa., Feb. 28, 2023. (AP Photo/Matt Slocum, File)

    The European Union on Friday accused TikTok of breaching the bloc's digital rules with "addictive design" features that lead to compulsive use by children, in preliminary charges that strike at the heart of the popular video sharing app's operating model.

    EU regulators said their two-year investigation found that TikTok hasn't done enough to assess how features such as autoplay and infinite scroll could harm the physical and mental health of users, including minors and "vulnerable adults."

    The European Commission said it believes TikTok should change the "basic design" of its service. The commission is the EU's executive arm and enforcer of the 27-nation bloc's Digital Services Act, a sweeping rulebook that requires social media companies to clean up their platforms and protect users, under threat of hefty fines.

    TikTok denied the accusations.

    "The Commission's preliminary findings present a categorically false and entirely meritless depiction of our platform, and we will take whatever steps are necessary to challenge these findings through every means available to us," the company said in a statement.

    TikTok's features including infinite scrolling, autoplay, push notifications, and highly personalized recommender systems "lead to the compulsive use of the app, especially for our kids, and this poses major risks to their mental health and wellbeing," Commission spokesman Thomas Regnier said at a press briefing in Brussels.

    "The measures that TikTok has in place are simply not enough," he said.

    The company now has a chance to defend itself and reply to the commission's findings. Regnier said "if they don't do this properly," Brussels could issue a so-called non-compliance decision and possible fine worth up to 6% of... Read More

    No More Posts Found

    MySHOOT Profiles

    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email

    Previous ArticleCamera operators for “All Quiet on the Western Front,” “Ozark” take top honors at SOC Awards
    Next Article “Cocaine Bear” gets high with $23.1M; “Ant-Man” shrinks but still tops weekend box office
    SHOOT

    Add A Comment
    What's Hot

    Bronwyn Sweeney and Lauren Cook Join Publicis London As Global Creative Directors

    Monday, February 9, 2026

    Super Bowl Ads Try To Overcome Tough Times With Health, Caring, Nostalgia and Laughs

    Monday, February 9, 2026

    “Send Help” Remains Atop Box Office, “Melania” Plummets On A Quiet Weekend In Theaters

    Sunday, February 8, 2026
    Shoot Screenwork

    The Best Work You May Never See: Director Øyvind Holtmon’s FINN Jobb Spot Tackles Worker Anxiety Over AI

    Friday, February 6, 2026

    In a new campaign for FINN Jobb, Norwegian director Øyvind Holtmon of production house Bacon…

    Father-Daughter Farming Duo’s Story Is At Center Of Lay’s Super Bowl Spot Directed By Taika Waititi

    Thursday, February 5, 2026

    There’s No Drama To Be Found In TurboTax’s Super Bowl Spot Directed By Craig Gillespie and Starring Adrien Brody

    Wednesday, February 4, 2026

    VW, Johannes Leonardo, Director Leigh Powis Extend A “Drivers Wanted” Invitation To Young Consumers In Super Bowl Ad

    Tuesday, February 3, 2026

    The Trusted Source For News, Information, Industry Trends, New ScreenWork, and The People Behind the Work in Film, TV, Commercial, Entertainment Production & Post Since 1960.

    Today's Date: Fri May 26 2023
    Facebook Twitter Instagram LinkedIn RSS
    More Info
    • Overview
    • Upcoming in SHOOT Magazine
    • Advertise
    • Privacy Policy
    • SHOOT Copyright Notice
    • SPW Copyright Notice
    • Spam Policy
    • Terms of Service (TOS)
    • FAQ
    STAY CURRENT

    SUBSCRIBE TO SHOOT EPUBS

    © 1990-2021 DCA Business Media LLC. All rights reserved. SHOOT and SHOOTonline are registered trademarks of DCA Business Media LLC.
    • Home
    • Trending Now

    Type above and press Enter to search. Press Esc to cancel.

    Type above and press Enter to search. Press Esc to cancel.