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    Home » Visual Effects Society launches 16th and newest Section in Texas

    Visual Effects Society launches 16th and newest Section in Texas

    By SHOOTSunday, January 28, 2024Updated:Sunday, July 7, 2024No Comments1008 Views
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    VES executive director Nancy Ward
    LOS ANGELES --

    The Visual Effects Society (VES) has selected the State of Texas for its newest regional Section. The VES Board of Directors formally authorized the Section’s creation at its January 2024 Board meeting. The VES Texas Section joins the dynamic worldwide community, which has Sections in Australia, San Francisco’s Bay Area, France, Georgia (U.S.), Germany, India, London, Los Angeles, Montreal, New York, New Zealand, Oregon, Toronto, Vancouver and Washington state. Now in its 27th year, the Society is thriving with almost 5,000 members in more than 45 countries worldwide.

    “We are thrilled to welcome our newest Visual Effects Society Section in the State of Texas,” said Nancy Ward, VES executive director. “The Society’s presence gets stronger every year–due in large part to our local leadership who gather and connect our members around the world. Our determination to reach all corners of the globe and to all of the disciplines across the VFX spectrum has yielded us a very rich, talented membership, and that commitment to diversity and inclusion will continue to be a driving force of the organization.”

    “VES members in Texas are excited to be recognized as an official Section of the Visual Effects Society,” said Colin Campbell, veteran VES Board member who was instrumental in forming the new Section. “Texas has a long history of filmmaking distinction dating back almost 100 years with Wings, filmed in the heart of Texas and honored as the first film to win the Academy Awards for both Best Picture and Best Effects. Continuing with this legacy of excellence, our members are comprised of professionals with experience working with some of the biggest names in the industry, including ILM, Sony Pictures Imageworks, Digital Domain and Blizzard/Activision, among others. They represent a diverse cross-section of moving image artistry: feature film and television visual effects, game development, cinematic production, animation, architectural visualization and educators. With the creation of VES Texas, it’s an exciting time to be a Texan in the VFX-related moving image industry!”

    As a group, VES Texas members share a common vision in their goals for the Section: outreach to partner with professional industry organizations; working with educational institutions within the state to train and mentor future generations of Texas artists; membership growth to increase its presence within the entertainment community; and social gatherings to promote community and camaraderie.

    The new VES Texas Section is gearing up quickly to offer benefits and opportunities to all VES members in Texas.  Once it holds its first meeting, the Section will elect officers and begin its outreach to grow and support the VES presence in the region.

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    Tags:VESVisual Effects Society



    “Lord of the Rings” director Peter Jackson backs long shot de-extinction plan, starring the lost moa

    Tuesday, July 8, 2025
    Filmmaker Peter Jackson, left, and Colossal CEO Ben Lamm hold up bones from Jackson's collection of extinct moa bones in Wellington, New Zealand, 2024. (Courtesy of Colossal Biosciences via AP)

    Filmmaker Peter Jackson owns one of the largest private collections of bones of an extinct New Zealand bird called the moa. His fascination with the flightless ostrich-like bird has led to an unusual partnership with a biotech company known for its grand and controversial plans to bring back lost species.

    On Tuesday, Colossal Biosciences announced an effort to genetically engineer living birds to resemble the extinct South Island giant moa – which once stood 12 feet (3.6 meters) tall – with $15 million in funding from Jackson and his partner Fran Walsh. The collaboration also includes the New Zealand-based Ngāi Tahu Research Centre.

    "The movies are my day job, and the moa are my fun thing I do," said Jackson. "Every New Zealand schoolchild has a fascination with the moa."

    Outside scientists say the idea of bringing back extinct species onto the modern landscape is likely impossible, although it may be feasible to tweak the genes of living animals to have similar physical traits. Scientists have mixed feelings on whether that will be helpful, and some worry that focusing on lost creatures could distract from protecting species that still exist.

    The moa had roamed New Zealand for 4,000 years until they became extinct around 600 years ago, mainly because of overhunting. A large skeleton brought to England in the 19th century, now on display at the Yorkshire Museum, prompted international interest in the long-necked bird.

    Unlike Colossal's work with dire wolves, the moa project is in very early stages. It started with a phone call about two years ago after Jackson heard about the company's efforts to "de-extinct" – or create genetically similar animals to – species like the woolly mammoth and the dire wolf.

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