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    Home » 72andSunny, Director Henry Hobson Visit A Cathedral For Launch of Diablo IV Videogame

    72andSunny, Director Henry Hobson Visit A Cathedral For Launch of Diablo IV Videogame

    By SHOOTTuesday, March 7, 2023Updated:Tuesday, May 14, 2024No Comments4386 Views
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    Blizzard Entertainment is fueling anticipation for the release of Diablo IV, the latest installment in its hit Gothic videogame series, by taking over a medieval Gothic cathedral in France and adorning its ceiling and walls with a 160-foot long, Renaissance-inspired mural.

    Called “The Cathedral of Diablo,” the installation is part of a wider launch strategy devised by creative agency 72andSunny, and promotes two Beta weekends ahead of Diablo IV’s release on June 6, 2023.
     
    The mural combines the epic scale and storytelling of Michelangelo’s Sistine Chapel frescoes with the drama of Caravaggio’s chiaroscuro technique. It follows the Diablo IV player’s journey into The Burning Hells to battle Lilith, the Queen of Hatred, giving viewers a tantalizing glimpse of some of the characters and stories they will encounter on the way.
     
    To create this massive art environment, 72andSunny partnered with experiential production partner Wildlife and Adam Miller, a renowned artist whose Baroque-style paintings have been shown in galleries all around the world. Together they created 20 unique paintings to install in the cathedral’s dome and vaulted ceiling, as well as a vast mural covering its back wall.
     
    72andSunny has also featured the paintings, exterior and interior of the deconsecrated cathedral in this atmospheric film. Directed by Henry Hobson through MJZ, and featuring a voiceover by Charles Dance (Game of Thrones), it allows audiences to experience the space and art, as well as feeling the excitement of the epic struggle between Light and Darkness at the heart of Diablo IV.
     
    Every gamer that jumps into the Open Beta in March will have a chance to be selected and painted into their own scene as a Diablo hero battling Lilith’s evil. Each will then receive a video of Adam painting them into the art. To opt-in to the sweepstakes and read the full promotion rules, players can head over to here.

    Tim Wolfe, group creative director at 72andSunny, said: “From the beginning we were inspired by all the concept art, craft and care going into the game and realized we needed to come up with something that celebrated Diablo IV’s dark Gothic roots. Something that leaned into their Caravaggio art style and the game narrative to create a campaign that was equally as ambitious as the game itself.” 
     
    The campaign has just launched globally ahead of the beta play period in March, and will run across linear broadcast in the U.S. on placements like March Madness along with CTV and premium paid digital.

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    Credits

    Client Blizzard Entertainment Agency 72andsunny Experiential Production Wildlife Film Production MJZ Henry Hobson, director. Editorial Work Color Company 3 Postproduction Method Sound Design Wave Studios  Audio Post Lime Music Walker

    Media Type:Commercial: Television
    ScreenWork Categories:Commercial
    Video Tags:72andSunnyHenry HobsonMJZ



    Blinkink Crafts A Baroque Stop-Motion Trip To The Moon For Dior

    Friday, February 13, 2026

    Blinkink has unveiled this richly imaginative stop-motion film for Dior titled A Ride of the Moon, directed by Nina Gantz and Renee Zhan, and voiced by 070 Shake. Conceived as a collaborative triumph of human craft, the film stands as a poetic reminder of the value of handmade artistry in an era increasingly shaped by automation and AI.

    Inspired by classical cinema--most notably Georges Méliès’ Voyage dans la Lune--the film for Dior’s Lunar New Year campaign is a baroque-infused journey that blends cinematic language with theatrical illusion. Set within an ornate 18th-century French theatre, it unfolds as a modern fairy tale told through flamboyant design, charming stop-motion animation and playful surrealism.

    The film builds around a Lunar New Year story, where a brave little horse’s showdown with a powerful, sassy adversary plays out. While cinematic and ambitious in scope, the film never takes itself too seriously, finding humor in exaggerated performances and clever theatrical tricks.

    The horse character is modelled after the Dior horse charm, assembled from sewing components and brought to life through meticulous stop-motion craftsmanship. The Moon appears as a Marie Antoinette-esque figure, who brings humor through an over-the-top performance.

    The production embraces old-school theatre mechanics to enhance its sense of wonder. Strings holding up clouds are deliberately visible, trapdoors open in the stage floor and sheets of translucent fabric become shimmering fountains. These visible illusions celebrate the joy of theatrical ingenuity and handmade problem-solving.

    The sets were entirely hand-painted and constructed, combining flat, painted backdrops with half-2D, half-3D elements. Layered sets,... Read More

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