This short film tells the inspiring story of a youth football coach, who despite the obstacles in his community, perseveres to raise money for uniforms and equipment–but with limited success until DICK'S Sporting Goods enters the picture. With the purchase of the Sports Matter green shoelaces from DICK’S Sporting Goods, a portion of proceeds are raised to help underfunded youth sports programs like our coach's Fifth Ward Saints. Per the initiative, $2 of every sale will be donated to The DICK’S Sporting Goods Foundation to support worthwhile underfunded sports endeavors.
Ben Quinn of Superprime directed this short, titled “Fifth Ward Saints,” for Anomaly, NY. Jeff Ferruzzo of Arcade edited the film.
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Credits
Client DICK’S Sporting Goods Agency Anomaly Production Superprime Ben Quinn, director; Ryley Brown, DP; John Lesher, managing director; Michelle Ross, managing director/EP; Roger Zorovich, EP/head of production; Colleen O’Donnell, EP; Salli Ziles, producer. Editorial Arcade Jeff Ferruzzo, editor; Andrew Balasia, editorial assistant; Sila Soyer, EP/partner; Andrew Cravotta, post producer. Postproduction Arcade Tristan Wake, Flame artist; Mark Popham, Flame assistant.
We’re eating microplastics. We’ll never be able to retire. Everything seemingly sucks. So today Pika, the social-first AI video platform that brings your wildest and weirdest ideas to life, has launched a campaign depicting how it gives you the power to change your reality. Maybe not for good, but for a minute. This campaign anthem film, “Pikapocalypse,” developed by the Pika creative team with production and marketing support from Ceiling Train, directed by RSA Films’ Marie Schuller and edited by Abandon’s Val Thrasher, shows users how swapping and morphing pieces of their world--their cat’s poop into a beautiful bonsai, for example--can make reality optional. And certainly more fun.
Pika CEO Demi Guo explained, “We wanted the piece to challenge who AI is for and what they can do with it. Unlike a lot of competitors, we focus on the everyday social creator – and we wanted the expansive creative possibilities of our platform to come through equally with the ease of use.”
“Pika’s take on how they position themselves within this word felt really refreshing to me,” said RSA director Schuller, “because they saw themselves as a token of irreverent, ridiculous, hilarious and desperately needed entertainment. ‘Everything is terrible. No, it’s not,’ is an incredibly dark humored line as we watch a meteor transform into a grinning dough face, but it made me laugh, and that’s exactly what I would like to get out of a brand like Pika.”