Procter & Gamble’s Olay is back in the Super Bowl with a commercial, created by Badger & Winters, that continues the brand’s commitment to inspire women to “Face Anything.”
Inspired by the first all-female space walk last year, Olay’s spot stars Lilly Singh and Busy Philipps who take a trip into outer space with retired astronaut Nicole Stott. Their space mission is overseen by Mission Controller Taraji P. Henson and reported on by news anchor Katie Couric.
Directed by Jamie Babbit via production house Independent Media, the ad puts this crew of women on the quest to #MakeSpaceForWomen.
Madonna Badger, chief creative officer of Badger & Winters, said, “The Super Bowl is advertising’s biggest night, which is why we wanted to go big as well. With ‘Make Space for Women,’ we loved combining a bit of wordplay with the very serious world of science and technology—a world, by the way, that continues to exclude women in large numbers. We’re very excited to partner with Olay to help change that and thrilled to be working with so many talented women behind the camera.”
Credits
Client P&G/Olay Agency Badger & Winters Madonna Badger, founder, chief creative officer; Jim Winters, president; Natalie Troubh, managing director; Celeste Holt-Walters, head of production; Grace Chu, executive creative director; Matthew Scott, Kristen Murphy, James Best, associate creative directors; Nate McCain, art director; Julie Amenta, sr. producer; Willem Koppel, producer. Production Independent Media Jamie Babbit, director; Janusz Kaminski, DP; Susanne Preissler, executive producer/managing director; Liam Ahern, exec producer; Fern Martin, head of production; Denise Roccietti, line producer; Steve Saklad, production designer; Chris Berger, 1st A.D.; Leslie merlin, 2nd A.D.; JoEllen Redlingshafer, Hayley Adams, punch up writers. Glam Choo-Choo Kim, Roseanne Fiedler, costume designers; Kindra Mann, Aaron Paul, Ashunta Sheriff-Kendricks, makeup; Isaac Prado, hair & makeup. Kristin Heitkotter, Chad Wood, Tymothy Wallace, hair; Nettie Davis, manicurist. Editorial Arcade Edit Kim Bica, partner/editor; Sila Soyer, partner/exec producer; Ellen Lavery, Sarah Schachte, post producers; Chris Angel, Chris Messier, assistant editors; Scott Pallo, After Effects. VFX/Finishing The Mill Anastasia von Rahl, exec producer; Katherine Maidment, producer; Mary Mondrus, production coordinator; Ellie Thwaites, Siddharth Baloni, production support; Becky Porter, Bowe King, creative directors; Scott Johnson, Renjith Raveendran, 2D leads; Gaurav Mathur, CG supervisor; Corey Dimond, Patrick Kipper, motion graphics. Color Technicolor Sparkle, sr. colorist; Casey Odell, commercial producer. Audio Heard City Elizabeth McClanahan, Evan Mangiamele, audio mixer/sound engineer; Gloria Pitagorsky, managing director/partner; Andi Lewis, producer; Sasha Awn, Jackie James, exec producers. Music Penka Kouneva, composer. Talent Taraji Henson, Katie Couric, Busy Philipps, Lilly Singh, Nicole Scott. STEM students: Brianna Acosta, Jaila Brazzle, Camille Chase, Maria De La Torre, Rebecca Hochma Fisher, Autum Hudson, Sara Kamine, Marcha Iatrungrit, Olivia Lewis, Christina Miller, Myra Modregon, Krystel Roche, Janine Chua, Manju Bangalore, Christina Michalov.
FCB Health New York, an IPG Health company, and SAFE Project have joined forces to create “The Snowball,” a short film that spotlights winter as a common catalyst for dangerous increases in alcohol consumption. In collaboration with creative studio LOBO, “The Snowball” combines a compelling visual metaphor with cutting-edge animation and a haunting soundtrack from Billie Holiday.
As millions embrace “Dry January,” the onset of colder, shorter winter days still leads to an uptick in alcohol misuse, which can lead to liver cirrhosis and other medical maladies and dangerous consequences for one’s life. Speaking to casual drinkers, “The Snowball” visually illustrates how anyone is at risk of becoming addicted to alcohol during this time of year when external climate variables can lead to excess consumption, even if the drinker does not immediately realize it.
Making good on the metaphor, the film follows one man as a quick liquor run gradually devolves into a full-blown addiction as a snowball gradually grows beside him, engulfing his whole life and eventually causing his demise. Set to the tune of Billie Holiday’s “Everything I Have Is Yours,” the film’s pathos is drawn from the sonic integrity of Holiday’s original recording maintained in the sound design as well as the singer’s tragic battle with substance abuse.
This entirely animated film was created using a hands-on, collaborative process rooted in traditional animation techniques, with every aspect of the artwork creation, design, and craftsmanship crafted entirely by human hands. AI-driven tools and processes were brought in during the animation rendering stage, helping the film achieve a distinct visual style that would have been difficult to achieve through... Read More
