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    Home » The Best Work You May Never See: Aardman Combats Malaria With Animated Short

    The Best Work You May Never See: Aardman Combats Malaria With Animated Short

    By SHOOTMonday, March 19, 2018Updated:Wednesday, May 15, 2024No Comments4179 Views
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    Animation studio Aardman has teamed up with the global campaign, "Malaria Must Die So Millions Can Live," to raise awareness of the deadly history of malaria and call upon leaders to “unite and fight” the disease that takes the life of a child every two minutes.

    Voiced by actor Hugh Laurie, the animated piece takes viewers through the history of the disease from the first recorded case in Ancient China–4,718 years ago–to current day. This engaging short film by Aardman also highlights the huge progress that’s been made in the fight against malaria, while reminding us that half the world’s population is still at risk, fighting against the threat of drug resistance.”

    This animation for Malaria Must Die continues the tradition of Aardman creating content for charities and not for profit organizations, helping them to communicate complex messages through the medium of animation. Recent projects include “Share the Orange” and “Santa Forgot” for Alzheimer’s Research UK and “Pantosaurus” for the NSPCC.

    Danny Capozzi, animation Director at Aardman, said, “We love making films for charities because it gives us the opportunity to use our creativity in a meaningful way beyond simply entertaining. Storytelling through animation can be a powerful tool in helping people to understand complex or difficult subjects and we felt it was important to take a sensitive approach to recounting the history of malaria. We hope that our film achieves this by communicating a difficult message in an accessible way for the Malaria Must Die campaign and helps in the fight against this terrible disease.”

    Capozzi added, “Being a film about the history of Malaria, we wanted it to have a vintage 8mm projector feel but with a unique graphic style that would capture the audiences attention. The production of the film was very fluid and organic and we added little gags and funny nuances along the way, becoming richer every day.”

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    Credits

    Client Malaria No More UK Production Aardman Animations, Bristol, UK Danny Capozzi, director; Gareth Owen, producer; Jane Davies, 2D animator; Christopher Bowles, Joe Wood, additional animation; Fernando Lechuga, compositor; Dan Pask, Dominic Pitt, editors. Music Hitpoint Richard Clarke Sound Design Laura Izzard, sound designer; Colin Chipchase, sound designer, dubbing mixer.

    Media Type:Film: Short
    ScreenWork Categories:Short film
    Screenwork Type:Best Work
    Video Tags:AardmanDanny Capozzi



    Blinkink Crafts A Baroque Stop-Motion Trip To The Moon For Dior

    Friday, February 13, 2026

    Blinkink has unveiled this richly imaginative stop-motion film for Dior titled A Ride of the Moon, directed by Nina Gantz and Renee Zhan, and voiced by 070 Shake. Conceived as a collaborative triumph of human craft, the film stands as a poetic reminder of the value of handmade artistry in an era increasingly shaped by automation and AI.

    Inspired by classical cinema--most notably Georges Méliès’ Voyage dans la Lune--the film for Dior’s Lunar New Year campaign is a baroque-infused journey that blends cinematic language with theatrical illusion. Set within an ornate 18th-century French theatre, it unfolds as a modern fairy tale told through flamboyant design, charming stop-motion animation and playful surrealism.

    The film builds around a Lunar New Year story, where a brave little horse’s showdown with a powerful, sassy adversary plays out. While cinematic and ambitious in scope, the film never takes itself too seriously, finding humor in exaggerated performances and clever theatrical tricks.

    The horse character is modelled after the Dior horse charm, assembled from sewing components and brought to life through meticulous stop-motion craftsmanship. The Moon appears as a Marie Antoinette-esque figure, who brings humor through an over-the-top performance.

    The production embraces old-school theatre mechanics to enhance its sense of wonder. Strings holding up clouds are deliberately visible, trapdoors open in the stage floor and sheets of translucent fabric become shimmering fountains. These visible illusions celebrate the joy of theatrical ingenuity and handmade problem-solving.

    The sets were entirely hand-painted and constructed, combining flat, painted backdrops with half-2D, half-3D elements. Layered sets,... Read More

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