Denver ad agency Cactus created this spot, “Mayhem Scratch,” for longtime client Colorado Lottery
With a nod in part to bowling-themed films such as The Big Lebowski and Kingpin, the new ad opens with contestants in a local bowling tournament learning that runner-up prize-winners go home with the new scratch-off games from the Colorado Lottery. Thus there’s a major incentive to tank as the bowlers do their best to fail–from throwing balls into the gutter, off the wall and even the ceiling, antics accompanied by deadpan play by play from sports commentators.
“By dropping Mayhem Scratch games into the middle of a bowling league championship, we were able to illustrate the allure of instant cash and create a little mayhem of our own,” said Cactus creative director Shea Tullos. “No bowlers were harmed during the filming of this commercial.”
Brendan Beachman directed via production company Content/s.
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Credits
Client Colorado Lottery Agency Cactus, Denver, Colo. Norm Shearer, partner, chief creative officer; Brian Watson, VP, executive creative director; Shea Tullos, creative director; Will Patterson, sr. copywriter; Hailey Simon, sr. art director; Martha Douglas, sr. integrated producer. Production Company Content/s, Littleton, Colo. Brendan Beachman, director; Colin Arndt, DP; Leslie Allen, exec producer; Daniell Taff, line producer. Postproduction & Color 11 Dollar Bill, Boulder, Colo. Wayde Samuel, editor; Clark Jackson, colorist; Brittany Horwege, producer; Lisa Effres, exec producer. Audio Post Coupe Studios, Boulder, Colo. Greg McRae, sound engineer; Aaron Lasko, producer. Music Marmoset Music, Portland, Ore., licensing of “The Bowling Song” by Joe Montgomery
Toyota and Chicago-based agency Burrell have launched the Toyota BEV Family Campaign: a series of spots that follow electric vehicle skeptics as they’re won over by the bZ, bZ Woodland, and C-HR, one by one.
The campaign’s hero spot, “Haters Anthem,” opens on three skeptics portrayed as puppets, each one doubtful and vocal about it, who are converted into Toyota BEV believers after getting behind the wheel. When they convert, the puppets transform into their human selves.
To build them, Burrell partnered with Jim Henson’s Creature Shop, which designed and built five custom puppets over six weeks, each with intricate mechanisms for unique arm and foot movements. A dedicated hairdresser ensured curly locs, fades, and twists were executed precisely and matched across both the puppet and human versions of each character. An all-Black puppeteer team, led by puppet captain Raymond Carr, handled performance and choreography throughout.
The work was directed by Paul Hunter via production house PRETTYBIRD, with “Haters Anthem” by Infinity Song, a four-sibling soft rock band signed to Roc Nation.
Burrell’s creative is grounded in a real audience insight: Black consumers have been underserved by the EV category, and nobody has built a campaign that reflects their vision of what electric driving looks and feels like. This one does. The humor, the music, the puppetry, and the transformation are all in service of a single idea: get someone skeptical behind the wheel, and let the car close the deal.
“There’s a thin line between a skeptic and a hater, and we leaned into that energy instead of away from it,” said Tara DeVeaux, CEO of Burrell. “The puppets give us permission to be honest about the doubt, and the... Read More
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