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    Home » The Best Work You May Never See: Director Christian Schilling Pulls Strings For Duracell In “Revived” Spec Piece

    The Best Work You May Never See: Director Christian Schilling Pulls Strings For Duracell In “Revived” Spec Piece

    By SHOOTMonday, May 24, 2021Updated:Tuesday, May 14, 2024No Comments4409 Views
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    Writer-director Christian Schilling headed a team of commercial film students from the Filmakademie Baden-Württemberg in Ludwigsburg, Germany, to make this branded spec short for Duracell. Schilling is an alum of SHOOT’s 2018 New Directors Showcase.

    Titled Revived, this piece introduces us to Carl who was born with a cord on his back, on which you have to tug, serving to wind him up like a music box. As a young soldier he awakes on a rubber boat in the middle of a rapid river. Suddenly they are attacked and his friend Henry floats lifeless in the water. A race against time begins, while fragments of his childhood shoot through his mind.

    In the end for our main character with his wind-up cord, the power of friendship and the power of the battery is the salvation. The power of friendship charges the main character like a Duracell battery.

    The film–which went toward earning diplomas for its creators–was made over the past couple of years with two shooting blocks–during mid-2019 and then at the end of that year. Approximately 80 crew members and just over 100 extras were involved in the making of the film. Just a few weeks ago, visual effects were wrapped on the project and it was released.

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    Credits

    Production/Creative Christian Schilling, writer-director; Simon Drescher, David I. Dincer, DPs; Christian Arnold, Daniel Kottirsch, executive producers; Jan Scheurer, production design; Laura Schaffler, costume designer. Editorial Ernst Lattik, editor Music Alexander Wolf David (wolfsrudelmusic), Peter Sainio, composers; Deutsches Filmorchester Babelsberg, orchestra; Meike Katrin Stein, orchestration. Sound Design hyve.audio Robin Harff, Floyd Fürstenau, sound designers; Johanna Roth, Foley artist; Max Hartstang, Foley recordist. Audio Mix Robin Harff, mixer. Postproduction Slaughterhouse Philipp Breidthardt, post producer. Color Grading acht.studio Maximilian Baule, colorist. Crew Austria/River David I. Dincer, underwater cam operator; Justin Braun, on-set VFX supervisor; Jeannine Bieri, makeup artist; Vanessa Kilchenmann, costume design assistant. Crew Germany/Village Michael Hessenbruch, production coordinator; Boris Katrev, additional VFX; Coline Cisar, costume design assistant; Paolo Celano, Jeannine Bieri, makeup artists/prosthetic. Casting Kastwork Ltd. Cast Agencies BCCreative Ltd, Katie Threlfall Associates. Cast Alex Hope, Angus Dunican, Oskar Netzel, Anton Krymskiy, Natascha Kuch, Gesine Hannemann, Anna Maleika

    Media Type:Commercial: Spec
    ScreenWork Categories:Short film
    Screenwork Type:Best Work
    Video Tags:Christian SchillingFilmakademie Baden-WurttembergSHOOT New Directors Showcase



    The “A” In AI Stands For Awkward In Tongue-in Cheek Parody Ads Featuring The Jonas Brothers For Almond Breeze

    Monday, January 12, 2026

    Almond Breeze is tapping into its target Millennials audience’s love of music and the Jonas Brothers to kick off the new year. Created by agency McKinney in partnership with CYLNDR Studios, this three-minute film follows the Jonas Brothers’ fictional “brand partnership agents,” Nate and Jane, who pitch the trio a series of wildly misaligned concepts for their partnership with Almond Breeze. First, there’s Kevin Jonas battling intergalactic “milky monsters” in a hyper-stylized AI action epic. Then the brothers transform via “generative” enhancements into fragrance-ad heartthrobs presenting Almond Breeze with awkward sensuality. The last idea shows the brothers in a throwback milkman fantasy that misses the mark entirely. After wading through the AI-fueled chaos, the brothers propose ditching the AI gimmicks and just delivering a straightforward truth about Almond Breeze being “really good.”

    In collaboration with McKinney, the AI-driven sequences were executed by CYLNDR Studios, with early creative involvement shaping the AI scenes to play to the strengths and weaknesses of the platforms, guided by artistic sensibilities, creative direction, and design skills. The result is a long-form ad made from ads that poke at the cultural conversation around AI “slop,” using humor to highlight how easy it is to generate content today, but how rare it is to make something that actually resonates. The long-form film and the series of :30s, :15 :06s AI spots debuted last week, running across OTT, OLV and social.

    This launch also kicks off the next phase of Almond Breeze’s partnership with Jonas Brothers, inviting influencers to develop their own AI Jonas Brother ads for the brand. Select submissions will be featured on Almond Breeze’s... Read More

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