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    Home » The Best Work You May Never See: Frederic Planchon Directs Love Story For Renault UK, Publicis•Poke

    The Best Work You May Never See: Frederic Planchon Directs Love Story For Renault UK, Publicis•Poke

    By SHOOTWednesday, November 13, 2019Updated:Tuesday, May 14, 2024No Comments4540 Views
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    Celebrating 30 years in the making for the brand new Renault Clio, this U.K. spot–directed by Frederic Planchon of Academy Films for London agency Publicis•Poke–shows us how the car model has evolved over the years. But that’s just the backdrop as more front and center is how a loving relationship develops over that same time span. Two girls meet in a foreign exchange program, become friends and much more over the years–a journey that has its joys, trials and tribulations.

    Adam Wood, marketing director at Renault UK, said: “Renault brings people’s passion for life a little closer through our cars. We wanted to humanize and celebrate, not just thirty years of progress of the Renault Clio, but also the progress made within culture, society and life in that time. The Renault Clio is as in tune with the times today as it always has been.”

    Dave Monk, executive creative director at Publicis•Poke, said: “Britain has had a love affair with the Renault Clio since the ‘90s halcyon days of Papa & Nicole and wind up windows. Many things have changed in those thirty years. While technology, design, attitudes and culture will always shift and change, one thing will always stay the same as long as humans have hearts. The love story. This is a simple and universal tale of two souls on their own enduring journey of life, love and passion.”

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    Credits

    Client Renault UK Agency Publicis•Poke Dave Monk, executive creative director; Colin Byrne, group creative director; Rob Butcher, Tom Genower, creative directors; Miranda Ross, Calvin Lyon, strategists; Colin Hickson, head of film production; Joss Haynes, assistant producer. Production Academy Films Frederic Planchon, director; Stephane Fontaine, DP; Dulcie Kellett, Simon Cooper, producers. Editorial Assembly Rooms Sam Rice-Edwards, editor. Postproduction MPC Jean-Clement Soret, colorist; Timo Huber, VFX. Audio Post Wave Studios Parv Thind, mixer. Music Soundtree, London Luis Almau, composer; Jay James, producer. Sound Design Wave Studios, London Parv Thind, sound designer

    Media Type:Commercial: Television
    ScreenWork Categories:Commercial
    Screenwork Type:Best Work
    Video Tags:Academy FilmsFrederic PlanchonPublicis



    The Best Work You May Never See: Writer-Director Steve Fuller’s AI Spec Spot For The Amazon Fire TV Stick

    Friday, March 6, 2026

    Steve Fuller wrote, directed and served as artificial intelligence creative lead on this AI spec film for the Amazon Fire TV Stick.

    Fuller took on the spec piece not as a tech demo but rather as a storytelling experiment. He was no stranger to AI going into the project, having deployed it for the past couple of years on treatments and as a means to supercharge his design work. Still, the veteran director--who’s enjoyed a longstanding relationship with Jeff Lewis’ The Directors Network--felt the need to learn and experience more when it came to AI. Thus he initiated a spec piece so he could integrate AI even better into his narrative toolbox.

    Spurred on by a desire to discover how his directing instincts could translate into the best utilization of AI resources, Fuller came up with a creative concept for a product he was a user and fan of--the Fire TV Stick. What if a treasure trove of iconic characters and worlds were racing towards a huge Fire TV Stick in the middle of a desert, converging there in order to compete for viewer attention? And the climax of the spot has a household about to make the fateful choice for what they’re going to watch from all these varied options and forms of entertainment.

    While via AI he was able to amass major celebrity talent and elements of blockbuster entertainment franchises for the Fire TV Stick adventure, that wasn’t the objective for Fuller who explained, “I was not trying to make a short film and suddenly have it star Brad Pitt or Tom Cruise. Instead I wanted to see if I could use AI to make a really big and epic commercial.” The spec project was designed to open up the opportunity to curate imagery, create video sequences--all the while making choices as a director. “I approached it as I... Read More

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